Composed by six films about the Amazon rain forest and its inhabitants, the high stakes, and the challenges they face. Each film presents a different perspective on a specific aspect of Amazonian culture.
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When a man disappears and leaves a daughter and mother in heavy debt they have to live on a houseboat to make ends meet.
A mid-class Colombian family get into chaos when it's found out that the "Lord of the house", Benjamín, has been cheating on his wife for 20 years and has another son.
When 50-year-old Milena finds out about the terrible past of her seemingly ideal husband, while simultaneously learning of her own cancer diagnosis, she begins an awakening from the suburban paradise she has been living in.
A young woman experiences the worst life has to over in this depressing but worthwhile Colombian drama tinged with a hint of magical realism. Paola Baldion plays Marina, a withdrawn teenager whose abusive grand-dad houses her in a dilapidated shed. When the old fart pops his clogs, Marina passes into the care of cousin Jairo (Julian Roman), a cheesecake photographer who "hires" her to help him with his gear, and the two end up taking an episodic road trip as they travel to reclaim grandpa's legacy. Unpleasant flashbacks to Marina's tragic childhood ensue. Yep, the good times never end in this one! Known in English as Portraits in a Sea of Lies, this meditation on the 50-year long Colombian civil war - as seen through the grueling experiences of our heroine - won the Jury Award for Best Narrative Feature at the 14th Cine Las Americas International Film Festival.
A floating space without gravity where an infinite number of lights shine in different colors: The "Box of Wisdom." Inside of this box, there are multiple worlds, multiple timelines, and there used to be many different people. This is where Dual and Dorothy were fighting with enemies called "Viruses." Worlds infected by viruses must be erased. That is the duty, the job of these girls. However, one day, Dual and Dorothy feel the presence of a new Virus. Arriving at the scene, they see a girl being attacked by Viruses. After saving the girl, the duo wait for her to awaken so they can ask who she is, where she came from, and where she is going. Finally, when the girl opened her eyes, she gave her name, Rimo, and whispered only one sentence... "I must return to the flower patch..."
Monica is 13 years old and has already created her own world, on the street, where she fights courageously to defend what little she has: her friends, her boyfriend, who sells drugs, and her dignity and pride that makes no concessions to anyone. On Christmas night, like every night, she sells roses to make a living. But life brings her a new appointment with loneliness, poverty, drugs and death.
A former guerrilla is reluctantly drawn into the vengeance scheme of one of his victims.
El Flaco returns to Medellin after hiding for some months in London because he was threaten. Things did not change much.
Former Sergeant Diogenes Hernandez owns the Universal, a precarious detective agency private in the Centre of Bogotá, which is based in the same apartment where he and his wife Fabiola inhabit. His nephew, Clemente Fernández, who works at the Agency, maintains a romance with Fabiola, without trying to hurt the feelings of his uncle, but driven by the need to alleviate their empty urban and anonymous man.
Salvador is a peasant who one day wakes up as usual to work on his land but instead finds a pile of corpses in the middle of his crops. He runs to notify the authorities but is Sunday and Election Day so the dead ones end up being a nuisance that nobody wants to deal with.
The film tells the story of a promising young cyclist and two of his friends who must overcome a series of problems to achieve their dream future as "beetles."
It begins with the tragedy of Armero, during the course investigates the murder of a beautiful woman and on his way some people die in the end a killing and a cemetery. Emerson Roque Fierro, former policeman and private investigator shadowing, investigates the murder of "Golondrina", a beautiful young woman, occurred in a seedy hotel in downtown Bogota. Without knowing who it is, begins to understand their relationships with a motley gallery of men: a corrupt politician, connected to drug trafficking and paramilitary groups, a bullfighter cunning and good for nothing, a boxer fallen on hard times with a force so stupid as rare Lotero intellect and an insightful blind. And in the midst of this, the dark threads entangling power to everyone, and especially the poor Fierro.
In the vicious slums of Colombia, where prosperity is dictated by brutality, a conflicted kid seeks membership in a brutal gang, with the hope of one day having the power to determine his own destiny.
USSR, November, 1941. Based on the account by Vasiliy Koroteev this is the story of Panifilov's Twenty-Eight, a group of twenty-eight Red Army soldiers commanded by General Ivan Panfilov, that stopped the advance on Moscow of a column of fifty-four Nazi tanks of the 11th Panzer Division for several days. Though lightly armed they fight tirelessly and defiantly, with uncommon bravery and unwavering dedication, to protect Moscow and their Motherland.
Based on a true story of a British television crew that travelled to Colombia to film a fake documentary about drug trafficking. In one scene, shot in the director’s hotel room, an actor played the part of a character whom the filmmakers passed off as Cali Cartel’s Number Three. They claimed they had risked their lives to get the interview. One sequence also shows a man pretending to swallow capsules of heroine and transporting them to London in his stomach. This phoney TV documentary is an international smash hit. When a London daily discovers that the whole thing is a hoax, a team of British journalists are sent out to Colombia to cover the story. Their report unleashes a scandal that shakes the very foundations of television in the UK.
Rodrigo is a marginalized and lonely being who prefers to die before being forced to kill. He finds himself trapped in a city that oppresses him, calls him, marginalizes him.
Capitán Rudas
Empera
Álvaro Salcedo
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