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A docufiction film about the fall of Virgulino Ferreira da Silva, widely known as Lampião – the mythical bandit leader from the Brazilian northeast who fought the local power and put his name in history.
The origins of "cangaço", armed brigands in the Northeast between 1935 and 1939, interviews with some survivors of the fighting, police and outlaws movement. Interspersed with testimonials, authentic sequences of films made in 1936 by Benjamin Abraham, an Arab peddler who managed to film the famous band of Virgulino Ferreira da Silva, the "Lampião".
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A man seeks revenge after his sister get raped by an unknown foreign, identified only by scar and a missing finger. But his payback journey is a long way and bears its surprises.
In the time of the "cangaceiros" in the badlands of the Northeast of Brazil, the cruel Captain Galdino Ferreira and his band abduct the schoolteacher Olívia, expecting to receive a ransom for her. However, one of his men, Teodoro, falls in love and flees with her through the arid backcountry chased by the brigands.
This is a remake of Brazil's first international success in the cinema world. Just as its same name predecessor was, this film is a fictional version of the story of the "cangaceiros." These were bandits who sacked towns and spread terror throughout Northeastern Brazil in the 1930s. This group of outlaws is led by Captain Galdino and his wife Maria Bonita.
Based on the novel by Franklin Távora, the film follows the adventures of a father and a son in 18th century Brazil.
Brazil, the 1920s. The sadistic colonel Minas massacres the hometown of a famous cangaceiro (a kind of revolutionary bandit). The only survivor is a young farmer called Espedito; he is nursed back to health by a hermit who thinks he has been sent by God and therefore baptizes him the Redeemer. Espedito/The Redeemer forms his own gang of cangaceiros but doesn’t really understand what he’s doing until he befriends the proverbial European intellectual, a Dutch Oil prospector, who introduces him to important people. Espedito is hired by the Dutchman and a corrupt local governor, but then the Dutchman changes sides …
'Bruce' goes to head with bandits who are terrorising and murdering villagers.
On the day of Pedro Boiadeiro's wedding, a band of cangaceiros who survived the Angicos massacre invade his home, then proceed to beat him up, and abuse and murder his wife. Pedro sets out to get revenge on each one.
Romantic biography of Maria Bonita, daughter of a poor farmer who was kidnapped by Lampião and became his lover.
A Lebanese photographer living in Brazil in the '30s manages to film the band of Lampião, a legendary Brazilian bandit.
After the proclamation of the Republic, a group of fanatics in the sertão dreamed of and fought for the restoration of the Monarchy. At that bloody time, Fabiano, a quiet boy, becomes a cangaceiro and is attacked by the police. Although wounded, he manages to take refuge on a farm where he is hidden in by Lúcia, the farmer's daughter, with whom he falls in love.
Ex flower child goes looking for revolutionary hero and finds a brilliant no-quitter with a good appetite.
On Valentine's Day, 1993, Caveh Zahedi decided to ingest 5 grams (a very large dose) of hallucinogenic mushrooms. For the first time in his mushroom-taking history, he had an experience of "divine possession," in which he felt that a divine being took possession of his body and spoke through him, in a voice that was not his, and with knowledge that he himself did not possess. He later tried several times to repeat the experience. I WAS POSSESSED BY GOD is the documentary record of one such attempt.
Jerry Wald has to write about radio, visiting Sid Gary gives him the tip it might be more easy for him to write this article at the radio station than at his newspaper office. At the studio they listen to the Boswell Sister's rehearsal, which is interupted by some not so friendly remarks by orchestra leader Abe Lyman, they listen at the door, where a Colonel Stoopnagel broadcast is prepared, as well as to the rehearsal of a new song for an broadcast by Kate Smith.
Filmed in 1938, less than a decade before Indian independence, Delhi has a curious tale to tell. ‘Delhi’, the viewer is informed, ‘is the cockpit of the Indian Empire’, it provides the ‘gateway to the riches of the south’. The opening sections of the film focus upon those who have tried and failed to establish a lasting power in the capital. ‘At Delhi’, the commentator states, ‘successive cities have been built by conquering invaders – each has fallen into disuse and decay’. The camerawork focuses on the ‘impressive ruins’ of these earlier invaders. Although the film also depicts the enduring architecture of Muslim rulers, such as Akbar and Shahjahan, it is stressed that their power has been superseded. Legend has it that it will be the ninth city of Delhi that ‘will endure and will rule forever’. Shahjahan had built the eighth.
No other country in the world has the same kind of affection and admiration toward Walt Disney and his art and characters as Italy. His movies are legendary and his stories belong to the collective imagination of generations of Italians who grew up with his world of dreams and hopes. This documentary explores this love story.
