A Western Story of Feminine Comradeship and Courage
Queen of the Nightclubs Texas Guinan takes rides the range!!
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In the tradition of classic westerns, a narrator sets up the story of a lone gunslinger who walks into a saloon. However, the people in this saloon can hear the narrator and the narrator may just be a little bit bloodthirsty.
A group of women band together as they go to war against a pack of men who have done them wrong at every turn.
During the raid on an emigrant train the girl and her brother, the only survivors, are attacked by the villain who kidnaps the girl and takes her to the camp of Calamity Anne, who takes a liking to the girl and becomes her guardian angel. The girl's brother is killed and a ranger takes the locket containing the girl's picture from his neck and recognizes the girl in Calamity Anne's camp. Later, Calamity Anne holds the villain and his band at bay and the girl and the ranger make their escape. The girl and the ranger come to the spot where the girl's brother is buried and here she asks the ranger if he is going to leave her there alone. His answer is to take her into his arms.
A fisherman, a banker and an actress are involved in a love triangle in the middle of the ocean.
Off a lonely Texas highway, a group of hustlers prey on the desperados who have come for sex, drugs and Mommas special milk. When a murderous cowboy rolls into town, a young trans boy quickly sees an opportunity to feed the physical and emotional hunger that has long been ignored by the neglectful Momma. As the boys begin to fall one by one, Penny is caught between the Cowboys lustful rage, and the greed and corruption that Momma represents.
A butterfly collector unwittingly wanders into an Indian encampment while chasing a butterfly, but the tribe has resolved to kill the first white man who enters their encampment because white oil tycoons are trying to force them from their land.
The whimsical adventures of the impetuous Sheriff Nell (Polly Moran), who keeps Triggerville in line with an iron fist. But her heart is set on Jack, the saloon barman, and Black Pete, a notorious crook.
Undead dark riders invade a wild west saloon, blasting away everyone in sight - now only a bad-ass Native American warrior can save the town.
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
Based on Stephen King characters from the Dark Tower series, this short examines the student-teacher dynamic between the legendary Gunslinger and the woman in the wheelchair he pulled into his world a few months before our story begins.
Yosemite Sam tries to force Bugs Bunny to do a high-diving act when the regular act cancels.
The Last Outlaw (1919) proved very tantalizing. An end-of-the-West Western, it shows its grizzled hero revisiting the town of his youthful exploits. But now, in an anticipation of Ride the High Country (1962), civilization has taken over. Cars chase Bud off the streets and the theatre features movies (Universal Bluebirds at that, a bit of product placement). Ford heightens the contrast by letting us into the hero’s memory, introduced by the title: “Memories of the past flashing back to him”—the earliest reference to the term “flashback” I recall seeing in the movies.
While on a vacation, an elderly Buffalo Bill dreams of his adventures as a young man when he scouted for the cavalry, fought Indians and captured outlaws.
A young filmmaker accidentally claps her idol’s mystical clapperboard, throwing the two on a frantic journey through film genres and beyond.
Dick, an easterner, comes west to try his luck at mining. No sooner does he arrive than Hartley, the local gambler and all-around villain, commences to make sport at his expense. Dick endeavors to bear it patiently, but a clash is inevitable, until the arrival at the village store of Mary Brown, one whom all held in respect, excepting Hartley.
After a series of disasters, nothing is left of human civillisation. All that remains are the people left behind who live in a post-apocalyptic no man's land. When Lil, a young lonely woman, finds a wounded stranger near her shelter, she has to decide if she'll help him or not. Does she remember what it's like to do something good for another human being?
'Cowboy' Troy is a mute child who lives with his alcoholic father in an isolated cabin. His Spaghetti Western fantasies come to life when he encounters Angel, an outlaw on the run from her psycho partner, Kane. Can Troy and Angel's unlikely partnership help them escape their tormentors?
Based on Edgar Lee Master's "Spoon River Anthology" from 1915, this is the story of Tom Merritt.
Two outlaws find themselves at a blood-red impasse as they passionately conflate arguments with homoerotic violence.
Bandit Pistol Pete enters a lawless western town and robs a bank. The town is in desperate need of a sheriff. Enter wandering cowboy Goofy who notices a pretty girl being held up in a stagecoach robbery by Pete. Lovestruck and completely oblivious to Pete, he foils the robbery while getting to know the girl better. This earns him a reputation as a great gunslinger and he is challenged to apprehend Pete. Pete tries to get his revenge on Goofy but every attempt backfires due to Goofy's clumsiness usually directed unintentionally at Pete.
