As the first African team ever to do so, Somalia has just signed up for the Bandy World Championships. The young players don't live in Somalia; they live in Borlänge, Sweden, where xenophobia has taken hold.
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Four female climbers face the sporting challenge of a lifetime as they attempt to compete in the first ever Olympic climbing competition at the Tokyo 2020 Olympics. The Wall: Climb for Gold follows four elite climbers, Janja Garnbret, Shauna Coxsey, Brooke Raboutou, and Miho Nonaka, over an extraordinary two years. They battle through Olympic qualifying events to earn their place at Tokyo, then face a gruelling season of competition and training that sees everything put on hold when the Covid-19 pandemic forces the Games to be postponed. As the young women confront their own mental and physical demons en-route to Tokyo, the film reveals an astonishing and inspiring insight into what it takes to be an Olympian and ultimately what it means to be human.
This is the true story of a love triangle that takes place entirely online. Lies lead to murder in real life, as a teenage vixen (screen name 'talhotblond') lures men into her web. Revealing a shocking true crime story that shows the Internet's power to unleash our most dangerous fantasies.
A showcase of German chancellor and Nazi Party leader Adolf Hitler at the 1934 Nuremberg Rally.
On September 1, 2004, a group of heavily armed rebel extremists stormed into School No. 1 in Beslan, Russia. For three days, more than a thousand children and adults were held hostage in a sweltering gymnasium, denied food and water, and forced to keep their hands over their heads. The harrowing siege ended on September 3 with a series of explosions and a hail of gunfire that killed some 350 people - half of them children. In this film, the youngest survivors of Beslan tell their story.
After a nice and slow start with some gorgeous deep water soloing footage from Mallorca, the movie slowly increases in tempo with footage of Sharma on what is now the potential 9b ‘ Golpe De Estado’ in Siurana, Dani Andrada linking most of the moves on some the craziest routes in the Ali Baba cave in Rodellar and other inspirational footage of routes being sent in Spain (Siurana, Santa de Linya, Rodellar).
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THE DOCTOR, THE TORNADO & THE KENTUCKY KID is the electrifying follow-up to Mark Neale’s 2004 MotoGP smash hit FASTER. Narrated by Ewan McGregor, the movie tells the story of the biggest motorcycle race in American history, the 2005 Red Bull U.S. Grand Prix at Laguna Seca, California. It’s a tale of extraordinary characters chasing a dream in the face of real danger, under unimaginable pressure, with no margin for error. For lovers of maximum adrenaline action, this is the pure, unadulterated, 100% genuine article.
Fidelis Cloer is a self-confessed war profiteer who found The Perfect War when the US invaded Iraq. It wasn't about selling a dozen cars, or even a hundred, it was a thousand-car war where security would become the ultimate product.
Reggie Miller single-handedly crushed the hearts of Knick fans multiple times. But it was the 1995 Eastern Conference Semifinals that solidified Miller as Public Enemy #1 in New York City. With moments to go in Game 1, and facing a seemingly insurmountable deficit of 105-99, Miller scored eight points in 8.9 seconds to give his Indiana Pacers an astonishing victory. This career-defining performance, combined with his give-and-take with Knicks fan Spike Lee, made Miller and the Knicks a highlight of the 1995 NBA playoffs. Peabody Award-winning director Dan Klores will explore how Miller proudly built his legend as "The Garden's Greatest Villain".
The guided tours in the Reichstag building are well attended; there’s lots of laughter at the simulated vote on a bill. At the Bundestag’s “Infomobile” in Dresden, a citizen complains that the government is out of touch with the people. SPD parliamentarians attend a workshop to practise strategies for dealing with right-wing populist topics. A crowd chants: close the borders! Journalists from the taz and Bild-Zeitung newspapers discuss the issues of the day. An editorial team from TV station MDR produces a report entitled “Attack on Democracy – the New Right.”
A person enters the frame dressed up as a bird. In a dressing room, John Malkovich sheds the costume of Casanova. A young woman's skirt is just as orange as the beak of a zebra finch singing in a cage. White lilies stand at the foot of a statue of the Virgin Mary, red roses in front of the window of an SM studio. There the quiet game of submission in exchange for money, in a museum an embrace, a poem whispered in the ear. Children playing in a forest in autumn. A forest in summer, framed by light. An orgasm and a dance.
Everyone’s talking about it, but who can explain it? Paul G. Allen’s Vulcan Productions and Morgan Spurlock’s Cinelan have partnered to produce WE THE ECONOMY 20 Short Films You Can’t Afford to Miss. Each film is helmed by an acclaimed filmmaker, each with their own creative vision. The series aims to drive awareness and establish a better understanding of the U.S. economy. Told through animation, comedy, musical, non-fiction, and scripted films, WE THE ECONOMY seeks to demystify a complicated topic while empowering the public to take control of their own economic futures.
How Not to Be Seen: A Fucking Didactic Educational .MOV File (2013) mocks an instructional film on the idea of becoming invisible in the digital world.
Raised in a refugee camp in the West Bank while her mother was in prison, Walaa dreams of being a policewoman, wearing a uniform, avoiding marriage, and earning a salary. Despite discouragement from her family, Walaa applies - and gets in. But her own rebellious behavior and a complicated relationship with her mother are a challenge, as are the circumstances under which she lives. Following Walaa from 15 to 21, this first-ever look inside the Palestinian police academy brings us the story of a young woman navigating formidable obstacles, learning which rules to break and follow, and disproving the negative predictions from her surroundings and the world at large.
A documentary about the Friends of the Western Buddhist Order in London.
Claire Simon portrays an important time for any individual, from 16 to 18 years of age. Set in the Paris suburbs in high school (for those lucky enough to go), teenagers chat after and even during class, sitting in the hallway or outside on a bench, looking at the city below them.
Ruth Beckermann documents the process of uncovering former UN Secretary General Kurt Waldheim’s wartime past. It shows the swift succession of new allegations by the World Jewish Congress during his Austrian presidential campaign, the denial by the Austrian political class, the outbreak of anti-Semitism and patriotism, which finally led to his election.
Deep in the earth beneath the Norwegian permafrost, seeds from all over the world are stored in the Global Seed Vault to provide a backup should disaster strike. For the first time ever, seeds held there from a major gene bank in Aleppo are now being replicated, after its holdings were left behind when the institution had to move to Lebanon due to the civil war. It is refugees from Syria who are carrying out this painstaking work in the fields of the Beqaa Valley. In the Levant, dry conditions and the power of global agricultural corporations are the biggest challenge, while in the Arctic Circle - where the seed vault was supposed to withstand anything - it is rising temperatures and melting glaciers.
The race does not begin at the start line, it does not end at the finish line either. The camera observes the participants of the Polish 4x100 metres relay team not racing, but getting ready for the race and slowing down after the finish line. The competition would not exist without the following stages: mobilization, full of anxiety, and composure of the red-hot organism.
This entertaining documentary of the World Cup Soccer tournament of 1966 follows the 15 countries competing for the sport's most coveted prize. Nigel Patrick narrates, with commentary provided by Brian Glanville. The executive producer spent $336,000 on the production and used 117 cameras to record nearly 48 hours worth of action. Four editors were employed to create the final 108-minute feature.
