A one-man filmed play of Leonard Nimoy's adaptation of "Van Gogh" (1979) by Phillip Stephens.
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Eight visually rich vignettes drawn from Kurosawa’s own dreams—fox weddings and vanished orchards, a soldier’s ghosts, a walk through Van Gogh’s canvases, nuclear nightmares, and a water-mill utopia—meditate on childhood, art, mortality, and humanity’s uneasy bond with nature.
After leaving the asylum, Vincent van Gogh settles in the home of Doctor Gachet, where he keeps painting amidst the torments of his failing mental health. He begins an affair with his host’s daughter, however, she soon realizes that he doesn’t love her and that his heart beats only for art.
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
Famed but tormented artist Vincent van Gogh spends his final years in Arles, France, painting masterworks of the natural world that surrounds him.
An intense and imaginative artist, revered Dutch painter Vincent van Gogh possesses undeniable talent, but he is plagued by mental problems and frustrations with failure. Supported by his brother, Theo, the tormented Van Gogh eventually leaves Holland for France, where he meets volatile fellow painter Paul Gauguin and struggles to find greater inspiration.
Vincent Van Gogh's life was a masterpiece painted with the dueling colors of madness versus genius. However, this inner battle gave birth to some of the greatest works of art known to man. The film traces Van Gogh's journey through the many twists and turns of his tumultuous and exciting life.
The tragic story of Vincent van Gogh broadened by focusing as well on his brother Theodore, who helped support Vincent. Based on the letters written between the two.
A young man arrives at the last hometown of painter Vincent van Gogh to deliver the troubled artist's final letter and ends up investigating his final days there.
"I envy the Japanese" Van Gogh wrote to his brother Theo. In the exhibition on which this film is based - VAN GOGH & JAPAN at the Van Gogh Museum in Amsterdam - one can see why. Though Vincent van Gogh never visited Japan it is the country that had the most profound influence on him and his art. One cannot understand Van Gogh without understanding how Japanese art arrived in Paris in the middle of the 19th century and the profound impact it had on artists like Monet, Degas and, above all, Van Gogh. The film travels not only to France and the Netherlands but also to Japan to further explore the remarkable heritage that so affected Van Gogh and made him the artist we know of today.
An artistic view of Van Gogh as if this movie is self narrated by himself.
When reserved and lonely teenager Fenix meets popular high school girl Scarlett, the two form a bond that shapes the rest of his life.
How can a great painter live in a place where there is no other color than white? It is 1889 and Vincent Van Gogh's only desire is to leave the austere walls of the Saint Paul asylum. His first hope is placed in the unexpected visit of his brother Theo who had to take four trains and even a cart to go and see him ... Through the unpredictable metaphor of the temporary isolation in a mental asylum of Vincent Van Gogh
A drama-documentary presented by Alan Yentob, with Benedict Cumberbatch in the lead role. Every word spoken by the actors in this film is sourced from the letters that Van Gogh sent to his younger brother Theo, and of those around him. What emerges is a complex portrait of a sophisticated, civilised and yet tormented man.
The first of three private-eye movies created by Robert Blake about rugged Joe Dancer as the forerunner to a prospective but unrealized series after the retirement of his "Baretta" character. In the initial outing, Blake, as Dancer, follows a trail of bodies through a maze of corruption involving a politically ambitious Beverly Hills family.
Robert Blake's second (of three) "Joe Dancer" movies has the hard-boiled private investigator teaming up with a chimp named Gregor, his trainer (who also happens to be an expert thief), and an electronics genius of questionable repute to steal back a priceless vase looted from a family collection during World War II.
Grace Guthrie tries to stave off the hostile take over of her publishing empire. While fighting off a ruthless British business-mogul, she must also deal with a mole.
New York City cop becomes partners with a rodeo cowboy from Montana on the City's Mounted Police Department.
Theo van Gogh
