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The Sailor and the Seagull

Jan 1, 1949

0h 10m

★ 5.5

Overview

The Sailor and the Seagull was released by the U.S. Navy in 1949 with a simple goal: encouraging servicemen to re-enlist. In the film, a disgruntled sailor named McGinty complains about the raw deal he believes he is receiving by serving in the Navy. As luck would have it, a seagull comes to release him from service so that he can experience the freedom of civilian life. McGinty soon learns, however, that civilian life means less freedom and less money than he had imagined and quickly jumps at the chance to re-enlist. (cont. http://blogs.archives.gov/unwritten-record/2013/09/26/sailor-and-the-seagull/)

Genres

Animation

Comedy

War

Production Companies

United Productions of America

The Sailor and the Seagull Trailers

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Cast

Seagull

Daws Butler

McGinty

John T. Smith

After a demonstration of new PT boats, navy brass are still unconvinced of their viability in combat, leaving Lt. "Rusty" Ryan frustrated. After the attack on Pearl Harbor, however, Ryan and his buddy Lt. Brickley are told they can finally take their squadron into battle. The PT boats quickly prove their worth, successfully shooting down Japanese planes, relaying messages between islands, and picking off a multitude of enemy ships.

5.7

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7.3

The Flat

Jan 1, 1968

A man is trapped in a sinister flat, where nothing seems to obey the laws of nature.

5.0

Jus' Passin' Through

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5.6

My Führer

Jan 11, 2007

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6.0

Brink of Disaster!

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6.2

My Life for Ireland

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A Nazi propaganda movie from 1941 directed by Max W. Kimmich, covering a story of Irish heroism and martyrdom over two generations under the occupation of the British.

6.9

The Commander

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One dark night during the early phases of WWII, the Italian Royal Navy submarine Cappellini sinks an armed merchant ship sailing with lights out. At that moment, its commander Salvatore Todaro makes a decision that was destined to go down in history: to save the 26 shipwrecked Belgians who otherwise would have drowned in the middle of the Atlantic Ocean and disembark them at the nearest safe harbor. To make room for them on board his submarine, he is forced to navigate on the surface of the water for three days, visible to the enemy forces and endangering his life and that of his men.

5.5

The Golem and the Dancing Girl

Jul 10, 1917

As a practical joke, an actor impersonates the screen monster he made famous. A lost film.

7.2

The Caine Mutiny

Jun 24, 1954

When a US Naval captain shows signs of mental instability that jeopardize his ship, the first officer relieves him of command and faces court martial for mutiny.

6.5

Big Buck Bunny

Apr 10, 2008

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6.6

Midway

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This war drama depicts the U.S. and Japanese forces in the naval Battle of Midway, which became a turning point for Americans during World War II.

0.0

Resurrection of a Corpse

Jan 2, 1898

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

7.0

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Oct 28, 1978

A bumbling government agent recruits a trucker whose gambling knowledge can help crack an illegal Florida operation.

7.1

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In the summer of 1941, the United States and Japan seem on the brink of war after constant embargos and failed diplomacy come to no end. "Tora! Tora! Tora!", named after the code words used by the lead Japanese pilot to indicate they had surprised the Americans, covers the days leading up to the attack on Pearl Harbor, which plunged America into the Second World War.

6.5

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0.0

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10.0

Cartoons Go To War

Apr 26, 1996

This remarkable documentary dedicates itself to an extraordinary chapter of the second World War – the psychological warfare of the USA. America’s trusted cartoon darlings from the studios of Warner Bros., Paramount, and the “big animals” of the Disney family were supposed to give courage to the people at the homefront, to educate them, but also to simultaneously entertain them. Out of this mixture grew a genre of its own kind – political cartoons. Insightful Interviews with the animators and producers from back then elucidate in an amusing and astonishing way under which bizarre circumstances these films partially came into existence.

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3.5

Enter Hamlet

Jan 1, 1965

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7.0

The Tin Man

Mar 30, 1935

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The Sailor and the Seagull

Overview

Genres

Production Companies

The Sailor and the Seagull Trailers