Developed as a "visual album", Beyoncé's songs are accompanied by non-linear short films that illustrate the musical concepts conceived during production. Its dark and intimate subject material includes feminist themes of sex, monogamous love, and relationship issues, inspired by Beyoncé's desire to assert her full creative freedom.
One of the defining pop groups of the 1980's, the ebullient duo Wham! were chart toppers and award-winners. With their straightforward, infectious dance pop, members George Michael (who went on to become a very successful solo artist) and Andrew Ridgeley became two of the first MTV bred superstars. THE BEST OF WHAM! takes a comprehensive musical look at their illustrious career, and features their historical concert in China (the very first by a Western pop group) and their farewell concert at Wembley Stadium.
Video Rewind by The Rolling Stones is a compilation of video clips recorded between 1972–1984. Instead of just presenting unrelated clips and videos just strung together, it uses a framing 'story', featuring Bill Wyman and Mick Jagger, directed by Julien Temple and includes some video directed by Michael Lindsay-Hogg. It was first released in 1984 on the VHS, Laserdisc, and CED Videodisc format by Vestron home video.
No overview available.
More New Wave Hits from the 80s China Crisis– Black Man Ray Heaven 17– Temptation Duran Duran– Save A Prayer Culture Club– Do You Really Want To Hurt Me Kim Wilde– Cambodia Kajagoogoo– Too Shy Spandau Ballet– Only When You Leave Ultravox– Vienna Climie Fisher– Rise To The Occasion Living In A Box– Living In A Box Jesus Loves You– Generations Of Love Thomas Dolby– She Blinded Me With Science Marc Almond– Tears Run Rings Dexy's Midnight Runners*– Geno Go West– We Close Our Eyes Hue & Cry– Looking For Linda Fun Boy Three– Tunnel Of Love Human League*– Human
Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.
This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.
Cecil Taylor was the grand master of free jazz piano. "All the Notes" captures in breezy fashion the unconventional stance of this media-shy modern musical genius, regarded as one of the true giants of post-war music. Seated at his beloved and battered piano in his Brooklyn brownstone the maestro holds court with frequent stentorian pronouncements on life, art and music.
Various musical episodes make up this film-magazine in which Del Carril tried to merge his two great passions: cinema and tango.
Walzer is an excerpt taken from a work by the same name. Pina Bausch premiered it in the summer of 1982 at the Carré Theatre in Amsterdam and filmed it in the autumn of the same year in the theatre of Wuppertal. When in 1986 the German radio station Norddeutscher Rundfunk in Hamburg asked for a recording, Pina Bausch selected and edited the material into the film Walzer.
Girls Aloud: Ten Years at the Top is a documentary released to coincide with the tenth anniversary of British all-female pop group Girls Aloud. Aloud. The documentary explores their origin and history, solo projects, and reuniting. It includes new interviews and previously unseen footage.
In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band, Stillwater.
An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.
No Trailers found.
Self
