A compilation of scenes and trailers from horror movies having to do with wolfmen.
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Lawrence Talbot / The Wolf Man (archive footage)
After moving to a small town, Zach Cooper finds a silver lining when he meets next door neighbor Hannah, the daughter of bestselling Goosebumps series author R.L. Stine. When Zach unintentionally unleashes real monsters from their manuscripts and they begin to terrorize the town, it’s suddenly up to Stine, Zach and Hannah to get all of them back in the books where they belong.
When a proposed pipeline creates hostilities between residents of a small town, a newly-arrived forest ranger must keep the peace after a snowstorm confines the townspeople to an old lodge. But when a mysterious creature begins terrorizing the group, their worst tendencies and prejudices rise to the surface, and it is up to the ranger to keep the residents alive, both from each other and the monster which plagues them.
Born in Berlin in 1896, Lotte Eisner became famous for her passionate involvement in the world of both German and French cinema. In 1936, together with Henri Langlois, she founded the Cinémathèque Française with the goal of saving from destruction films, costumes, sets, posters, and other treasures of the 7th Art. A Jew exiled in Paris, she became a pillar of the capital's cultural scene, where she promoted German cinema.
Brigitte has escaped the confines of Bailey Downs but she's not alone. Another werewolf is tailing her closely and her sister's specter haunts her. An overdose of Monkshood - the poison that is keeping her transformation at bay - leads to her being incarcerated in a rehabilitation clinic for drug addicts where her only friend is an eccentric young girl by the name of Ghost.
An aging publisher becomes a demon wolf and, with this newfound youthful vigor, fights to keep his job.
A New York City cop and an expert criminologist trying to solve a series of grisly deaths in which the victims have seemingly been maimed by feral animals discover a sinister connection between the crimes and an old legend.
When a team of techno-savvy thieves break into a high-security vault, they don't discover priceless works of art... they find a crypt unopened for 100 years.
After bailing his ass from jail, Mummy is reluctant to invite Dracula back to their apartment.
Wealthy slacker college student Mark, his new girlfriend Sarah, and their friends are invited to a special showing at a mysterious wax museum which displays 18 of the most evil men of all time. After his ex-girlfriend and another friend disappear, Mark becomes suspicious.
Misty and Ruby are a couple who run a lesbian bar in New Jersey when their lives change one night with the arrival of a seductive woman (Anoushka) who bites Misty, thus starting her slow transformation into a werewolf. Anoushka the werewolf returns to her home in London, England where she gives an interview to a young reporter about her life as a werewolf, while back in America, Misty undergoes a slow transformation into a werewolf herself which may lead to danger for Ruby, and any other woman involved.
A child conceived by a mute servant girl transforms from an innocent youth to a killer beast at night with uncontrollable urges.
Colum Kennedy went with his family to an Irish village to visit the places of origin of their ancestors. Once he arrived in the village realizes that the community is populated by beastly shape-shifting beings able to transform into animals. Colum begins to feel an intense passion for a woman who can transform into a wolf and must make a choice: return to his family and bring her home or to give in to temptation.
A documentary about Fassbinder and the early years of the legendary Antiteater, the group he was a member/leader of. You can here see and hear some of the actors he was going to use in his movies for the next years. The movie shows rehearsals for his play "The Coffeehouse," which also became a television movie, and you can watch unique footage from the 19th Film Festival in Berlin (1969) where "Love is Colder Than Death" was shown. As told in this documentary, his first feature movie was given a cold shoulder by many of the journalists and visitors at the festival. You can in "End of the Commune" watch Fassbinder and actor Ulli Lommel walk out on stage after the opening of "Love is Colder Than Death,” while a man in the audience is shouting "Out with the director!” In this documentary, Fassbinder also talks a lot about his father, who was a respectable doctor.
A government agent cursed by lycanthropy goes on a dystopian fueled adventure to find his son, who has parted ways with his father.
When a young journalist dies in violent circumstances, her brother soon learns, by way of the mysterious Stefan Crosscoe, that his sister has succumbed to the werewolf curse.
An unfinished film by veteran b-movie director Oliver Drake. He took his first (and last) directorial foray into horror with this film.
Loren doesn't like her new neighbor, Jared, or his vicious dog. Along with her friend Steven, Loren spies on Jared and begins to suspect he's a werewolf, responsible for a rash of disappearances. But Jared is watching her just as closely because Loren reminds him of his dead wife. As a full-moon night nears, Loren enlists the help of TV star Redd Tucker, who knows how to hunt -- and who believes her werewolf theory.
An evil witch brings back to life the infamous Elizabeth Bathory, who was executed several hundred years previously for murdering young women and bathing in their blood.
His bloodline damned by a witch, Waldemar Daninsky heads to Japan to seek a cure for his werewolf curse.
In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.
