Motu and Patlu are your home-grown Laurel and Hardy in an animation avatar. They befriend a circus lion, Guddu and attempt to save the jungle from a greedy poacher.
Trailer
Guddu
Motu / Patlu
Jo Bole So Nihaal (also transliterated as Jo Bole So Nihal; literally meaning "Whoever utters shall be fulfilled") is a 2005 Bollywood action comedy film, directed by Rahul Rawail. It stars Sunny Deol, Shillpi Sharma and Kamaal Khan in lead roles, whilst Nupur Mehta and Surekha Sikri appear in major supporting roles; the director also plays an antagonistic role in the film. Singer Kamaal Khan appeared first time on big screen in a negative role. This movie was his debut movie as actor. The film's release was met by protests from Sikh groups, who took offense at its use of a Sikh religious phrase as its title,[1] as well as scenes in which a Sikh police officer is shown being chased by scantily-clad women[citation needed]. Two bomb attacks on 22 May 2005 on theatres in New Delhi showing the film killed one person and injured 49, prompting cinema owners to pull the film, in some cases voluntarily and in some states as a result of a government order.
India's Biggest Franchise is back with the 5th instalment, and this time it is not just chaos and comedy.... But a KILLER Comedy!
A single pregnant woman living without her husband or any man, alone, in a society of people where everyone questions her character and mysterious lifestyle. Reluctantly, Divyendu Sharma finds himself involved in her life. His aunt, played by Dolly Ahluwalia, is a woman who lives in Badnaam lane (name of the residential complex in Delhi) and keeps track of the society she lives in and keeps her nephew informed about the whereabouts of its residents, particularly the Bengali surrogate woman, Patralekhaa.
Shudra: The Rising is a Hindi language film with a storyline based on the caste system in ancient India, and more specifically the Hindu Varna system. It is directed by Sanjiv Jaiswal and dedicated to Bhim Rao Ambedkar. The film depicts the four basic units of the caste system - the Brahmins, Kshatriyas, Vaishyas and the Shudras. The film shows various rules imposed on the Shudras such as waking with a bell around their ankles and a long leaf behind their back,and a pot hanging around their neck.
Batra family has just four days left to vacate their house of 34 years. Amidst the mayhem and uncertainties of the future, insecurities and secrets surface.
Shri Krishna Leela is a 1971 Hindi religious film directed by Homi Wadia. It was produced by his Basant Pictures banner. Written by B. M. Vyas, the story and dialogue were by S. N. Tripathi.
Thorny questions of love and sexuality take centre stage in this magical realist drama in which a genderless woodland being crashes into the lives of a jaded couple.
Hawaa Hawaai is a story of the triumph of the human spirit; friendship and enjoying the journey of making ones dream come true. Arjun moves to the big city along with his mother and little sister. Out there he discovers a hidden world of in-line skating through coach Lucky, who mentors kids to become skating champions. While Arjun starts nursing the dream to learn skating under Lucky, his four friends get together to make this dream come true for him. In this endearing story of hope and aspirations, will Arjun's dreams take flight?
Takes a slightly different look at various layers of life in a city like Mumbai through the eyes of Ram Saran (Manoj Bajpai), a garage mechanic who hails from a small town. The film is also about his interaction with the different layers of society that is prevalent in the city.
Rahul, the director of a successful dance troupe, considers Nisha his best friend, though secretly, she is madly in love with him. He then falls for Pooja, who is engaged to Ajay.
Two straight guys pretend to be a gay couple to secure a posh Miami apartment, but fall for their gorgeous roommate. Hilarity ensues as they strive to convince everyone of the ruse while secretly trying to win her heart.
A lonely 40-ish man, likely to remain a bachelor, has a chance to find the love of his life when he falls for a vivacious young woman.
Banku, his mother, Anjali Sharma and father move in to their new house -- the Nath villa, unaware of the fact that the house is inhabited by a ghost. It is learnt the ghost is not too happy with his new housemates. But what the ghost is not prepared for is his unlikely friendship with Banku. Now Banku must uncover the reason why his ghostly friend is stuck and help him to attain salvation.
Lovinder Singh, a thief now in custody and facing trial, reflects on his life of crime while the press reflect on how he managed to get away with so much before being arrested.
The son of a wealthy businessman finds solace in drugs and alcohol when he breaks up with his childhood love.
An advocate faces heavy odds defending the brother of his sweetheart.
Madan Mohan Khullar, a lover of old Hindi films and music, has decided to start his life afresh. However, to begin a new day, one has to pass through a long night, and so must he.
Two enemy underworld Dons put their differences aside and marry their children, but a case of mistaken identity foils the plan.
Inspired by legendary folklore rooted in Arunachal Pradesh, Bhediya tells the story of Bhaskar, a man who gets bitten by a mythical wolf and begins to transform into the creature himself. As Bhaskar and his ragtag buddies try to find answers, he is worried that the monster in him will wipe out human existence in the local town.
Mumbai-based Rajendra Gupta works for Global Investment Group but is more engrossed in trying to get people, including his co-workers, to invest in a savings scheme. He even puts off being a parent, much to the displeasure of his wife, Suman, who he has been married to for over five years.
