Why do we wake up every morning still wanting to sleep? Why do we go to work when the pay is low and the boss is shouting? Why do we buy a home with a mortgage and then moan every month about the interest? Why me?
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Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.
They stick to our skin and soul, our clothes. We believe we buy them, they own us. Warning ! these rags are traitors: far from dressing us they expose our complexes, our moods ... Clinging to their hangers, to our memories too, they exercise an underhand dictatorship. Snuggled up, huddled together, they build a bulwark against oblivion in our closets. Often stained for eternity with ink or redcurrant, impregnated with perfume, tears sometimes, piled up or messed up on our shelves, they remain forever linked to the happy or unhappy chapters of our life. It is through the evocation of their wardrobe that Gigi, Eve, Marie, Nora, Françoise, Amanda, Lisa and the others evoke the past, missed appointments and those that changed their lives, the joys and childhood revolts, giggles, disappointments, dramas, parties and hopes too…
The King of Far Far Away has died and Shrek and Fiona are to become King & Queen. However, Shrek wants to return to his cozy swamp and live in peace and quiet, so when he finds out there is another heir to the throne, they set off to bring him back to rule the kingdom.
Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.
A boy who was once a perpetual outcast finds friends in a new boarding school. United with his new peers, he gets involved in a heated rivalry with a group of students from a neighboring school.
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An explosive comedy, by the author of I really like what you do. Definition: Weapon of mass destruction with dreamy measurements, "babysitting" your children during the holidays. Put it there with a neurotic mother in full "post-natal" depression, a father who is in his midlife crisis, a friend of the heavy flirtatious incorrigible family and note the damage: An explosion ... of assured laughter.
Leonard is a couch potato statistician who in his spare time writes railway station novels, with the secret hope of one day being published. After sending a good number of manuscripts that remained unanswered, luck finally smiles on him. His novel is selected by a publishing house. But having signed it with a female pseudonym to satisfy the imperative criteria of the competition, this luck quickly turns into a nightmare.
Escorted by his valet Sganarelle, Dom Juan, a libertine gentleman, brave and hypocritical, seduces women, fights duels, denies his father's authority, and mocks Heaven. Carried away by his passion for women and gambling, he goes so far as to commit perjury. A classic revisited by Mesguich with a lot of visual effects: special effects, magic tricks, imposing sets. A playful staging for this tragi-comic play.
Two neurotics, working for a suicide hotline on the night of Christmas Eve, get caught up in a catastrophe when a pregnant woman, her abusive boyfriend, and a transvestite visit their office.
She is not very brilliant, Eponine's career ... But what, there is not only the theater in life! Good year bad year, rouspous and vehement, she manages to find a good life, surrounded by her sister, of her mother, her dog and her doves ... And above all, in the middle of her wonderful piece of garden which she cares for with love ... Originally it was a play written by Maria Pacôme, premiered on September 25, 1981 at the Comédie des Champs Elysées (directed by Gérard Vergez). This piece was specially recorded (without audience) for television in March 1984, at the Buttes-Chaumont and broadcast on Antenne 2.
Witty, playful and utterly magical, the story is a compelling romantic adventure in which Rosalind and Orlando's celebrated courtship is played out against a backdrop of political rivalry, banishment and exile in the Forest of Arden - set in 19th-century Japan.
Himself
