The second show of Dutch comedian Hans Teeuwen: sex, violence and foul language in a string of songs, abrupt transitions and evocative characterizations.
Registration of the fifth theatre program by the Dutch comedy duo (Niels) Van der Laan & (Jeroen) Woe.
No overview available.
Haxel airport. Now Another small player between airports and New York JFK and Paris Orly. But the runway is almost a fact and the Hema found is willing to pick up the big red letters of the roof. Nothing is therefore a landing of Major discounters logged in the way. To Haxel Think big! Give nature back to the asphalt. A runway encountered on the way various pick-up points. Unique in Europe. Ter Haxel International Airport. Never hoof Laying Where Lies Netherlands. But then Tackle boys now. It is rumored that the first Boeing is already underway. And No Worries. A little lost kerosene Really not bad for your vegetable garden. Chest out and let all hell break but. Never save yourself. HE dying himself saves Gets No interest. That may immediately a tile.
The Bandit goes on another cross-country run, transporting an elephant from Florida to Texas. And, once again, Sheriff Buford T. Justice is on his tail.
After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.
Registration of the fourth solo program by the Dutch comedian Hans Sibbel, in which the comedian takes a look at the evolution.
After the insane General Jack D. Ripper initiates a nuclear strike on the Soviet Union, a war room full of politicians, generals and a Russian diplomat all frantically try to stop it.
Registration of the second theatre program by the Dutch comedy duo Plien (van Bennekom) & Bianca Krijgsman.
We like to convince ourselves of things. Trivialities that bring some order to the chaos of our thoughts, things that make life a little more exciting. But what if these thoughts turn against us? What if we convince ourselves of things that aren't necessary? What if we become paranoid about that one unanswered text message, uncertain about the future of our clothing, and afraid that our hero status is unsustainable? It is these illusions that comedian Thomas Smith wants to expose and puncture. And he is looking for a useful answer to the question of life: what to do when you receive good news while you have a headache?
In this comedy show (the only full show by Jeroen van Merwijk that has been captured on screen) the Dutch musical comedian talks and sings about Mozart, America, the invention of new words and death.
Television registration of the eponymous performance by the Dutch comedian Claudia de Breij. Based on the life story of revue artist Heintje Davids, De Breij sings, dances and tells about a little girl who was told by her father that she was 'too fat and ugly' for the stage. Later, when she had long conquered that stage, there were people who decided that people like Heintje were too Jewish to be allowed to be there. But whoever stopped her, whatever happened: Heintje was there, and she always came back.
Valentin loves old musicals, Adélaïde doesn't. Valentin loves life. Adélaïde, not so much. In any case, he's not afraid of anything when it comes to winning her over, not even ridicule.
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).
Javier introduces himself again in the Ga-Bie-Jer show. He shows that he is actually polite and well-mannered. That he really can control his anger. That in a time of tension, fear and a lot of screaming, he knows how to keep the coolness.
Television registration of the third program by the Dutch comedian Marc-Marie Huijbregts. Marc-Marie Huijbregts sketches a very intimate self-portrait based on personal anecdotes and reflections.
Himself
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