A film released by Family International featuring 7 pop songs promoting their religious philosophy.
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Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.
A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.
Murder, rape, satanism and necrophilia is the staple diet of millions of teenagers who listen to the lyrics of extreme heavy metal music. This World investigates the potential links between "death metal" and a series of gruesome crimes around the world. In Italy a group of young death metal fans formed a satanic cult called the Beasts of Satan. At least four gruesome killings resulted. But death metal musicians deny that they have any responsibility for the actions of people who profess to be their fans. With exclusive access to the families, one of the killers and graphic police footage, the film tells the inside story for the first time. We hear from the musicians, the children and the parents from Oslo to California and ask just how far can music go in its ability to shock, and just how damaging might it be?
The older boys are graduating school and recount their memories together. The next day everyone defends the graduation ceremony against Zundar and Dadacha's Second-Button Monster, but Yumoto struggles using his love power.
Stavros has a cafe with his brother years and are the only ones in the family who care to get by. He is in love with Mary, which, however, not turning to look at him. Mary comes from an ...
Chandramouli, an international drummer, goes to Chennai to help his friend in his new project. However, his life turns upside down when he falls in love with a playback singer.
During a chicken picnic, Yellow Guy gets upset after Green Bird kills a butterfly. Yellow Guy then meets a butterfly that takes him on a journey to discover his concept of love.
The legendary director Ruth Berghaus created this staging of Carl Maria von Weber’s Der Freischütz as a gripping theatrical experience for the Zurich Opera in 1993. Its revival in 1999 was a roaring success. With sets by Hartmut Meyer and costumes by Marie-Louise Strandt, Berghaus’ staging avoids the local peasant colour conventionally associated with Weber’s opera. Chorus and orchestra of the Zurich Opera House are conducted by Nikolaus Harnoncourt, universally celebrated for the structural transparency of his interpretations, his intellectual penetration and his emotional understanding of both music and opera plot. And last but not least an all-star cast made this production a highly memorable event: the dramatic soprano Inga Nielsen as Agathe, one of her best roles, the Swedish soprano Malin Hartelius as Ännchen, the sought-after Heldentenor Peter Seiffert, who gives a convincing passionate Max, and many others.
The father of twin brothers wants to get them married to only twin sisters. But one of the brothers falls in love with a woman does not have a twin sister.
A musical fantasia on religion and the nature of exploitation.
Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound, and is an interpretation of the particular aria.
Raju faces many hurdles and disappointments in matters of the heart throughout his life. But as a clown in a circus, he tries to make his audience laugh at the cost of his own sorrows. Along the way, Raju loves and loses, but must always keep a smile on his face because, in the words of his circus manager, "The show must go on."
A young actor from Texas tries to make it in New York while struggling in his relationship with a beautiful singer/songwriter.
When two friends collect money for the so-called "suffering in America" in the streets of Accra, is it for fun, political provocation, or a prophecy? Two Swiss filmmakers will answer these questions with the help of seven musicians from Ghana-M3NSA, Wanlov The Kubolor, Adomaa, Worlasi, Akan, Mutombo Da Poet, and Poetra Asantewa-who have written new songs and produced video clips especially for the documentary film Contradict.
A shy computer expert falls in love with a beautiful colleague while trying to become a film director. Five years later, they have two children, she has become a successful executive, his career has gone nowhere, and their relationship is coming to an end.
A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.
A week in the life of the exploited, child newspaper sellers in turn-of-the-century New York. When their publisher, Joseph Pulitzer, tries to squeeze a little more profit out of their labours, they organize a strike, only to be confronted with the Pulitzer's hard-ball tactics.
Švand, a room painter from Strakonice, begins a dizzying career as a pop music star, but he soon discovers that fame is not the most important thing in life or what he is looking for and what he longs for in life.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
Upon their release from prison twenty years earlier, Gérard, Ary and Philippe asked themselves if honesty was not the best racket of them all. Today, they are inseparable and scrupulously above board. But Gérard learns he is terminally ill. Their friend’s days being numbered, Ary and Philippe want to offer him one last love story… because, as Gérard likes to say : love is better than life.
