Brash, disrespectful, impudence, violent and urgent entertainment called Gore. Gorevision explained and exhibited.
Self
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Documentary about the making of Sam Peckinpah's 1971 film "Straw Dogs."
Using testimonies by pioneers and witnesses of the times, delve into the feverish visual culture the media generated – with far-fetched examples of canine television games, seduction manuals, aerobics class while holding a baby, among others.
Go behind the scenes with the crew of Sea Lions of the Galapagos to showcase not just the production of a film, but the world that inspired it.
The intimate and passionate portrait of the late Max Croci in a documentary that recalls the human and cultural depth with the testimonies of friends and colleagues.
It is about a music school in Philadelphia, The Paul Green School of Rock Music, run by Paul Green that teaches kids ages 9 to 17 how to play rock music and be rock stars. Paul Green teaches his students how to play music such as Black Sabbath and Frank Zappa better than anyone expects them to by using a unique style of teaching that includes getting very angry and acting childish.
A "best of" compilation of live clips of various ASSJACK shows taped live at Alley Katz in Richmond, VA from 2003 - 2006 and clips of 1 show from May 2005 at Bluecats in Knoxville, TN. Special cameos by Dancing Outlaw Jesco White, Randy Blythe from Lamb of God and Chris Arp from Psyopus.
The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.
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What is the difference between a story and a good story? In this short documentary, ten of the greatest screenwriters in Brazil answer this and other questions, guiding us through the universe of creative writing and all its possibilities.
A documentary about the rival gangs Mara 18 and Mara Salvatrucha, originating in Los Angeles but terrorizing El Salvador. It explores their origins as possible founding myths of organized crime in a globalized world.
In 1936, the sound film had already been around for a decade. Nevertheless, Charlie Chaplin (1889-1977) made another silent film, "Modern Times", which only used sound effects as a dramaturgical device. Speaking is reserved for the apparatus alone. The film became a monument in the history of cinema for this very reason.
In 1970, Christian Ghazi and Noureddine Chatti met with a number of Arab political figures, especially Palestinians residing in Lebanon, resulting in this piece of armed (alternative or third) cinema that captures a crucial cross-section of the Palestinian resistance in Lebanon in 1970. The film features footage of Ghassan Kanafani, Sadiq Jalal El-Azm, Nabil Shaath and other personalities who share their vision of the Palestinian revolution, tracing its history back to the early 20th century. These testimonies describe the numerous strikes and popular protests that took place in Palestine under the Ottoman occupation, followed by the British colonization and the settlement of the Jewish state in 1948. They enumerate the objectives of the struggle, emphasising the necessity for a free and democratic Palestine, defended through armed or non-armed struggle by all its citizens, men and women of various affiliations.
Murder, rape, satanism and necrophilia is the staple diet of millions of teenagers who listen to the lyrics of extreme heavy metal music. This World investigates the potential links between "death metal" and a series of gruesome crimes around the world. In Italy a group of young death metal fans formed a satanic cult called the Beasts of Satan. At least four gruesome killings resulted. But death metal musicians deny that they have any responsibility for the actions of people who profess to be their fans. With exclusive access to the families, one of the killers and graphic police footage, the film tells the inside story for the first time. We hear from the musicians, the children and the parents from Oslo to California and ask just how far can music go in its ability to shock, and just how damaging might it be?
A short documentary exploring the ongoing relevance and power of 'Salò o le 120 giornate di Sodoma'.
When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.
A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.
A journey to the origins of cinema, starting with its forgotten fathers: the pioneers who achieved moving images before 1895, the official year of the Lumière cinematograph. Through five studies by Frédéric Chopin, 'Impromptu' is also a tribute to the end of the 19th century, to its immortal muses, and to the fascination with movement itself.
This short was released in connection with the 20th anniversary of Warner Brothers' first exhibition of the Vitaphone sound-on-film process on 6 August 1926. The film highlights Thomas A. Edison and Alexander Graham Bell's efforts that contributed to sound movies and acknowledges the work of Lee De Forest. Brief excerpts from the August 1926 exhibition follow. Clips are then shown from a number of Warner Brothers features, four from the 1920s, the remainder from 1946/47.
Featuring songs from their debut album DANZIG: "Twist of Cain" and the controversial uncut versions of "Am I Demon", "She Rides" and "Mother". Plus interviews and behind-the-scenes footage. Highlights include: Glenn revealing his songwriting process, reading Wolverine comics, discussing his book collection, chugging a box of Milk Duds before an encore, and Eerie Von being a badass.
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