Boireau is sleeping in his bed, floating in the air, when a fire wakes him. So he takes his gun and shoots a fish down from the sky...
One night in his near-empty tower block in contemporary London, Adam has a chance encounter with a mysterious neighbor, which punctures the rhythm of his everyday life.
Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.
The young serf Eremey Mizgir is surrendered as a soldier by his mistress for his mischievous tricks. Mizgir ends up in St. Petersburg in the guards regiment. Resourceful, quick-witted, cheerful, he easily copes with his official duties and, although he often gets punished by the sergeant-major for his pranks, he never loses heart. But then sad news came from the village: the old people’s cow had died, and Eremey’s bride Dunya was being relentlessly pursued by the clerk. The soldier felt sad. Standing on guard at the rich, diamond-studded icon of the Kazan Mother of God and thinking about how to help the elderly and the bride, Mizgir decides to take a desperate step. He breaks the glass of the icon and picks out a large gemstone from the aureole of the Mother of God. When the loss is discovered, Mizgir, without blinking an eye, announces that the Mother of God herself gave him the stone.
A satiric tragi-comedy about two women and their lover Robert who is an emigrant that keeps coming back. This film shows chaotic post-communist Europe after the fall of totalitarianism. Two opposite characters, women, meet during the Velvet Revolution in November 1989. Intellectual dissident Nona and a Communist secret police boss’ mistress Ester. They meet at an anti-regime demonstration and become friends. They don’t want anything to do with politics, both want to get married and have kids, but also get rich. Crazy plans and risky attempts to realize their shared dreams land them in many sticky situations in the post-revolution chaos. Too much money gets in the way of the power of friendship.
In Los Angeles, a colorful assortment of bohemians try to make sense of their intersecting lives. The moody Dark Smith, his bisexual girlfriend, her lesbian lover and their shy gay friend plan on attending the wildest party of the year. But they'll only make it if they can survive the drug trips, suicides, trysts, mutilations and alien abductions that occur as one surreal day unfolds.
When actress Nikki Grace gets the lead role in a cursed film, her world becomes more and more surreal, blending realities and ideas of infidelity, reincarnation, and supernatural forces.
A trans girl misses her train stop one night and embarks on a surreal journey back home as her dreams start leaking into her reality.
In this silent film, now considered lost, Doug Caswell falls for Irene, his wealthy father's mistress. It's up to Doug's stepmother Helen to put things right.
The winner of the Miss World Virginity contest marries, escapes from her masochistic husband and ends up involved in a world of debauchery.
The plot is the embodiment of everyday belief about the impact of a certain evil force on a person. The action develops in a peasant environment.
So This is Love? was another early Frank Capra production for fledgling Columbia Pictures. The hero, dress designer Jerry McGuire (William Collier Jr.), is tired of being considered a wimp. After business hours, Jerry secretly takes boxing lessons, enabling him to knock the stuffings out of his burly rival Spike Mullins (Johnnie Walker). Jerry's newfound pugilistic skills wins him the affections of store clerk Hilda Jensen (Shirley Mason), who's just car-razy about "cave men." Filmed in a fast three weeks, So This is Love? was completed before Frank Capra's Matinee Idol but released afterward. Leading lady Shirley Mason was the sister of Viola Dana, who starred in Capra's initial Columbia effort, That Certain Thing.
An ordinary man wakes up in a world upside down! Illegible newspaper, people backing up, cars backing up: nothing is the same anymore, but everything seems to be going well.
A newlywed couple tries to make her sea captain Uncle feel like a welcome house guest by giving him all the comforts of the sea...
Petro is a modest farmhand living in an impoverished village in some unspecified long-ago era. He wants to marry the lovely Pidorka, but her stern father won't hear of it. The mischievous demon Basavriuk, offers a deal, enticing Petro into crime for the sake of fortune. Based on Nikolai Gogol’s short story “The Eve of Ivan Kupala” (“St John’s Eve”) and Ukrainian folk tales.
A lonely woman gets more than she bargained for when she begins wooing Mr Devil, an insatiable glutton who turns out to be the boyfriend from Hell.
The opening shows a colored nursemaid in the park with baby carriage, and seated on a bench receives the attention of several smart colored men who admire her greatly and endeavor to make her acquaintance. But the dusky belle is coy and declines to make the acquaintance of any of them, until one more fortunate than the rest is invited to a seat on the bench with her, and a most pronounced flirtation takes place between the lady and her beau. (Selig catalog)
Glen doesn't dare tell his fiancée Barbara that he is a transvestite; in addition, Alan is undergoing medical treatment to become a woman named Anne; both stories are told by a psychiatrist.
After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.
When Luke, a travelling salesman, finally arrives at the Countess' castle, he discovers his client is not what she seems to be...
Sir Guy Grand, the richest man in the world, adopts a homeless man, Youngman. Together, they set out to prove that anyone--and anything--can be bought.
Trailer
Boireau
