The incredible story of how gay men and women went from being the ultimate outsiders to occupying the halls of power, with a profound influence on our cultural, political and social lives.
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Filmmaker Ben Zand investigates the dark world of incels. After a year-long investigation, Zand gains unprecedented access to the men behind the keyboards. Research finds the community is rapidly growing, and one of the most extreme incel forums has 18,000 members with around 2,500 from the UK. The documentary also meets a British incel who has never had a proper conversation with a woman in real life. The investigation uncovers shocking extremism, which includes sharing extremely violent and bloody content.
A documentary that chronicles the rise and decline of the black-owned ethnic beauty industry in America.
The film tells the story of the LGBTQIAP+ scene in Teresina and works as a rescue of street culture. In all, ten characters tell their stories through the screen , building the web that leads to a marginal and parallel reality. A rescue that comes from the 80s, through names like Samantha Menina, Monique Santos and many other important figures in this process.
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Robert Oppel's documentary about the life and murder of his uncle and namesake, Robert Opel, the man who streaked the Academy Awards in 1974.
In Asheville, NC, five individuals find their place in longboard world. This is an action documentary crafted with a broad audience in mind, appealing to more than just the downhill community.
France is at the heart of Madonna's life. She is inspired by French culture and its values and has surrounded herself with French artists for many years. To celebrate the 40th anniversary of the Queen of Pop's career, this film revisits the close and unique bond between Madonna and France and features testimonials from close collaborators and French friends who have helped create her unique artistic universe: Maripol, Jean Paul Gaultier, Julien d'Ys, Nicolas Huchard, and Marion Motin. Today's artists such as Florence Foresti, Leïla Slimani, Victor Weinsanto and HollySiz talk about the influence of this emancipating figure, which extends far beyond music.
THE ARYANS is Mo Asumang's personal journey into the madness of racism during which she meets German neo-Nazis, the US leading racist, the notorious Tom Metzger and Ku Klux Klan members in the alarming twilight of the Midwest. In The ARYANS Mo questions the completely wrong interpretation of "Aryanism" - a phenomenon of the tall, blond and blue-eyed master race.
A feature film that chronicles a complete season of the International Gay Rodeo Association. Roping and riding across north America for the past 30 years, the IGRA's courageous cowboys and cowgirls brave challenges both in and out of the arena on their quest to qualify for the World Finals at the end of the season. And along the way, they'll bust every stereotype in the book.
I Always Said Yes is a portrait of pioneering filmmaker Wakefield Poole, whose careers as dancer, choreographer, and director spanned the golden years of Broadway, television, porno chic, and gay liberation.
A city that has been living for two years with the law that prohibits "clandestine parties". A youth who, when reunited, risks receiving a police raid on their doorstep, in the street, in the park or in the square. Spatial segregation, denial of the right to the city and public space for the leisure of the poor, black and peripheral. Willingness to make art, create music, lyrics, poetry, beats, hits and spread culture in this repressive scenario.
In the 1920s, former coal miner Harry Hoxsey claimed to have an herbal cure for cancer. Although scoffed at and ultimately banned by the medical establishment, by the 1950s, Hoxsey's formula had been used to treat thousands of patients, who testified to its efficacy. Was Hoxsey's recipe the work of a snake-oil charlatan or a legitimate treatment? Ken Ausubel directs this keen look into the forces that shape the policies of organized medicine.
Konnie Huq celebrates the very best of British children’s television, with a dazzling array of clips from some of the most treasured programmes ever made and revealing chats with some of TV’s most beloved stars. But Konnie also tells a perhaps more surprising story: of how kids’ TV has frequently been at the forefront of social change, in terms of the stories it tells and the people who get to tell them.
Over the span of a year, filmmakers Marte(Norway) and Jéro (South Korea) exchange visual letters, documenting their everyday lives.
Interview-based documentary about the conditions for gays and lesbians in Danish society.
A documentary film about trading security and stability for passion. A surprising number of small businesses and niche restaurants originate and thrive in the small college town of Provo, Utah. A senior capstone project at Brigham Young University.
Shannon Amen unearths the passionate and pained expressions of a young woman overwhelmed by guilt and anxiety as she struggles to reconcile her sexual identity with her religious faith. A loving elegy to a friend lost to suicide.
Putito is a production with no specific genre, where reality and fiction blend through a testimony written by José Carlos Henríquez - a feminist activist and male prostitute who plays himself in the project. Available in a censored and uncensored version.
Christian Garcia, a fiercely dedicated Latino political organizer, leads a team of young people mobilizing their community for a soda tax. Tested during their fight for the right to vote, the young recruits dare to beat back the goliath soda industry and ignite a youth-powered movement for health equity and justice.
MAXIMÓN - Devil or Saint is a documentary about the controversial Maya deity, also known as San Simon or the drinking and smoking saint of Guatemala. He is a mixture of ancient Maya beliefs and Christianity. The movie concentrates on the people who surround Maximón with their strong personalities, opinions and faith. The documentary gives us a rare view into the rituals and fiestas honoring Maximón. The cult of Maximón is flourishing because he performs miracles. He is also feared and despised because he is used to cast curses that can result in death. Ultimately, Maximón transcends the duality of good and evil, reflecting the Maya cosmovision in which everything in the universe co-exists.
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