In this modern-day vision of Mother Mary's pilgrimage, a woman crosses the American Southwest playfully deconstructing the woman’s role in a world of roles.
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The arrival of a handsome new farmhand threatens the balance between a farmer and his daughter.
Agnes, a teacher from the Hessian provinces, has come to Berlin to identify a dead girl who might be Lydia, her runaway daughter. It turns out not to be Lydia, but Agnes stays in the city anyway. Still frantically looking, she comes a young stray called Ines who no longer leaves her side...
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.
A Twilight Zone-inspired cautionary tale about a young mother forced to come face-to-face with her deepest desire.
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
The retelling of France’s iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and ultimately the fall of Versailles.
Starting his new job as an instructor at a New England school for the deaf, James Leeds meets Sarah Norman, a young deaf woman who works at the school as a member of the custodial staff. In spite of Sarah's withdrawn emotional state, a romance slowly develops between the pair.
Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.
Fiona and Grant have been married for nearly 50 years. They have to face the fact that Fiona’s absent-mindedness is a symptom of Alzheimer’s disease. She must go to a specialized nursing home, where she slowly forgets Grant and turns her affection to Aubrey, another patient in the home.
Filmmakers from all over the world provide short films – each of which is eleven minutes, nine seconds, and one frame of film in length – that offer differing perspectives on the 9/11 terrorist attacks.
Louise, who has just written a novel, comes to Paris to meet with a potential publisher. While in the city, she stays with her older sister, Martine, who in many ways is the exact opposite of Louise: she lives in a fashionable neighborhood, is cold to others, and has snobby friends, while Louise lives in a small town and is thoroughly unpretentious. Louise's apparent happiness -- and similarities to their mother -- gradually gets on Martine's nerves.
Film adaptation by Straub and Huillet of Hölderlin’s 1798 tragedy on the symbolic death of Empedocles, the legislator in Ancient Greece.
After Xiao Yu's mother died in an accident, she moved back to live with her birth father who she knows little about. Gradually, they grew to know each other and to accept each other for who they are.
Ma Lei which sounds like "Mary" is a Chinese citizen, living in Hong Kong as the kept woman of a jeweler. She wishes for two things: to get her Hong Kong Identity Card, which will enable her to get work as a legal immigrant; and to marry her boyfriend.
Three directors deliver three stories about the love in the modern world.
Clara Law's debut feature deals with her common theme of emigration as two people, man and woman, from separate couples, have to room together while their spouses are in America to finalize the Canadian citizenship process.
Evelyn, an ex-burlesque queen, bewitches single dad Al and his teenage son Fin with her zest for life. When father and son discover they are competing for the affections of the same woman, it reopens old wounds over the death of Fin's mother.
Regina and Fernanda are the owners of a family hotel in the province of Buenos Aires that has lost the splendor of other times. Submerged in bankruptcy are by chance with a significant sum of money brought by a mysterious guest.
When a shy girl, secretly in love with her rocker-grrl housemate, meets an unbalanced heiress on the run, anything could (and does) happen in BRUSHFIRES, the latest production from Chicago-based film group Split Pillow. As the three women negotiate the dangerous relationships among them, the seven women directors weave a sensual tale of suspense. Drawing inspiration from the poem by Jessica Wilbur and the surrealist parlour game, The Exquisite Corpse, each director selected a word or phrase on which to base her segment, and the seven chapters of the film bear their individual marks. This impressive experiment in filmmaking emerges as a sensitive tale of young desire, loss, and love's confusion.
