The movie Tokyo Shutter Girl, based on the comic series by Kenichi Kiriki, consists of three separate works by three separate directors, each set in Tokyo. It is about three Japanese schoolgirls in a photo club.
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Why do we suffer so much if we're just a flea on the Milky Way's back? That's what Erika wants to find out. She's a teenager with generalized anxiety disorder, and as she gets older she discovers that she doesn't fit in with social norms and lives day after day in anguish trying to discover her own personality, which is why she creates a podcast to understand what she's feeling.
Composed of four stories, each part of 10 minutes, namely: "Rainbow and Zebra", "The Goddess of Victory and the Snail", "The Ant and Love Letter", and "His Royal Highness and the Sheep".
The four stories that possibly or impossibly can be happened in the pension; The parents who lost their child go to the pension with poison where the killer stays with his family; The husband and wife on a trip who are growing tired of their married life and the wife’s hidden secret reveals when they reach the pension; A woman who demands to stay a night at a particular suite to save her kidnapped child; A man who is asked to manage the pension for a night, he organizes fantastic night with his girlfriend, but things go wrong…
What will our lives be like 10 years from now? Five up and coming Taiwanese directors each offer their own take in answering this question. In 2028, Taiwan is suffering from nuclear waste (“The Can of Anido”), migrant workers (“942”), industrial collapse (“Way Home”), low birth rates and diversity in families (“A Making-Of”), and insomnia (“The Sleep”).
The staff of an American magazine based in France puts out its last issue, with stories featuring an artist sentenced to life imprisonment, student riots, and a kidnapping resolved by a chef.
Anthology movie that presents 3 stories about romance.
In this comedy series, shot in single takes, six young people each experience pivotal moments in their lives that don't quite go as planned and lead to various breaking points as a result.
Vignettes weaving together the stories of six individuals in the old West at the end of the Civil War. Following the tales of a sharp-shooting songster, a wannabe bank robber, two weary traveling performers, a lone gold prospector, a woman traveling the West to an uncertain future, and a motley crew of strangers undertaking a carriage ride.
L'Ultimo Metro: It can happen. Any night in any metro station. It can happen that a hurried girl comes out of the bathroom without realizing that she is badly arranged in her skirt. And it can happen that two guys are going to commit behind her to attend a fabulous show. But it is only the beginning of an incredible erotic game between rails and trains. Sogno: Alone on a deserted beach, a girl undresses and falls asleep. The sun rises. As a reflection of the erotic dream she is having, the girl touches herself moaning and enjoying. The beach fills up... Fine Settimana A Lecco: Mischievous and spicy chronicle of the meeting between two friends who, after playing the slave and the mistress, vent their excitement on a talented and enthusiastic gardener.
Composed of three shorts – Ride of the Valkyrie, The White Bus, and Red and Blue – from three of Britain’s most-celebrated directors - Lindsay Anderson, Peter Brook, and Tony Richardson. Comic legend Zero Mostel stars as an opera singer (in full costume) navigating the London transport network as he attempts to reach Covent Garden in 'Ride of the Valkyrie'. Scripted by Shelagh Delaney, 'The White Bus' blends realism, drama, and poetry as a despondent young woman travels home to the North of England. And Vanessa Redgrave stars in Tony Richardson’s romantic reverie and musical featurette 'Red and Blue'. Produced in 1967, but ultimately shelved.
An old man Lando (Ronnie Lazaro) has buried something under his house. When he is finished, he encounters a group of white people. The chieftain (Manu Respall) demands Lando to give back something that belongs to them which he refuses. Angered, he and his tribesmen savagely killed him.
Somerset Maugham introduces four of his tales in this anthology film: "The Facts of Life," "The Alien Corn," "The Kite," and "The Colonel's Lady."
1st STORY: The Waiting Room. Vanja and Dara, women of the middle-age, from different social status, met in the hall of the waiting room of a hospital, waiting to be called to prepare for abortion. This unexpected meeting will start a lot of questions in their mind, and make them reconsider their decision. 2nd STORY: The Road. A country, somewhere in Serbia: mother is taking her daughter, along the road, to the doctor who lives alone in a wagon, in which he makes illegal abortions. All over that journey there is collision between mother's traditional attitude against pregnancy before marriage and daughter's youthful wish for a birth of a new life from love. 3rd STORY: Water. Nada, a young woman in late twenties, remembered in a prison cell, the tragical events which made her kill her husband. In the hospital, where she was taken by a police car, for making abortion of his child, she met a person, who she didn't expect to meet.
Pedro, an indigenous migrant, returns to his village for his mother's funeral. When he learns of the serious problem his brother Ismael is involved in, he decides to stay and face the consequences of his absence.
A seven-part anthology film exploring the history of Hong Kong from the 1940s to present day.
Old lovers reunite, a friendship is betrayed, a pet is killed, a runaway discovered, and a co-worker comes back from the dead in these five interconnected tales about suffering from kindness. Shot over five-years worth of weekends featuring a massive cast and crew, this ambitious, feature-length, no-budget indie shows a side of Maine not seen anywhere else (no lobstermen here, sorry) and finds bleak comedy in a backwater state being dragged into a diverse and inclusive 21st century.
Dear you, unrelated is a contemporary project that dares to believe in the potential of fiction. Directors Lee Mi-rang and Lee Jong-su attempt to imaginatively restore the lost ending of The Widow. In The Widow: Rewoven, Lee Mi-rang reimagines the protagonist Shinja making a radically different decision from the original. Her film captures the inner turmoil and determination of a woman once dismissed as an Après-girl, tracing her hesitant yet resolute steps toward a new path. In Bearer of Dawn, Lee Jong-su presents a fictional scenario in which Shinja seeks revenge by finding a blacksmith. A newly added sequence in which she chooses a sword shifts the film's tone from drama into one infused with the suspense of a thriller.
A four-story omnibus depicting different Czech slices-of-life from the titular city.
A fragmented view of contemporary Spain, drawing conclusions about the persistence of the human condition, strangeness, and the chaos within relationships.
"Using the same, three times repeating dialogue – dramatic conversation between man and woman – Jerzy Skolimowski from Poland, Slovak director Peter Solan and Czech director Zbynìk Brynych shot three different stories. The result was an extraordinary experiment in the world cinema, which we can call an insight in the relationships of men and women of different age groups, an analysis of love and marriage of those who are at the beginning, in the middle or going towards the end of their life."
