A family of four are the sole inhabitants of a small island, where they struggle each day to irrigate their crops.
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Toyo
Senta
Taro
Jiro
Shelby Coles (Halle Berry) is engaged to marry talented white jazz musician Meade Howell, but the pair face opposition from both Meade's family, who object to an inter-racial marriage, and Shelby's parents, who want her to marry a professional. As Shelby is afflicted by pre-marital doubts, handsome Lute McNeil arrives on the scene, determined to make Shelby his at any cost.
Two girls named Nana meet on a train to Tokyo. Nana K. aims to reunite with her boyfriend and Nana O. hopes to make it big in the music business. Despite their differences, the pair hit it off and become roommates.
Five inmates break out of a remote minimum security prison for women. Four are hardened convicts, the fifth was wrongfully convicted. As the authorities chase them down, the cons terrorize or kill anyone who gets in their way.
Some college students manage to persuade the town's big businessman, A. J. Arno, to donate a computer to their college. When the problem- student, Dexter Riley, tries to fix the computer, he gets an electric shock and his brain turns to a computer; now he remembers everything he reads. Unfortunately, he also remembers information which was in the computer's memory, like Arno's illegal businesses..
A formal dinner party starts out normally enough, but after the bourgeois group retire to the host’s music room, they inexplicably find themselves unable to leave.
A seven-hour epic adaptation of the novel by Leo Tolstoy. The love story of young Countess Natasha Rostova and Count Pierre Bezukhov is interwoven with the Great Patriotic War of 1812 against Napoleon's invading army.
Two detectives are tasked to investigate the murder of an old man, found bludgeoned to death in a Tokyo rail yard.
Faithful wife Melinda, who is tired of standing by her devious husband Robert, is enraged when it becomes clear she has been betrayed. That's when she lost it, and now she cannot let it go.
Story of the relationship between the poets Ted Hughes and Sylvia Plath.
Two young brothers become the leaders of a gang of kids in their neighborhood. Ozu's charming film is a social satire that draws from the antics of childhood as well as the tragedy of maturity.
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
Dali and Mariem are impatiently awaiting the arrival of their first child. On the day of delivery, the doctor tells them that the baby has a rare characteristic. Upset by this news and confronted with his demons, Dali is no longer able to play his role with Mariem and their child.
A small-town couple with big dreams of making their family complete must persevere through infertility and tragedy.
Maja and Janne move to the barren and remote island of Stormskerry, where survival is a daily struggle. Growing up in a world of old values, Maja becomes aware of a new era: a woman can be an equal partner instead of a mere bystander. The couple have children, and life is good until trouble sets in: war arrives on the island, Janne is forced to flee from the English troops, and Maja and the children are imprisoned. The family also faces many financial difficulties and death. Years pass, but Maja remains strong and stays in Stormskerry despite all the hardships and difficulties.
A woman in an unhappy relationship takes refuge with a friend's family on holiday in Tuscany.
This fiction-documentary hybrid uses a sensational real-life event—the arrest of a young man on charges that he fraudulently impersonated the well-known filmmaker Mohsen Makhmalbaf—as the basis for a stunning, multilayered investigation into movies, identity, artistic creation, and existence, in which the real people from the case play themselves.
A middle-aged Tehranian man, Mr. Badii is intent on killing himself and seeks someone to bury him after his demise. Driving around the city, the seemingly well-to-do Badii meets with numerous people, including a Muslim student, asking them to take on the job, but initially he has little luck. Eventually, Badii finds a man who is up for the task because he needs the money, but his new associate soon tries to talk him out of committing suicide.
A chaotic family is on a road trip across a rugged landscape. In the back seat, Dad has a broken leg, Mom tries to laugh when she's not holding back tears, and the youngest keeps exploding into car karaoke. Only the older brother is quiet.
In Brooklyn circa 1900, the Nolans manage to enjoy life on pennies despite great poverty and Papa's alcoholism. We come to know these people well through big and little troubles: Aunt Sissy's scandalous succession of "husbands"; the removal of the one tree visible from their tenement; and young Francie's desire to transfer to a better school...if irresponsible Papa can get his act together.
Jinmu starts to record things he should remember with a camera after hearing that he could lose his memory due to the prearranged brain surgery. Memories of family and his forgotten father comes to Jinmu's mind as he takes records of his life.
