Unfound film from 1891, directed by William K.L. Dickson and William Heise. The film stars James C. Duncan.
No Trailers found.
Himself
Jack Lane (William Stowell) has made an invention for photographing wild animals. It consists of a camera with a trigger -- when the trigger is stepped on by a passing animal, a flash goes off and the camera shoots the picture. Lane goes up to the mountains to try out his new contraption. When a recluse refuses to let him spend the night in his cabin, Lane goes to sleep out of doors, with the camera set up near by. In the middle of the night, he is awakened by the flash and the sound of gunshots. Trekking back to his own cabin the next day, he develops the picture, which is of a girl holding a rifle. He returns to the recluse's cabin where he is arrested for murder.
After divorcing her husband Kent, actress Anne Wetherall returns to the stage. Upon receiving a plea for help from childhood chum Nell Jerrold begging Anne to save Nell's daughter Betty from marrying Kent, the ex-Mrs. Wetherall decides to journey to the Jerrold's home in the town of Wheaton to investigate.
Penny arrives in the West by aeroplane. She is considered a suspicious character and thrown into jail. Kurt Walters, a ranch foreman and deputy sheriff, discovers that she is the same girl that his friend, Jo Gary, met in Chicago. Gary fell in love with her, but she confessed she was a thief. Since Penny claims she wants to reform, Walters releases her and sends her to live with Mrs. Kingdon. In spite of her teasing and taunts (or perhaps because of them), Walters finds himself falling in love with Penny.
The Mutiny of the Bounty is a 1916 Australian-New Zealand silent film directed by Raymond Longford about the mutiny aboard HMS Bounty. It is the first known cinematic dramatization of this story and is considered a lost film. Longford claimed it was the first Australian film to shoot scenes at sea.
What is more miserable than love-blighted life? For the heart that truly loves can never forget. Such is the sad fate of the hero of this Biograph story.
No overview available.
A group of young people made a bet, according to the terms of which they had to visit a cemetery at midnight.
A doctor kills and embalms a woman in order to preserve her beauty.
A young man discovers the reason his new bride killed herself.
When her father goes broke in the stock market, Jane Lee is forced to leave her prestigious boarding school. Glad-handing John Brock, an old friend of Jane's father, arranges for the girl to be hired as his stenographer. But Brock's lecherous ulterior motives become obvious when he locks Jane in the office and tries to rape her. When she manages to escape his advances, Brock vengefully frames the girl on a robbery charge.
An important customer at Armande's, where Iva Seldon works as a model, is Billy Ravensworth, who purchases expensive gowns for a heartless vampire named Rita Challoner. When Billy pays for a number of gowns with a bad check, Iva is sent to Rita's home to collect the finery, and there she meets Bertrand Seldon, whom she recognizes as her own father, a society man who had deserted his wife years earlier and never acknowledged Iva. Rita learns that Billy is poor and breaks off their affair, after which Iva persuades him to pose as her fiancé so that she might enter society. Billy is content to maintain the masquerade in exchange for Iva's money, but soon finds himself jealous over her apparent romance with Bertrand. Iva agrees to accompany Bertrand on a drive, but the car plunges down a cliff, whereupon she reveals her identity. Before his death, Bertrand at last recognizes his daughter, and with his fortune, she and Billy begin a new life.
Gene Romaine lives in the solitude of Tall Pine Mountain with her father, fire warden for the Stanton Lumber Company. They live alone, but her mother's grave is in the little clearing and the father has promised never to leave it. To them comes McDaniels, the logging boss, who is attracted by Jean and offers her father to discard his Indian wife for the young girl. Romaine indignantly refuses and is threatened with dismissal. Gene, knowing he cannot bear to leave his wife's grave, assents to the marriage in spite of her father's protests. Stanton, chief owner of the lumber company, maroons his worthless son in the woods, in the hope of reforming him. Gene takes care of him when he sprains his ankle, and he protects her from McDaniels and is blamed for the murder of the boss when his vengeful Indian wife stabs him in the back.
Following the death of her father, a Maine trapper, Jennie Cox moves to New York to earn her living.
Amy Lindel, a church choir singer, goes to the city to pursue a singing career, but finds herself only able to get cabaret gigs. She then becomes entangled in a situation involving stolen diamonds, and is saved by the "good guy" whom she later marries.
Even though he disapproves of the harshness with which his father, the Colonel, treats his employees, Wayne Craighill joins the old man's mining business. Adding to the strain between father and son, Wayne soon falls in love with Jean, the daughter of a small mine owner whom the Colonel wants to put out of business.
A picture of the great outdoors, peppered with the thrills that dreams are made of.
Harpo played the hero, a detective named Watson who "made his entrance in a high hat, sliding down a coal chute into the basement". Groucho played an "old movie" villain, who "sported a long moustache and was clad in black", while Chico was probably his "chuckling [Italian] henchman". Zeppo portrayed a playboy who was the owner of a nightclub in which most of the action took place, including "a cabaret, [which allowed] the inclusion of a dance number". The final shot showed Groucho "in ball and chain, trudging slowly off into the gloaming". Harpo, in a rare moment of romantic glory, gets the girl in the end. This film is lost.
An American adventure film serial comprised of fifteen episodes of two reels (24 min) each. All chapters are presumed lost.
In 1975 French Oscar-winning documentary filmmaker Pierre Dominique Gaisseau traveled to Panama to make a film on the indigenous island-dwelling Kuna people. Accompanied by his wife and their daughter, Gaisseau lived with the Kuna for a year, gaining their trust and filming their most intimate ceremonies. He promised to share the resulting film with the community, but that never happened. Fifty years later, the Kunas are still waiting to discover “their” film, now a legend passed down from the elders to the new generation. One day, a hidden copy is found in Paris…While uncovering this fascinating story with humility and warmth, Swiss-Panamanian filmmaker Andrés Peyrot succeeds in capturing a true sense of culture and place. The result is simultaneously a cautionary tale raising questions around how and why documentaries are made and for whom, and a testament to the power of what it means to see yourself on the big screen.
