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Martin Scorsese’s electrifying concert documentary captures The Rolling Stones live at New York’s Beacon Theatre during their A Bigger Bang tour. Filmed over two nights in 2006 with an all-star team of cinematographers, the film combines dynamic performances with archival footage and rare glimpses behind the scenes, offering a vibrant portrait of the band’s enduring energy and legacy.
"This film explores how freedom of speech — including dissent — is afforded to all Americans, and shows freedom of expression in art, music, dance, architecture, and science. The film also emphasizes the importance of the individual’s contribution to the whole of society and demonstrates how a productive and creative society is formed by the open and respectful exchange of ideas. The film was written, produced, and directed by William Greaves" (National Archives).
Seeing is to painting what listening is to politics. Survival as an artist demands both. Paint Until Dawn is a documentary on art in the life of James Gahagan (1927-1999), who painted all night to push the limits of vision. His life and thought reveal a correlation between art and activism through an interesting angle: the creative process itself.
One neighborhood in New York City, March 2020: the coronavirus is spreading rapidly, the federal government is clueless, and life seems increasingly surreal. A month later, the city has become an epicenter of the pandemic as the death rate spirals upwards. Then the racial justice protests erupt... Strange Days Diary NYC is an intimate account of living through a disruptive, frightening, yet inspiring time.
Chronicles the rise and fall of 1970s New York City nightclub Plato's Retreat.
Watching My Name Go By is a 1976 BBC documentary on the birth of graffiti in New York City, and the fight to both prevent it, and expand it's artistic value. In 'Watching my name go by' kids in New York have a unique kind of occupation - sitting on the subway stations ' watching my name go by'. Eleven to 17-year olds compete to see how many times they can 'get their names up ' in a colorful way - a kind of graffiti cult game which has its own rules and regulations. It's illegal and dangerous-some New Yorkers think it's a kind of ' art others think it's disgusting.
From the sweaty basement bars of 70s New York to the glittering peak of the global charts, how disco conquered the world - its origins, its triumphs, its fall and its legacy.
Apple Juice is an classic skateboarding documentary shot by SKATE NYC locals from the late 80’s early 90’s. SKATE NYC is a legendary skateboard store that was on Ave A and 9th St. in the East Village in NY from 1986-91.
Dubbed New York's "Queen of the Night," proto–club kid Susanne Bartsch has been throwing unforgettable parties for over 30 years and is still going strong.
Discover Les Ballets Trockadero de Monte Carlo (The Trocks), an all-male company that for 45 years has offered audiences their passion for ballet classics mixed with exuberant comedy. With every step they poke fun at their strictly gendered art form.
This experimental short traces the lifespan of the graffiti and murals present at the occupation of NYC’s City Hall in June and July of 2020. The encampment formed to demand the abolishment of the NYPD and the reallocation of its resources to housing, education, and other social programs.
A collaboration between filmmaker Ayoka Chenzira and performance artist Thomas Pinnock, who performs his "immigrant folktales" using traditional lore of his native Jamaica to dramatize his migration to New York in the 60's.
A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.
Eleven-year-old New York City public school kids journey into the world of ballroom dancing and reveal pieces of themselves and their world along the way. Told from their candid, sometimes humorous perspectives, these kids are transformed, from reluctant participants to determined competitors, from typical urban kids to "ladies and gentlemen," on their way to try to compete in the final citywide competition.
The shape-shifting and enigmatic hip hop artist Kool Keith has managed to surprise, shock, and enrage fans and detractors alike with virtually every album he has released. His many personas include Dr. Octagon, under which he released 1996's Dr. Octagonecologyst, a futuristic masterpiece that flouted traditional hip hop mores in favor of intriguingly disruptive, warped rhymes. He is also the Black Elvis, Dr. Doom, Mr. Gerbik, and Rhythm X, and is formerly of the Bronx group the Ultramagnetic MCs, with whom he first established himself as a rapper that pushes the envelope and is not afraid to be critical of the system within which he operates. This DVD release features multiple interviews with the artist, as well as live concert footage. Keith takes his audiences on a tour of Manhattan and the Bronx. Keith also explains why he loves seltzer water.
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Max Gimblett: Original Mind documents the life and process of eccentric, creative genius Max Gimblett. One of New Zealand’s most successful and internationally prominent living painters, Gimblett has been working in America since 1962. The filmmakers spent a week in Gimblett’s Soho loft where he and his devoted studio assistants generously revealed the techniques and philosophy behind his beautiful art.
A film essay contrasting the modern metropolis with its "golden age" from 1830-1930, with the participation of some of New York's leading political and cultural figures. Made at a time when the city was experiencing unprecedented real estate development on the one hand and unforeseen displacement of population and deterioration on the other. Empire City is the story of two New Yorks. The film explores the precarious coexistence of the service-based midtown Manhattan corporate headquarters with the peripheral New York of undereducated minorities living in increasing alienation.
La Salsa Vive is a vibrant cinematic exploration of Afro-Cuban music's history, tracing its roots from New York's lively streets to Cali, Colombia, now the global salsa capital.
Taken in 1896 on the Boulevard (upper Broadway) on the occasion of a bicycle parade in the heyday of the wheeling craze. Old-fashioned horse cars lend interest to the scene.
