A socially bewildered aspiring filmmaker struggles to differentiate between the imaginary world of her latest project and reality.
Based on Michael Morpurgo's novel and adapted for the stage by Nick Stafford, War Horse takes audiences on an extraordinary journey from the fields of rural Devon to the trenches of First World War France. War Horse received its world premiere on October 9, 2007 at the National Theatre in London, UK where it played for two seasons before opening at the New London Theatre in London, UK in March 2009, and was later made into a 2011 movie. Since then, the stage play has been seen in over 100 cities in 15 countries, including productions on Broadway, in Toronto, Berlin, and Australia, with touring productions in the UK and Ireland, North America, the Netherlands, and Belgium.
Nora is a young housewife and mother, living in a quaint little village with her husband and their two sons. The Swiss countryside is untouched by the major social upheavals the movement of 1968 has brought about. Nora’s life is not affected either; she is a quiet person who is liked by everybody – until she starts to publicly fight for women’s suffrage, which the men are due to vote on in a ballot on February 7, 1971.
Barcelona, 1980s: in a tough urban neighbourhood inhabited by survivors and ruled by ex-legionnaires Gandhi, Fontán and Andrade - who are fighting a war for control of the streets - Nen and his friends Palito, Topo and Tostao dream of making it big in the world of rumba. But Nen discovers why his father, El Guacho - of whom all Nen has left is the memory of his brilliance as a rumba singer - disappeared many years earlier. He learns how the relationship between his mother, Chata, and Ghandi, leader of the neighbourhood, was connected to his father's disappearance, and so Nen is forced to balance his own desire for vengeance with his longing to triumph.
COME SWIM is a diptych of one man's day; half impressionist and half realist portraits.
Judges Giovanni Falcone and Paolo Borsellino would eventually fall at the hands of Italy’s Cosa Nostra in 1992. However, before that, in 1985, they were preparing for the ‘Mafia Maxi Trial’ when a tip-off of a planned attack against their families sees them taken to an island in Sardinia to wait out the threat. This situation, somewhere between a forced vacation and witness protection, sees the men delve further into their work, the retreat allowing them to hone their case. Fate, however, is not to be escaped, and all too soon danger returns.
They used to spend every summer here, but now the daughters have grown up, the parents are divorced and the wooden cabin at the lake has to be cleared out. Those four, once a family, come together again for a whole weekend - and the feelings and memories of the past are closer than they thought.
February 23, 2022, a small town near Kyiv. Taras (35) and Olia (32) spend the first night in their new apartment. At dawn, they wake up from the explosions. They fail to leave the town on time, meanwhile, the Russian troops arrange headquarters in their building. The couple finds themselves trapped in their flat with no electricity, water, and mobile connection. For the next 5 days, Taras and Olia will explore the black abyss of real intimacy between two people and face crucial existential questions in mortal danger.
Inspired by J.G. Ballard's novel Crash, the film focuses on Jack and Diana Weston, who, after suffering a car crash, find their lives intruded upon by Dr. de Freis, a chronicler of car accidents who attempts to verify the psychological changes that occur in victims of accidents and the subsequent articulation of their anxieties.
Grieving her mother’s death and her own failing marriage, Lexi boards a plane from London to Los Angeles in search of the estranged father who abandoned her when she was three years old. Based out of a seedy Hollywood motel, she follows a tenuous trail of breadcrumbs, collecting numbers and addresses in the hopes that one will lead to her father, while establishing unexpected connections along the way.
Steven Bassem spends his evenings at an upscale restaurant among the nouveau riche elite. But he's not there to dine; he's there to park cars. An all-but-invisible valet, Steven is acutely aware of his dead-end situation and begins to act out erratically.
After a long stint in gay conversion therapy, James, a young piano prodigy, returns home to his family farm and his emotionally-distant father, Richard. After Richard pressures James to give up his music career and take over the farm, James agrees as a way to make up for his past. Soon, however, James finds himself face-to-face with a former lover, Charlie, who wants to help him turn away from his new beliefs and family expectations and follow his dreams of studying music.
In 1908, Titoe leaves her home country of Japan to try her luck in Brazil. Her intention is just to get rich and return in five years, but life has other plans for her.
The adventures of three Puerto Rican brothers scraping by while contending with the ghost of their dead father. The three brothers are tasked with refurbishing the house of Miss Malloy, but undercurrents of the past keep resurfacing.
When a free-spirited girl befriends a young teenager, they leave childhood behind to embrace a dangerous world of clubbing and sex with strange men.
Claire returns to France following the death of her actress friend Agathe. She attends an auction of her friend's possessions, provoking memories of the past.
The Curse of Quon Gwon is the oldest known Chinese-American film and one of the earliest American silent features made by a woman. Only two reels of the film survive, and no intertitles are known to exist, making it difficult to parse out the exact plot. An article in the July 17, 1917 issue of The Moving Picture World states that the film "deals with the curse of a Chinese god that follows his people because of the influence of western civilization." The film also touches on themes of Chinese assimilation into American society. Formally premiering in 1917, no distributor was willing to purchase a Chinese-American film without racial stereotypes. Considered a devastating financial failure, the film was only screened two more times until its rediscovery in 2004. Preserved by the Academy Film Archive in 2005.
Bird, a smart level-headed tween, and her immature stoner mom gracelessly navigate the arrival of Bird's first period, which she gets on the last day of school… in front of the entire class.
A rich man rewards a tramp for defending him from muggers with a large sum of money in the form of a single bank note. Nobody can cash the big bill the tramp is carrying and hilarity ensues.
Told with heart, humor, and a little bit of magic, Dragonfly is a female led feature film about homecoming and healing for a Midwestern family divided by divorce and illness. Struggling artist Anna Larsen’s mother has never understood her. When her mom is diagnosed with early onset Alzheimer’s, Anna returns home to help but brings years of family baggage with her. As she unpacks her past, Anna rediscovers a mysterious mailbox from her childhood and embarks on a search to solve its mystery. What she learns along the way may just be the key to rekindling her own magic.
Crocodile Dreaming is a modern day supernatural myth about two estranged brothers, played by iconic Indigenous actors David Gulpill and Tom E. Lewis. Separated at birth, they have different fathers. One is readily accepted as a full-fledged member of the tribe and is looked on to fulfill the duties of jungaiy, an important ceremonial role which obliges him to be caretaker for his mother's dreaming, the crocodile totem. The other, whose father was white, is younger and has had to struggle to fit into the tribe who see him only as a yella fella.
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Shelly
Director
The Co-worker
