Oscar-nominated director Fridrik Thor Fridriksson and co-director Bergur Bernburg helm this lovely documentary portrait of influential Icelandic landscape painter Georg Gudni.
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For months, the FBI have been investigating Russian interference in the American presidential elections. ZEMBLA is investigating another explosive dossier concerning Trump’s involvement with the Russians: Trump’s business and personal ties to oligarchs from the former Soviet Union. Powerful billionaires suspected of money laundering and fraud, and of having contacts in Moscow and with the mafia. What do these relationships say about Trump and why does he deny them? How compromising are these dubious business relationships for the 45th president of the United States? And are there connections with the Netherlands? ZEMBLA meets with one of Trump’s controversial cronies and speaks with a former CIA agent, fraud investigators, attorneys, and an American senator among others.
A Latvian poetic documentary about the town Kuldīga.
A timeless landscape steeped in history that is little changed today, but was surely made to be filmed!
An observational documentary following Steven Brooke and how the solitude of painting impacts his life and artwork.
Acting as part ode and through a series of interpretations, Claudette’s Star depicts young artists considering with sheer wonder who is given a voice.
A portrait of Eric Lyons and Span, under the scrutiny of Ian Nairn, as well as the residents of their estates.
Known for his vibrant reinterpretations of classical portraits featuring African-American men, New York-based painter Kehinde Wiley has turned the practice of portraiture on its head and in the process has taken the art world by storm.
Documentary about the painters Augustus John and James Dickson Innes who, in 1911, left London for the wild Arenig Valley in North Wales. Over three years, they created a body of work to rival the visionary landscapes of Matisse.
April 15, 1874, boulevard des Capucines, Paris: a group of young feverish painters shunned by the official Salon and mocked by the classical masters, chose to come together to exhibit their paintings freely, in the studio of photographer Nadar. At the end of a teeming century, when modernity was emerging, this group of rebellious artists, revolutionized the world of art.
The first mountains that the Amsterdam-based Colombian artist and filmmaker Ana Bravo Pérez saw in the Netherlands were black. In this experimental work, she follows the stench of the coal in the port of Amsterdam back to its origin: an open wound in northern Colombia. The mine is located in the territory of the Wayuu and has a huge impact on the indigenous people.
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In the fall of 1987, Philippe Haas accompanied the sculptor Richard Long to the Algerian Sahara and filmed him tracing with his feet, or constructing with desert stones, simple geometric figures (straight lines, circles, spirals). In counterpoint to the images, Richard Long explains his approach. Since 1967, Richard Long (1945, Bristol), who belongs to the land art movement, has traveled the world on foot and installed, in places often inaccessible to the public, stones, sticks and driftwood found in situ. His ephemeral works are reproduced through photography. He thus made walking an art, and land art an aspiration of modern man for solitude in nature.
Features volcano watches in Iceland from 1984-91, showing the country's highlands, Askja, Kverkjoll, Herdubreidarlindir, Sprengisandur, and Jokulsa Canyon. Presents Landmannalaugur and the popular trek from this Myvatn, Skaftafell, and glacier bursts from the Grimsvotn and Graenalon lakes. Depicts scenes of winter traveling in Iceland, Reykjavik, the Blue lagoon, Geysir hot spring, the site of Parliament in Thingvellir, and Kulusuk on the east coast of greenland. Includes the earthquake sequence that shook the island in September 1986 and sequences from the volcanic eruptions at Mount Hekla (1947-48, 1970, 1980-81, and 1991), Surtsey (1963-67) Heimaey Island (1973), Lake Myvatn (1975-84) and Grimsvotn Lake (1983).
The reception ebbs and flows as the unfamiliar landscape whirls by the window of a plane or train or car. Communication is delayed, fragmented, interrupted. Memories of a distant country.
This film explains what James Ensor (1860-1949) meant for the development of art and makes palpable where he got his inspiration from.
Following a national crisis, the citizens of Iceland rallied together to collectively write the first ever crowdsourced constitution. A deeply touching account of an eclectic group of individuals reinventing democracy through the rewriting of the nation's constitution, proving that Iceland is not a broken country but instead an intricate web of concerns, ideas, and ultimately creative solutions.
IJswee is a documentary film about an ice club, a village and the warm winters. In the film we follow Oringers, the inhabitants of Odoorn, through the winter. The Oringers all experience IJswee in their own way. You will also see the Icecounter (Rafael van der Ziel), who builds ice sculptures and drinks frozen milk. You see the Drenthe countryside changing with the weather. You see animations, archive material and you hear the mysterious sounds of IJswee in the music of Wietse de Haan. And there are two trumpet players, who welcome winter with their music and say goodbye to it.
