Deep in the slums of East Africa a twelve year old has only one dream.
Omondi lives in the biggest slum in East Africa. Everyday he sees airplanes fly over him. He dreams of becoming an airline pilot and flying far away.
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Omondi
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Megacities is a documentary about the slums of five different metropolitan cities.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Artists Peter Fischli and David Weiss create the ultimate Rube Goldberg machine. The pair used found objects to construct a complex, interdependent contraption in an empty warehouse. When set in motion, a domino-like chain reaction ripples through the complex of imaginative devices. Fire, water, the laws of gravity, and chemistry determine the life-cycle of the objects. The process reveals a story concerning cause and effect, mechanism and art, and improbability and precision, in an extended science project that will mesmerize the mind.
A short about American life and history produced for the millennium New Year's Eve celebration.
On October 21, 1967, over 100,000 protestors gathered in Washington, D.C., for the Mobilization to End the War in Vietnam. It was the largest protest gathering yet, and it brought together a wide cross-section of liberals, radicals, hippies, and Yippies. Che Guevara had been killed in Bolivia only two weeks previously, and, for many, it was the transition from simply marching against the war, to taking direct action to try to stop the 'American war machine.' Norman Mailer wrote about the events in Armies of the Night. French filmmaker Chris Marker, leading a team of filmmakers, was also there.
Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.
Aspects of a London day, including prostitutes on street corners, a striptease show and the 2i's Coffee Bar.
A portrait of Robert, a troubled but poetic soul struggling with his purgatorial existence in a hackney scrapyard.
University of Washington professor Noam Pianko and his students collaborated with Citizen Film, the Pacific Northwest Jewish Archive and Seattle’s Jewish Community Federation to unpack and digitize archival photos and documents, then turn them into shareable digital content.
Twenty-five films from twenty-five European countries by twenty-five European directors.
Making-of DVD for a film of tokusatsu series "Kamen Rider Gaim" starting to be shown at theaters from July 2014. Includes a documentary of the shooting scenery and interviews with staff and cast. Was included as a Bonus disc with Blu-ray version of the film. Complete recording of the filming site of the movie that you can't miss!/Full recording of the filming site of "Theatrical version Kamen Rider Gaim Soccer Great Decisive Battle! Golden Fruit Scramble!" released in July 2014! and interviews with guest cast members such as Masafumi Nakayama and Ainosuke Kataoka!! / Release the making video that will definitely make the movie more interesting than anywhere else!
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.
Co-curated by Jenni Olson and the late Black gay activist Karl Knapper, this entertaining showcase of vintage movie trailers traces the evolution of African American cinema through its most crucial period, 1952-1976. Filled with insights on race and social dynamics, this fascinating compendium of coming attractions explores an extensive range of stylistic approaches—Blaxploitation, Comedy, Music Bio, Plantation Drama and more—offering an outrageous joyride through motion picture history. Beyond mere camp, these marvelously condensed gems crystallize a range of African American identities and personalities, tracking the meteoric careers of Sidney Poitier, James Earl Jones, Billy Dee Williams, Richard Pryor, Pam Grier and others through their bold performances in movies both hugely popular and practically forgotten. Afro Promo provides a compact glimpse at the representation of African Americans through twenty-five dynamic years of American cinema history.
No overview available.
The film tells of the beginnings of the Serengeti National Park in Tanzania. At the end of the 1950s, the Tanzanian National Park Administration wanted to fence in the protected area around the Ngorongoro Crater. Bernhard and Michael Grzimek were invited by the national park administration in 1957 to get a precise picture of the animal migrations and to provide the national park administration with the values they needed for their project. Using a new counting method with two airplanes, the Grzimeks found out that the migration of the herds was different than assumed.
The real story about the camel ride around Mallorca, that journalist Miguel Vidal and painter Gustavo Peñalver did in 1964. Sometimes truth is stranger than fiction. This is one of them.
