4 minute sandanimation about love, life & death.
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In this stop motion sand animation, a lone hunter undertakes a search for a missing boy deep in the snow covered mountains. THE HUNTER premiered at SXSW in 2012, has featured in competition at over 50 international festivals and won several awards including the AFI/ AACTA in 2013.
A dream-like version of the Sabbath in the Middle Ages: one night at full moon, the women leave home to meet with the devil in the woods. Several orgiastic ceremonies later, they all return home at cockcrow. All except for one, the youngest, who is under an evil spell.
The Ravens was the couple's first sand animation film and the prelude to a unique work.
A poetic tale directed by Elena Petkevich for children on a small grasshopper, which is trying to learn the secret of life.
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Experimental cartoon which unites various techniques: puppets, sand & water (ebru) animations. About friendship, love and necessity to pay attention not only to the visual appeal.
A beautifully fluid sand animation inspired by Camille Saint-Saëns' piece, 'Danse Macabre.'
About the loss of a mother, with her unexpected exuberance, but who also cries Puccini melodies. A short poetic collage, as fleeting as the blink of an eye, where sounds and images are superimposed to evoke the at once peaceful and tormented memory of a mother.
Pinscreen animations of a surreal landscape of nature with humans and birdwomen.
Chloé, an old lady, organizes screenings in a subterranean space. She shows to a journalist her galleries where her collection of silver films is stored. As we go down, we dive with her into her altered universe.
A non-narrative film thematising the eternal struggle of human life in a series of scenes connected by associations and accompanied by a strong music motif.
A sand-and-chain-animated young writer fears for our world.
Animation short made entirely with sand on glass recorded frame by frame without post-production.
Waves in the sea, the waves formed by wind in tall grass or the boughs of trees. Waves of emotion, shock waves from explosions, waves of people demonstrating against the arrogance of politics, waves of grief, waves of people crossing borders, waves of passion and joy...
The last hole in the fabric of the universe is discovered.
Five pastel-colored talking (Fluppy) dogs who arrive through a Fluppy interdimensional doorway. Upon arrival, the dogs befriend 10-year-old Jamie and his neighbor Claire. The friends must help the Fluppy dogs avoid the clutches of the evil exotic-animal collector Wagstaff and find the doorway that will lead them back to their world.
Tachigui retells Japan's history from 1945 to 21st century through the feats of self-proclaimed dine and dash professionals - the Fast Food Grifters are the phantoms that rise and fall with the shifting diet-styles. They are the dissenting heroes who carved their names on the dark side of dietary culture with their glare. Now their legend revives, strong as ever...
Mickey's friends throw him a surprise birthday party at Minnie's house. The chef brings out the cake (with 2 candles); Mickey manages to blow all the cake onto the chef's face, while the candles stay lit. He unwraps his present: a miniature piano. He plays a duet of I Can't Give You Anything But Love, Baby with Minnie, followed by an instrumental version of The Darktown Strutter's Ball, which everyone dances to (including Mickey and Minnie, while the piano stools keep playing). Mickey then plays There's No Place Like Home on the xylophone, then accompanies Minnie on another piece, after which the xylophone gets frisky and eventually dumps Mickey in the fish bowl.
No Cast found.
