A video magazine centered around horror films.
Herself / Hostess
Himself
Herself
During the Pinochet dictatorship, Jorge Lübbert became an instrument for the Chilean secret services, who forced him to work for them in an extremely violent way. He was able to escape from Chile and became a war photographer based in Belgium. Today, his son Andrés takes him back to the places of his unfinished past.
Edith and Eddie, ages 96 and 95, are America's oldest interracial newlyweds. Their unusual and idyllic love story is threatened by a family feud that triggers a devastating abuse of the legal guardianship system.
In this daring follow-up to The History of White People in America, comedian Martin Mull takes us on an in-depth look at such topics as White Religion, White Stress, White Politics, and White Crime.
When 30 women aged 67 - 84 from across America and around the world descend on Fall River, Massachusetts to compete in the 30th anniversary Ms. Senior Sweetheart Pageant, hilarity and heartbreak ensue.
A Documentary on the Making of 'Gore Vidal's Caligula'
A definitive documentary charting the rise and fall of Amicus film productions.
Lars Winnerbäck is one of Sweden's biggest artists for 15 years. At the same time he is one of those we know least about. Now Winnerbäck celebrates 20 years as an artist, despite barely filling 40. This documentary takes us closer to him than ever, while summarizing a musically unlikely career. But most of all, it gives an insight into an extremely complex human being, with all its weaknesses and characteristics reflecting an entire generation's feelings. In addition to Lars Winnerbäck is featured in the film Rolf Lassgård, Per Gessle and Melissa Horn. Director and producer are Øystein Karlsen, who is behind successes like Dag og Lilyhammer.
Documentary on various horror movies that Joe D'Amato directed and/or produced in the 1970's, 1980's, and early 1990's.
No overview available.
City of God – 10 Years Later investigates what happened to the actors who took part in the award-winning film directed by Fernando Meirelles and Katia Lund. This documentary shows what City of God’s worldwide success meant to their lives. Were the actors prepared for the film’s success? Did the social background of some of them prove stronger than the opportunity that came their way?
Faceless is a documentary film about the workings of an inpatient psychiatry unit, seen through the eyes of both the patients trying to get well and the staff trying to help them.
Documentary on the making of Gigi
On June 14, 1977, the eve of the first democratic elections after Franco's regime, Llorenç Soler and his crew go out into the street and ask passers-by which party they are going to vote for.
A profile of writer-director Billy Wilder
King Corn is a fun and crusading journey into the digestive tract of our fast food nation where one ultra-industrial, pesticide-laden, heavily-subsidized commodity dominates the food pyramid from top to bottom – corn. Fueled by curiosity and a dash of naiveté, two college buddies return to their ancestral home of Greene, Iowa to figure out how a modest kernel conquered America. With the help of some real farmers, oodles of fertilizer and government aide, and some genetically modified seeds, the friends manage to grow one acre of corn. Along the way, they unlock the hilarious absurdities and scary but hidden truths about America’s modern food system in this engrossing and eye-opening documentary.
Compilation of images of the amateur recordings of Madronita Andreu, Catalan intellectual of the nineteenth century, daughter of Dr. Andreu, famous for its pills and cough syrup.
A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.
How are the sex scenes filmed? What tricks are used to fake the desire? How do the interpreters prepare and feel? Spanish actors and directors talk about the most intimate side of acting, about the tricks and work methods when narrating exposed sex. In Spain the general rule is that there are no rules. Each film, each interpreter, faces it in very different ways.
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