Brash, disrespectful, impudence, violent and urgent entertainment called Gore. Gorevision explained and exhibited.
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When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.
A glimpse of the pre-history of cinema starting with the projections of Etienne Gaspard Robert (also known as M. Robertson), who used magic lanterns and other optical illusions to develop the genre of the Gothic phantasmagoria in the late eighteenth century.
A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.
No overview available.
An abstract perspective into two young South African workers in the heart of Johannesburg's industrial sector during Covid-19
Pro wrestler Julia rules the ring, while her younger sister Nina watches anxiously from the sidelines. Determined to make Julia feel truly seen, Nina picks up her camera and steps into her world, but soon realizes her own worries may stand in the way.
A document of the originators of the DIY Rez Metal scene, and the bands that are now carrying the torch, including I Dont Konform, Mutilated Tyrant and Born of Winter. From a generator-powered show in the Arizona desert to a band practicing in a traditional Navajo dwelling called a Hogan, this story — told by Navajo ("Diné") bands and individuals involved in the scene — explores the creation of Rez Metal in the Eighties, the juxtaposition of old and new Navajo traditions and the link between heavy metal and native pride.
French documentary on the Spaghetti Western genre, with numerous interviews.
This documentary is featured on the two-disc Chaplin Collection DVD for "The Kid" (1921), released in 2004.
This documentary captures the sounds and images of a nearly forgotten era in film history when African American filmmakers and studios created “race movies” exclusively for black audiences. The best of these films attempted to counter the demeaning stereotypes of black Americans prevalent in the popular culture of the day. About 500 films were produced, yet only about 100 still exist. Filmmaking pioneers like Oscar Micheaux, the Noble brothers, and Spencer Williams, Jr. left a lasting influence on black filmmakers, and inspired generations of audiences who finally saw their own lives reflected on the silver screen.
La Galère des Étoiles follows the making of Les Aventures du Nexus VI, directed by the Fensch Toast collective. From the creators' early beginnings to the challenges of independent production, the documentary highlights limited resources, demanding visual effects, and long hours of work - but also the solidarity and creativity that kept the project alive. It concludes with the realization of an ambitious sci-fi film driven by passion and audience anticipation.
Director Denys Arcand made an inquiry on textile industry in Quebec, meeting employers and workers of that industry.
Documentary from Kiwi filmmaker Florian Habicht on the most successful haunted attraction in the Southern Hemisphere, Auckland’s Spookers.
Ten years after the release of their controversial documentary Metallica: Some Kind of Monster, filmmakers Joe Berlinger and Bruce Sinofsky catch up with the members of the band at the 2013 Toronto film festival world premiere of their 3D feature film, Metallica Through the Never, using the premiere of the new film as a springboard to reflect upon the legacy of Some Kind of Monster, its influence on the band and their experiences during the decade since its release.
A documentary about Shaolin Kung Fu starring Jet Li
An examination of why the James Bond films have proved so popular including a discussion between the four actors who have played Bond, an interview with Cubby Broccoli and contributions from the directors, production designers, special effects and stuntmen.
Jonathan Ross delves into the world of James Bond and meets with new and former cast members who reveal humorous stories and anecdotes in a series of interviews. All the 5 Bonds at the time are featured, though only Lazenby (reflecting in the usual frank, self criticizing manner), Moore and Brosnan granted an interview. Connery and Dalton are featured through some unused footage from LWT's 30 years of James Bond program. The ever faithful Desmond Llewelyn turns up in character as well as some other less related peeps like Christopher Lee, Paul McCartney and the ultimate playboy: Hugh Hefner -- who all give an interesting perspective on the worlds most famous spy.
A young woman rediscovers a letter from an old friend, forcing her to reconcile with the past.
The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
