This Traveltalks entry looks at the sights, sounds, people, and art masterpieces in the capital of the Netherlands.
No Trailers found.
Narrator (voice)
The city from the unique perspective of the many wild animals and plants that inhabit it. Seen through the eyes of the adventurous urban cat, Abatutu.
Sports enthusiast Ernest is to cover 6,000 kilometers on his motorcycle in 15 days, crossing Austria, Italy, Switzerland, the Balkans and Czechoslovakia.
A backstage and on-stage look at Nicki Minaj's career during the Pink Friday Tour, festivals, and more.
This short film was made by filmmaker (later archivist) Liam Ó Laoghaire (aka Liam O’Leary) and was commissioned by the Cultural Relations Committee of the Irish Department of External Affairs. The film was designed to promote the city of Dublin to its inhabitants and to potential visitors from abroad. Brendan J. Stafford’s crisp black and white cinematography serves the city’s elegant architecture well while the narrator tells of the city’s cultural, literary and architectural history and its many venerable inhabitants. The elegant Georgian squares, the bustling markets, the tranquil parks and the sparkling nightlife present a city that is vibrant, cultured and steeped in history.
Haunting colour travelogue taking in Ulster, Lewis, Lincoln and Cardiff's Tiger Bay.
A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.
Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.
Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.
A feature-length tour of Amsterdam's thriving jazz scene.
In this Traveltalk series short visit to Scotland, we visit several places with familiar names, including Inverness, capital of the ancient Pictish Kingdom; Loch Ness, home of the famous elusive monster; and Saint Andrews, the birthplace of golf.
When filmmaker Mari Soppela took her children and husband to live for a year on a sacred mountain in her native Finland, she was fulfilling a lifelong dream to share the arctic wilderness of her childhood with her family. But when years later her children turn the camera onto her, she is forced to confront her motivation for filming their lives in this searching and searingly honest cinematic exploration of identity, belonging and motherhood. Filmed over the course of 27 years, Mother Land challenges us all to examine the landscapes we carry within us and the narratives we create to make sense of our lives.
A travelogue about India. But it is more than a video about a foreign place. We follow the director's itinerary and witness his chance encounters with people and also public events, some of which continue to shape India's politics today.
Spalding Gray sits behind a desk throughout the entire film and recounts his exploits and chance encounters while playing a minor role in the film 'The Killing Fields'. At the same time, he gives a background to the events occurring in Cambodia at the time the film was set.
In 1917, French artist Marcel Duchamp declared everyday objects as art. A provocative act that sparked a heated, still topical discussion around the question: what is art? Since then, that question has been asked time and time again. To the artist and to the viewer. If everything is possible and everything is allowed, how do you remember what art is? Director Ditteke Mensink spent two years at De Ateliers: the breeding ground for top talent in the visual arts. Her stay ended in a harsh confrontation with herself, the young artists and modern visual arts.
An exploration of Rodez Cathedral and its stained glass windows: praying figures and scientific imagery. A study on color, repetition and flickering consisting of 292 photographs.
The film is a travelogue of sorts. Ostrovsky’s personal family footage meets the archives of Soviet propaganda footage. The result is a kind of Khruschev-era mix with a collage of Soviet music and a voice-over of my reminiscences of the Cold War era.
This Traveltalk series short visits Hungary's capital, Budapest.
In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.
This TravelTalk short focuses on the ancient ruins in Rome, the leaning tower of Pisa, and the architecture in Florence, Italy.
First film of Burnham Beeches, the famous beauty spot and ultimate film location.