Sour Grape

Aug 30, 1974

1h 16m

★ 4.5

Overview

Two years after receiving news of his father’s death in WWII a young boy continues to wait for trains from the front. The boy lives with his crippled uncle rather than with his mother, who has remarried and has another child. Then one day the father returns.

Genres

Drama

Production Companies

Armenia Studio

Sour Grape Trailers

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Cast

Vahe

A. Isahakyan

Vardan

Sos Sargsyan

Sahak

H. Azizyan

Sanam

Alla Tumanian

Old man

Vruyr Panoyan

Hovhannes

Gurgen Janibekyan

Yelizaveta

Galya Novents

Head of the railway station

Azat Sherents

G. Margaryan

A. Avagyan

L. Salajyan

Hovanes Vanyan

The film is dedicated to the Armenian monk and genius composer Komitas, and the 2 million victims on his people in Turkey in 1915. The final 20 years of Komitas life were spent in various mental hospitals. The destiny of Komitas? This is the magic beauty of Armenian culture and the abhorrent brutality of Armenian history. A cultural and artistic world that was slaughtered with a curved knife. A humanity that doggedly advances towards an apocalyptic catastrophe, that does not recognize its own original purpose, eradicates its own memory, its final roots.

6.0

We Are, Our Mountains

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The tranquility of a remote Armenian mountain community is disrupted when a group of shepherds affected by the pangs of an evening hunger, decide to butcher and barbecue the sheep of another's that have strayed into their herd. An official inquiry by the city police complicates matters, and questions of law, morality and community only seem to lead to further entanglements.

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0.0

From Two Worlds as a Keepsake

Jan 1, 2012

In Soviet Azerbaijan, a divorced Armenian couple fights over the custody of their daughter, Ashen. Stolen from one parent to another, Ashen's guardians are tragically killed in the bloody war surrounding them. Will the arrival of a new savior finally bring Ashen freedom? Official selection of the Global Lens Collection presented by the Global Film Initiative.

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During a general cleaning weekend in his village house an old cemetery groundskeeper discovers that he is just as much of a burden for his family, as his old mementos they are throwing away in the trash.

6.1

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The Lark Farm is set in a small Turkish town in 1915. It deals with the genocide of Armenians, looking closely at the fortunes, or rather, misfortunes of one wealthy Armenian family.

0.0

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Robert Sternvall, a German journalist, returns to Artsakh in 2016 to cover the war which has been reignited after a 22-year ceasefire. In the result of his journalistic investigation, Robert meets Sophia, a young opera singer, who happens to be the daughter of missing photojournalist Edgar Martirosyan, whom Robert abandoned in captivity during the fall of the village of Talish in 1992. Robert and Sophia’s frequent rendezvouses ignite a passionate romance...

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10.0

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This is a story about returning to ones ancestral homeland. Anna is a cardiologist who discovers her father has fled to his native Armenia after being diagnosed with a heart problem. Despite their contentious relationship, she sets out to bring her father back for this operation. Anna is a tough-minded, headstrong woman with little feeling for her fathers homeland or patience with its politics and socially intrusive culture, yet she finds this journey not only a reunion of sorts, but one of reconciliation as well.

0.0

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Raphael, Yervant Gianikian's father, survived the Armenian genocide in 1915 in Eastern Turkey. In April 1988, while living in Venice, he sat for his son's camera and read an excerpt from his memoirs, translated from Armenian into Italian.

0.0

Revival

Invalid Date

In 2020, when a French robotics student investigates his mother's guarded secret about his true Armenian identity, he jeopardizes his university AI competition to travel to Artsakh and gets entangled in an unexpected full-scale war where he must rely on the evolving consciousness of his AI creation to save his life and learn the truth.

5.2

Hello, It's Me!

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In post-war Armenia, physicist Artyom buries himself in work, haunted by the loss of his wife in WWII, unable to let go of the past. Meanwhile, young Tanya refuses to accept her stepfather, still waiting for her real father, missing in action for years. Their parallel journeys explore memory, loss, and the weight of history—both personal and national. As Artyom grapples with the dilemma of remembering versus forgetting, the film becomes a meditation on identity, time, and the inescapable pull of the past. Partially based on the life of prominent Soviet-Armenian scientist Artem Alikhanyan, Hello, It’s Me! is a deeply reflective exploration of history’s grip on both individuals and nations.

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Butterfly's Will

Invalid Date

With only her dance, her sickly daughter, and her estranged husband, Maria struggles to keep her family alive. But are surrounding people real? Who roams the alleyways and streets of the town that were ruined by the 1988 earthquake? Do ghosts inhabit the land, or is it just emptiness? She must unravel these mysteries... within six days.

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1920. Last days of the first Armenian Republic. Armenian Army fights on two fronts: war with Turkish army in the west, and Red Army incursion and Bolshevik mutiny in the northeast. Hayk Saroyan returns to his native provincial town from Russia to assume a minor post at Dashnak Army command center. His brother Gevorg, captain at the same command center, is a real patriot prefering death to "eternal exile", army power to relegious mercifullness. Very soon a suspicion creeps inside him: his beloved brother is Bolshevik spy.

5.1

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The feature film is based on true events that changed two families forever. The story, both comical, satirical and a tragedy begins in the city of Yerevan, Armenia. Grigor Janoyan, a professor of agriculture at the University of Yerevan, dies from a freak accident, almost as strange as the events that soon follow. In accordance with Armenian tradition, the relatives bring the deceased into their home for the "viewing" by his friends and family before the burial. The family, consumed with grief fails to realize that the body on the dining room table is not Grigor. A friend of the family, while paying respects, discovers the mistake. Grigors look-a-like, Ruben Pashayan was the head of Armenia's organized crime families. Trouble is inevitable, but as the story continues, Grigor's son Hayk and his friends begin the quest of finding his father's body.