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A docufiction film about the fall of Virgulino Ferreira da Silva, widely known as Lampião – the mythical bandit leader from the Brazilian northeast who fought the local power and put his name in history.
The origins of "cangaço", armed brigands in the Northeast between 1935 and 1939, interviews with some survivors of the fighting, police and outlaws movement. Interspersed with testimonials, authentic sequences of films made in 1936 by Benjamin Abraham, an Arab peddler who managed to film the famous band of Virgulino Ferreira da Silva, the "Lampião".
Scenes from the daily life of Virgulino Ferreira da Silva—the cangaceiro leader Lampião—and his group, captured by cinematographer Benjamin Abrahão. Their survival strategies in the sertão landscape, their gestures, habits, clothing, and diet are illustrated. Proud of their status, the group's main members are shown displaying their weapons and combat skills in the caatinga. Maria Bonita and Lampião appear in moments of tension and relaxation, highlighting the harmony of the band and, above all, the rigors of life as a cangaceiro. (Cinemateca Brasileira)
A man seeks revenge after his sister get raped by an unknown foreign, identified only by scar and a missing finger. But his payback journey is a long way and bears its surprises.
In the time of the "cangaceiros" in the badlands of the Northeast of Brazil, the cruel Captain Galdino Ferreira and his band abduct the schoolteacher Olívia, expecting to receive a ransom for her. However, one of his men, Teodoro, falls in love and flees with her through the arid backcountry chased by the brigands.
'Bruce' goes to head with bandits who are terrorising and murdering villagers.
On the day of Pedro Boiadeiro's wedding, a band of cangaceiros who survived the Angicos massacre invade his home, then proceed to beat him up, and abuse and murder his wife. Pedro sets out to get revenge on each one.
Romantic biography of Maria Bonita, daughter of a poor farmer who was kidnapped by Lampião and became his lover.
After the proclamation of the Republic, a group of fanatics in the sertão dreamed of and fought for the restoration of the Monarchy. At that bloody time, Fabiano, a quiet boy, becomes a cangaceiro and is attacked by the police. Although wounded, he manages to take refuge on a farm where he is hidden in by Lúcia, the farmer's daughter, with whom he falls in love.
This is a remake of Brazil's first international success in the cinema world. Just as its same name predecessor was, this film is a fictional version of the story of the "cangaceiros." These were bandits who sacked towns and spread terror throughout Northeastern Brazil in the 1930s. This group of outlaws is led by Captain Galdino and his wife Maria Bonita.
Brazil, the 1920s. The sadistic colonel Minas massacres the hometown of a famous cangaceiro (a kind of revolutionary bandit). The only survivor is a young farmer called Espedito; he is nursed back to health by a hermit who thinks he has been sent by God and therefore baptizes him the Redeemer. Espedito/The Redeemer forms his own gang of cangaceiros but doesn’t really understand what he’s doing until he befriends the proverbial European intellectual, a Dutch Oil prospector, who introduces him to important people. Espedito is hired by the Dutchman and a corrupt local governor, but then the Dutchman changes sides …
Based on the novel by Franklin Távora, the film follows the adventures of a father and a son in 18th century Brazil.
A Lebanese photographer living in Brazil in the '30s manages to film the band of Lampião, a legendary Brazilian bandit.
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Filmed behind closed doors in a castle, five young women aged 19 to 27 talk about how they became "sugar babies." This term refers to young women who agree to accompany older, often wealthy men in exchange for cash, gifts, or paid rent. Is this a mutually beneficial arrangement or disguised prostitution? Specialized dating sites exist, avoiding any reference to sex, even though it is an important part of the relationship. With courage, these five women candidly describe what their lives as "sugar babies" are like.
When filmmaker Karima Saïdi’s mother Aïcha develops Alzheimer’s at the end of her life, Karima decides to make a film portrait of her at her Brussels care home. Before oblivion descends for good. Aïcha is becoming increasingly confused, and Karima takes her on mental journey back into her past. The filmmaker uses Aïcha’s stories and a wide range of family archive material to create an impression of Aïcha’s life. We start with her youth in Morocco, are shown how her husband brought her from Tangiers to Belgium, and how she later went on to raise her children as a single mother.
This film will take you into a world seen by few people. Go behind the scenes in the movie business and see what happens when sex scenes are being filmed. This film is raw, unedited and very graphic.
This film is about the war. Where evil begets evil. Where there is no politics, questions and answers. This is a metaphysical, documentary parable about the endless war, as such. When it doesn't matter where this war is going or if there is an enemy at all. And the war has been going on since the creation of the world. And it multiplies. And her name is "Bitch".
Elvis and Priscilla are one of the most famous celebrity couples of all time. But the story that lies beneath the glamorous facade is more toxic than what first meets the eye. Elvis has defined Pricilla's life. His comment that she was "young enough that he could train her any way he wanted", in the end, came true. Though their relationship was bound by true love, what were the conditions that let it flourish?
