Himself
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NEW YORK CITY. 1989. While Hungary remains under Communist control, two Hungarians escape to the United States in search of a new life, or at least new friends.
In an effort to end family feuding, a young gypsy travels back in time to kill mammoths to ensure Hungary becomes rich by killing mammoths in order to create a massive oil reservoir. Things don't go entirely according to plan...
What is the point of trolling? Can sport be replaced by humour? Was there life before mobile? Would women be better men or would men be better women? What good is a flag when the wind is not blowing? These questions are not answered in Hadházi's new solo show, but at least it's something to laugh about. We'll take László.
Andreas, a young German student comes to Hungary on an exchange programme. In the Hungarian village he falls in love with the stationmaster's daughter Piroschka and spends much of his time with her. They have an enchanting summer until Andreas gets an invitation to join another young woman at a nearby resort. Piroschka is jealous and follows him there, causing trouble. It takes a long time for Andreas and Piroschka to even talk to each other again. When Andreas has to leave Hungary at the end of his holiday, he is determined to return some day.
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The story of Bendegúz, the teenage boy who never succeeds in anything and about whom everybody's first though is "I wish you had been hanged when you were born!" drops out of school and becomes a cowboy. He works for the Stationmaster whose cows he has to graze by the railway. Despite his goodwill and kindheartedness he always manages to spoil everything he touches. No matter his wit, he gets into humiliating situations and regularly fights with the Ugly Witch (the Stationmaster's mother-in-law). However his good spirit and cheerfulness never leave him.
In the Temesvar Province, a landowner returned from exile marries a gypsy girl who is revealed to be the daughter of a Turkish Pasha and the rightful owner of a hidden treasure. Next to "Die Fledermaus", DER ZIGEUNERBARON is Johann Strauss’s most popular operetta. The libretto gave Strauss the chance to revel in such contrasting musical forms as the Csárdás and the Viennese waltz. The style of the lied forms and ensembles is so original and finely balanced that the "Gypsy Baron" can truly be called a comic opera. Among the leading names of the stellar cast in this exuberant 1975 film of the operetta are Wolfgang Brendel, Ivan Rebroff, Janet Perry, Ellen Shade, Martha Mödl and, in the role that launched his career, Siegfried Jerusalem as Sándor Barinkay.
In the one-hour show, Bödőcs not only looks for answers to the meaning of life and gives gardening tips, but also doesn't leave the more important questions unanswered. It's a great show not only for hobby gardeners, but also for fans of hilarious humour and quality stand-up.
Miklós Fenyő's evergreen lines could be the beginning of the Karinthy-ringed rock'n'roll humorist László Hadházi's solo evening. Everything is given: enthusiastic audience, light and sound equipment, stage, kitchen and beer masterpieces, guitar, guest speakers. "I've picked up some local stories. Stories that are truly Hungarian, in the best and funniest sense of the word. There are many things in our mentality that a foreigner doesn't understand even if he has lived here for years. It's natural for us, but we end up laughing at it ourselves. That's what the title refers to: 'Méd in Hungeráj', says Laci, who is always in his element. He introduces the stage, talks about the family, takes me on trips abroad, inland, to Debrecen, even behind the soundproofed door of the oral surgery, sings with Bruti and Tibor Aradi, while all the stories are Hungarian. Very Hungarian.
Four good old friends - all railwaymen until the change of regime - will be the victims of the cutbacks. Many years later, when the old station has been removed by thieves, the former stationmaster of Honos village, Lajos Zsuzsa, receives a notice from the town to go to the station office. Lajos Zsuzsa, in order to get the four friends occasionally back to work, lies that the station still exists and that they are able to carry out their duties.
Balázs Hajdú's solo evening gives us a peek into the life of the youngest member of the Svetes humor mafia, which is made really exciting and personal by his childhood photos, his diary written as a teenager, and photoshop pictures he took himself. In addition to all this, his performance includes a love test, stand-up comedy and other improvisations. All you have to do is buy your tickets quickly and then get a good night's sleep, because everyone needs a rested brain to receive the right quality of reception. By his own admission, his first solo night was so self-contained that he was alone in the room, but it was so well done that word quickly got out about his excellent atmosphere. After the huge successes of Harry Potter and Twilight, here's I'll say it slowly.
One man stands up in front of many people and speaks his joys and sorrows. What is this if not therapy? Yes. It is. András Péter Kovács breaks down inhibitions, sheds tears, brings relief and liberation. He does all this under the spell of family experiences and problems. The stakes are not small. One man's life through one man's life. From birth to the final goodbye. The oft-heard phrases we hate as children, use as parents, criticise as grandparents. "As long as you eat my bread...", "But at my age...", "I don't want to interfere, but...", "That won't get you anywhere with me...". Human games in the family as a child and as an adult, as seen through the eyes of a comedian who is a child, husband, father and relative. Pereputty, or emotional rollercoaster in the family circle.
László Hadházi's solo evening with topical, colourful tabloid images from everyday life in our country, from amusement parks to radio broadcasting and healthcare. The Karinthy-ringed comedian's January 2014 show, Méd in Hungeráj, is an exciting sequel. Hosted by István Bellus. "Hairy, smiley rock 'n roller" (Bristol Népe) "I thought he was fatter." (Marie Claire) "The pork killing stuff almost made me piss my pants." (Washington Post) "I'm sick of this quote-unquote joke." Nóra Oravecz Bottomless promises and blatant lies about the show. Mirtil the kitten and the Pig Killing combined with the Totya and the light bulb story. Story with a guarantee! A constant flow of humour towards the diaphragm muscles, even from multiple sides. With humour and page guarantee!
This time, Kapa and Pepe are first of all prisoners of war – and convicts taken to forced labor service, Jews, Hungarian soldiers, German soldiers. Once they are to be executed, then again they are to perform executions. The film tells in spectacular episodes about the fact that in the past more than one century and a half we kept marching from war to war; occupation and liberation turned out to be indifferent, and why couldn’t the Jews execute the SS-guys? Our heroes hover about dilapidated barracks, then again on the bridges of the capital they guess whose satellites or eternal friends for all times we might be just now. In the cupboard, among the preserved fruit bottles, Stalin is still hiding. The authors of the film are cited before court, then in a showcase hospital they are waiting for the end to come. A Soviet soldier-maid closes the film with a Péter Nádas-quote.
By the notes of Fiáth Pompeiusz, the one-time friend of Kapa and Pepe, Professor Szirtes has solved the secret of the time machine, and he realizes the invention relying on "special" H2O. Kapa and Pepe shall return by it into the past in order to set time right, which is out of joint, that is, to correct history, to save King Louis II, and prevent the Mohács Disaster. Pepe yields to the not too tender persuasion to enter upon the great journey through time, dies and revives, and they arrive at the battlefield of Mohács in time. Kapa films the events. The Turks win and cut off the king’s, Pepe’s, head, still the Hungarians dictate the peace treaty. Kapa and Pepe want to return, they fill the time machine up with water from the well, yet it won’t start. Even so Kapa and Pepe hover over Budapest and quarrel.
A brothel in a small Hungarian town becomes the home of a medical student after his favorite working girls find out he's out of rent money. Trouble brews as they learn his mother is coming for a visit and they must transform the house.
PFC Molnár decides his WWII services are over, and with serious money hidden in his hand grenades, he heads to an abandoned mansion where he encounters not only the sour butler but a bunch of others who also try to wimp out of their duties.
What happens when two eccentric individuals—a grandfather and his grandson—are forced to spend an entire weekend together? Based on stories and screenplay written by Olivér Gömbös, a young creator on the autism spectrum. For many years, Olivér has been expressing himself and his view of the world through unique film narratives. With a talented creative team and outstanding actors, director Tamás Németh Pákolicz has helped bring Olivér’s greatest cinematic dream to life.