Documentary - Tracing his career up to the point of his 1966 motorcycle accident and subsequent disappearance from the spotlight, this unauthorized documentary uncovers a side of Bob Dylan never revealed before. Includes extensive interviews and rare footage. - Mickey Jones
The extraordinary story of how Hollywood changed World War II – and how World War II changed Hollywood, through the interwoven experiences of five legendary filmmakers who went to war to serve their country and bring the truth to the American people: John Ford, William Wyler, John Huston, Frank Capra, and George Stevens. Based on Mark Harris’ best-selling book, “Five Came Back: A Story of Hollywood and the Second World War.”
After a quarter-century of political denial and social stigma, of stunning scientific breakthroughs, bitter policy battles and inadequate prevention campaigns, HIV/AIDS continues to spread rapidly throughout much of the world. Through interviews with AIDS researchers, world leaders, activists, and patients, FRONTLINE investigates the science, politics, and human cost of this fateful disease and asks: What are the lessons of the past, and what can be done to stop AIDS?
In 2011, Maine State Prison launched a pioneering reform program to scale back its use of solitary confinement. Bafta and Emmy-winning film-maker Dan Edge and his co-director Lauren Mucciolo were given unprecedented access to the solitary unit - and filmed there for more than three years. The result is an extraordinary and harrowing portrait of life in solitary - and a unique document of a radical and risky experiment to reform a prison. The US is the world leader in solitary confinement. More than 80,000 American prisoners live in isolation, some have been there for years, even decades. Solitary is proven to cause mental illness, it is expensive, and it is condemned by many as torture. And yet for decades, it has been one of the central planks of the American criminal justice system.
Documentary about the blacklisted folk group The Weavers, and the events leading up to their triumphant return to Carnegie Hall.
In the 1920s, former coal miner Harry Hoxsey claimed to have an herbal cure for cancer. Although scoffed at and ultimately banned by the medical establishment, by the 1950s, Hoxsey's formula had been used to treat thousands of patients, who testified to its efficacy. Was Hoxsey's recipe the work of a snake-oil charlatan or a legitimate treatment? Ken Ausubel directs this keen look into the forces that shape the policies of organized medicine.
No overview available.
Echo of the Mountain takes a look at the life and work of Santos de la Torre, a great Huichol artist who, like his people, lives in oblivion. Despite having made a great mural for the metro station Palais Royal – Musée du Louvre, Santos lives isolated and ignored in his country. This documentary follows his pilgrimage to Wirikuta, where he asks gods for permission to make a new mural; his journey across 385 miles of the Peyote Route, and Santos's creative process during the making of a new mural which aims to illustrate the history, mythology and religious traditions of the Huichol people.
The Common Touch tells the story of Jake Bailey, viral sensation and student of Christchurch Boys High School, who was told one week before his graduation speech about his diagnosis of life-threatening cancer.
Documentary film interviews leading African Americans on race, identity, and achievement.
During a decade rife with paranoia, in the middle of the McCarthy era, Music Inn was a bold experiment. Halfway between the Second World War and The Civil Rights Movement, Phil and Stephanie Barber created an oasis in the Berkshire Hills in Western Massachusetts where aspiring musicians came to learn from the very best. Students and faculty, young and old, rich and poor, white, black, and brown convened together and learned from each other. Defying the surrounding environment, Music Inn harbored a racial and cultural harmony where music was all that mattered.
On its surface, this is a film about a man returning to New York to finish the film he began in 1970, when he was a 22 year old film school hotshot. Along with his former lover and star of the film, they transfer the film, hire an editor, and get to work.
Following the 2002 HBO documentary "Journeys with George," Pelosi's irreverent account of George W. Bush on the campaign trail, she set out on the road again with a handful of distinguished men competing to see who could eat the most pies, raise the most money and get the most votes to become the Democratic Party nominee.
Following folk musician Joan Baez on her extensive 2008-2009 tour, this film commemorates her career, which has spanned five decades. It includes concert and archival footage as well as interviews with such disparate colleagues, friends and admirers as Bob Dylan, Jesse Jackson and David Crosby. In addition to the music, it also touchs upon Baez's long history of global social activism.
The Road Forward is an electrifying musical documentary that connects a pivotal moment in Canada’s civil rights history—the beginnings of Indian Nationalism in the 1930s—with the powerful momentum of First Nations activism today. Interviews and musical sequences describe how a tiny movement, the Native Brotherhood and Sisterhood, grew to become a successful voice for change across the country. Visually stunning, The Road Forward seamlessly connects past and present through superbly produced story-songs with soaring vocals, blues, rock, and traditional beats.
This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.
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