A Castiglioni Brothers mondo film about the practices and rites of several native African tribes.
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This documentary chronicles David Beckham and his friends' unforgettable journey deep into the heart of the Amazon rainforest in Brazil. Travelling by motorbike and boat, and guided by locals, he visits far-flung communities and tribes that live in this remote landscape.
It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.
The last surviving Native Americans on Long Island are the focus of The Lost Spirits. The film chronicles their struggles as an indigenous people to maintain their identity amidst relentless modernization and a heartless bureaucracy.
Drawing from never-before-seen footage that has been tucked away in the National Geographic archives, director Brett Morgen tells the story of Jane Goodall, a woman whose chimpanzee research revolutionized our understanding of the natural world.
This fascinating film tells the story of one man's struggle to protect a small population of gorillas on the slopes of Mount Kahuzi in Zaire and of his incredible relationship with Kasimir, the great silver-backed male, and his family.
An ethnographic documentary following four Ju/’hoansi (!Kung) men during a multi-day giraffe hunt in the Kalahari Desert, filmed during the Smithsonian–Harvard Peabody expedition of 1952–53.
The first filmmaker arrived in Equatorial Guinea in 1904. The last movie theatre closed in Malabo in the 1990s. In 2011, during the II African Film Festival of Equatorial Guinea, the Marfil Movie Theatre reopened its doors. Florencio, Ángel and Estrada tells us how cinema has been, and is still, present in their lives.
These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.
Explorer Bruce Parry visits nomadic tribes in Borneo and the Amazon in hope to better understand humanity's changing relationship with the world around us.
Filmmaker Karim Aïnouz decides to take a boat, cross the Mediterranean, and embark on his first journey to Algeria. Accompanied by the memory of his mother, Iracema, and his camera, Aïnouz gives a detailed account of the journey to his father’s homeland, interweaving present, past, and future.
Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.
A reportage cross-cutting film about the development of Africa from 1900-1936, using archive footage and film material from earlier African expeditions.
A look at the rampant HIV epidemic rate in Swaziland.
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Mountain Gorilla takes us to a remote range of volcanic mountains in Africa, described by those who have been there as ""one of the most beautiful places in the world"", and home to the few hundred remaining mountain gorillas. In spending a day with a gorilla family in the mountain forest, audiences will be captivated by these intelligent and curious animals, as they eat, sleep, play and interact with each other. Although gorillas have been much-maligned in our popular culture, viewers will finally ""meet the legend"" face to face, and learn about their uncertain future.
Gabon's Loango National Park is home to a group of western lowland gorillas who have become accustomed to biologists who have studied them for almost twenty years. This documentary presents an intimate look at the silverback Kamaya and his family and features a newborn baby gorilla, brave researchers, forest elephants, buffalos and the last remaining wild coastline in the African tropics.
The rivers of Africa bring life and abundance to their inhabitants, but they can also be the arena for some of nature's greatest challenges and dramas. Harsh seasonal cycles dictate the course of life - and death - along the rivers. Only the fittest survive crossing the crocodile-infested Mara, the extreme drought of the Luangwa Valley or any of the many other perils harbored by rivers all over the continent. With cunning and opportunistic hunters of all sizes lurking in the waters or prowling the banks, "Rivers of Danger" is a predator's world.
Africa is a land of giants. Its powerful rivers sculpt the earth and form impressive valleys and waterways that are home to many imposing and powerful inhabitants. These are the rivers where massive elephants and hippos live, feed and drink, and where ancient crocodiles hunt and breed. They share the rivers with porcupines, the martial eagle, and the leopard.
Filmmaker Christopher Quinn observes the ordeal of three Sudanese refugees -- Jon Bul Dau, Daniel Abul Pach and Panther Bior -- as they try to come to terms with the horrors they experienced in their homeland, while adjusting to their new lives in the United States.
This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.
