Short impression of the work of fishermen on the Dogger bank.
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A look at the everyday life of Tahitian natives.
21 Days, based on the story of six young fishermen who left Gros-Islet fishing village on a routine fishing expedition and simply vanished. The young men disappeared on February 15, 1985, after they set out on a fishing expedition.
Examines the devastating effect that overfishing has had on the world's fish populations and argues that drastic action must be taken to reverse these trends. Examines the imminent extinction of bluefin tuna, brought on by increasing western demand for sushi; the impact on marine life resulting in huge overpopulation of jellyfish; and the profound implications of a future world with no fish that would bring certain mass starvation.
A psychological quest for the motivation and character traits of goalkeepers: a young goalkeeper from Terschelling during his toughest game ever, the oldest goalkeeper in the Netherlands who keeps diving, a goalkeeper from the Eredivisie Women, and the former goalkeeper of the Syrian national team. Goalkeeper and football journalist Sjoerd Mossou teaches us that goalkeeper gloves can come out 'different' every time and commentator (and former goalkeeper) Leo Oldenburger explains why goalkeepers look so much like firefighters.
Producer Oscar Holleman (Within Temptation an Krezip) instantly recognizes 21 year old Sharon Kovacs as a talented singer. Even comparing her voice to Amy Winehouse. The movie is a documentation of them recording during two very hectic years.
A documentary on the life of the people of the Aran Islands, who were believed to contain the essence of the ancient Irish life, represented by a pure uncorrupted peasant existence centred around the struggle between man and his hostile but magnificent surroundings. A blend of documentary and fictional narrative, the film captures the everyday trials of life on Ireland's unforgiving Aran Islands.
By going to the Philippines, Imamura comes to meet people living in an extreme poverty. He discovers very quickly that some communities are under the control of cruel & armed pirates. Imamura will come to meet those men in order to understand their position.
An experimental portrait of the North American commercial fishing industry through the lens of GoPro cameras placed on a fishing vessel off the coast of New England.
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A profile of Istanbul and its unique people, seen through the eyes of the most mysterious and beloved animal humans have ever known, the Cat.
The cod fishery off the east coast of Newfoundland was a way of life, the backbone of society -- until it collapsed. A review of the history leading up to the crisis and the subsequent call for a moratorium of the northwest Atlantic cod fishery.
“Bridge” follows César Rojas, an artisanal fisherman from the Peruvian coast, as he reveals his daily routine, his spiritual relationship with the sea, and the resilience of a craft that endures despite modernization. Through observation, voice-over, and his own testimony, the documentary builds an intimate portrait in which the sea becomes a mirror of humanity.
With Pete Smith providing dry off-screen commentary, we watch some serious fishing: a marlin caught near Catalina, a hammerhead shark caught then wrestled in a small rowboat near Baja, the largest (721 pounds) great white shark caught to date in California waters, Chinook Indians catching salmon at Celilo Falls in Oregon - each with his designated place on the river where his ancestors stood, and, last, a crew on a boat off Mexico hoisting and hurling tuna using unbarbed hooks (baited only with a feather) as fast as they can as long as the school is there - backbreaking work - but a $25,000 catch.
All highlights of the Orange success at the European Championship Soccer 1988. The complete story with legendary footage of Gullit, Van Basten, Rijkaard, Koeman and all the other heroes. Enjoy again the goals, the most beautiful actions, interviews, player portraits and the inauguration. Relive The Victory!
This RKO Sportscope series short presents two sportsmen fishing for striped bass.
In this short film Bert Haanstra gives his vision - from the water – of a tranquil Holland. During filming he held the camera upside down and afterwards put the images ‘up right’ again in the film. By doing this, we see the ‘usual’ waterfront, but transformed by the rippling of the water. In this way Mirror of Holland became a modern looking experimental film. However this did not devalue the Dutch sentiment regarding waterfronts that are so trusted to so many.
Sicily, Granitola, 1955. At the first light of dawn, the fishermen set out in their boats for open water, timing the rhythm of their oars to murmured chants. They set their nets in the sea, regulate the cords, organize the boats in a square. The men’s work becomes increasingly harder as the tuna are hoisted onto the boats, wriggling, beating their tails until death arrives and the water is tinged with blood.
Set in Nagaland, the film hopes to find resonance in other geo-political locations of the world where people living on the margins are challenged by the seemingly inevitable phenomenon of modernization. The film follows Zarenthung, a first generation fisherman as he navigates his new profession as the reality around him is changing.
This film narrates the story of a community on the coast of the Special Capital Region of Jakarta, experiencing the direct impact of land subsidence and global climate change that jeopardize their area. In an effort to face this crisis, they come up with a unique solution by using green mussels shells for raising the ground to prevent the disaster from engulfing their homes.
In the mid 19th century, Yankee whalers taught the sailors on the tiny island of Bequia in the West Indies how to catch whales. The once proud American tradition has been kept alive and cherished by Bequians generation after generation. For the last few decades outside pressures, overt and covert, have conspired against the whale hunters and those who rely on them. The stouthearted whalers simply seek sustenance for their community but also provide something else: identity.
