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In the interior of Sergipe, a musical rhythm fills the parties and moves people. Music lovers and singers of the genre share their stories and how arrocha affects them.
Vou Rifar Meu Coração is a documentary about the performers and the followers of Brazilian romantic music – also known as brega (kitsch), often called "cheesy" by critics and the wealthy elite. Frequently associated with bad taste and poor quality, the style is admired by the lower working class, or unemployed population, originally from rural origins, banished to the cities in search of work and a better life. Using the music as a catalyst, this documentary shows the sentiments, love, suffering and sexuality of the fans and their idols, creating a scenario that reveals their practices and desires.
The documentary narrates the trajectory of Waldick Soriano, from the time he was a gold miner to his consecration as one of the icons of Brazilian music.
The 94 minute documentary film “From the 50 Yard Line” presents the football field not only as a sports venue but also as a stage for the marching band. The viewer goes on an exciting adventure through band camp, auditions, the marching season, and the regional and national competitions in 2006. You see the great rewards of disciplined practice, the overlooked technical artistry of the group endeavor, and the important life changing effects of instrumental music education. Another layer delves into the misconceptions about marching band, showing "band nerds" in a whole new light.
Since the 1960s, the Rolling Stones, the incarnation of "sex, drugs and rock'n'roll", have had a special relationship with France. From the chaotic concert at the Salle Vallier in Marseille in 1966, to the recording of "Exile on Main Street", their album written under the influence in a villa on the Côte d'Azur, to Mick Jagger's mythical wedding in Saint-Tropez, the British rock band has lived through some crazy French years. Never-before-seen images and interviews with collaborators, rock critics and musicians lift the veil on the Stones' passionate relationship with France.
On October 23, 1992, there was an improvised performance in the small auditorium of Washington in St. Louis, USA, without a separate stage and fancy equipment or effects. With the front floor of the small auditorium as the stage, there are only small lights, props, and various lines that illuminate the stage in front with a chair and an amplifier.
Princess Oboro, the queen of the Tanuki palace and stubborn at heart, falls in love with coffeehouse worker Kurotaro at first sight.
Lieschen Müller is in her mid-20s, works a dull office job and fancies the handsome waiter from the diner down the street, wishing for a more exciting life. In a vivid, lucid dream she happens upon a gigantic fortune, allowing her to live out her wildest fantasies. Quickly, however, she realizes that that's not what makes her happy.
French General Birabeau has been sent to Morocco to root out and destroy the Riffs, a band of Arab rebels, who threaten the safety of the French outpost in the Moroccan desert. Their dashing, daredevil leader is the mysterious "Red Shadow". Margot Bonvalet, a lovely, sassy French girl, is soon to be married at the fort to Birabeau's right-hand man, Captain Fontaine. Birabeau's son Pierre, in reality the Red Shadow, loves Margot, but pretends to be a milksop to preserve his secret identity. Margot tells Pierre that she secretly yearns to be swept into the arms of some bold, dashing sheik, perhaps even the Red Shadow himself. Pierre, as the Red Shadow, kidnaps Margot and declares his love for her.
Franco Zeffirelli's magnificient staging of Puccini's final opera - a fairy tale set in a mythical China - is one of the most popular in the Met repertory. In this Live in HD production, Maria Guleghina takes on the title role and Marcello Giordani is Calaf, the unknown prince. Marina Poplavskaya and Samuel Ramey co-star, and Andris Nelsons conducts in his Met debut.
Manchester, 1976. Tony Wilson is an ambitious but frustrated local TV news reporter looking for a way to make his mark. After witnessing a life-changing concert by a band known as the Sex Pistols, he persuades his station to televise one of their performances, and soon Manchester's punk groups are clamoring for him to manage them. Riding the wave of a musical revolution, Wilson and his friends create the legendary Factory Records label and The Hacienda club.
