Jonas is 13 years old and his life's dream is to maintain the circus that he created in his backyard. While he faces this challenge, he will live the adventure of growing up.
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Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.
A young man decides to join the army. He becomes the drummer in the military band, and his everyday life is now a combination of military training and music. What does the Argentine Army do these days, more than thirty years after the dictatorship? What does it mean to be a soldier in a country without wars?
This Christmas, step into the magical world of The Nutcracker. For the first time in many years, the Royal Ballet has given full access behind the scenes for a landmark 90-minute documentary as they prepare for this season's yuletide production.
This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.
Critical investigation of The World Bank and IMF. Too hot for PBS, but prime time TV everywhere else. Do the World Bank and IMF make the poor even poorer? Are the Bank and IMF democratic institutions? Why do people demonstrate against the Bank and IMF? For the first time, a documentary global investigation of major criticisms of the World Bank and the International Monetary Fund (IMF), two of the most powerful financial institutions in the world. Five country case studies are presented, each concentrating on a different aspect of critics' charges: 1. Bolivia: Debt, Drugs and Democracy 2. Ghana: The Model of Success 3. Brazil: Debt, Damage and Politics 4. Thailand: Dams and Dislocation 5. Philippines: The Debt Fighters. The charges, including those related to structural adjustment, are controversial and provocative. Some go to the heart of the power and policies of these institutions.
A star goalkeeper threatens a woman who is pregnant with his child. Her pleas for help go unanswered in the shadow of his fame — then tragedy strikes.
Drawing upon a vast and richly visual archive and featuring a host of performers, historians and aficionados, this four-hour mini-series follows the rise and fall of the gigantic, traveling tented railroad circus and brings to life an era when Circus Day would shut down a town and its stars were among the most famous people in the country.
Errol Morris’s Fast, Cheap & Out of Control interweaves the stories of four men, each driven to create eccentric worlds from their unique obsessions, all of which involve animals. There’s a lion tamer who shares his theories on the mental processes of wild animals; a topiary gardener who has devoted a lifetime to shaping bears and giraffes out of hedges and trees; a man fascinated with hairless mole rats; and an MIT scientist who has designed complex, autonomous robots that can crawl like bugs.
In 2007, four teenagers from disparate backgrounds are voted "Most Likely To Succeed" during their senior year of high school. Over a ten-year period, they each chart their own version of success and navigate the unpredictability of American life in the 21st Century.
Ballet Boys takes you through disappointments, victories, forging of friendship, first loves, doubt, faith, growing apart from each other, finding your own way and own ambitions, all mixed with the beautiful expression of ballet.
Footage from the premiere of Charlie Chaplin's 1928 film 'The Circus'.
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Men still have a privileged position. Yet the concept of a “crisis of masculinity” is increasingly permeating the media, with a loosening of roles and a growing uncertainty about what it means to be a man today. The director Jan Hušek also asks this question. He was still wetting himself by the age of thirteen, which earned him the unflattering nickname that is the film's title. In his open video diary, he captures the physical and spiritual transformation of his journey from boy to man. He returns to the woods and the roots of his childhood trauma. In doing so, he turns the camera on himself as well as on various teachers or his father. Perhaps the mark of adulthood, after all, is not overwrought masculinity, but the acceptance of his inner “pisspants”.
In a forest in Norway, a family lives an isolated lifestyle in an attempt to be wild and free, but a tragic event changes everything, and they are forced to adjust to modern society.
Three young men bond together to escape volatile families in their Rust Belt hometown. As they face adult responsibilities, unexpected revelations threaten their decade-long friendship.
A young girl has already seen everything there is to see and her world has lost all meaning. Her anger shatters her world and she finds herself in the universe of QUIDAM, where she is joined by a playful companion, as well as another mysterious character who attempts to seduce her with the marvelous, the unsettling and the terrifying.
Alegría is a mood, a state of mind. The themes of the show, whose name means "jubilation" in Spanish, are many. Power and the handing down of power over time, the evolution from ancient monarchies to modern democracies, old age, youth - it is against this backdrop that the characters of Alegría play out their lives. Kings' fools, minstrels, beggars, old aristocrats and children make up its universe, along with the clowns, who alone are able to resist the passing of time and the social transformations that accompany it.
From the Italian 'saltare in banco' – which literally means 'to jump on a bench' – Saltimbanco explores the urban experience in all its myriad forms. Between whirlwind and lull, prowess and poetry, it takes spectators on an allegorical and acrobatic journey into the heart and soul of the modern city.
Icarus is the main character of Varekai, who falls to the ground, breaking his legs as he does. He is suddenly in a strange, new world full of creatures he has never seen before. Parachuted into the shadows of a magical forest, a kaleidoscopic world populated by fantastical creatures, this young man sets off on an adventure both absurd and extraordinary.
The last two surviving members of the Piripkura people, a nomadic tribe in the Mato Grosso region of Brazil, struggle to maintain their indigenous way of life amidst the region's massive deforestation. Living deep in the rainforest, Pakyî and Tamandua live off the land relying on a machete, an ax, and a torch lit in 1998.
