This 1982 film explains the KGB infiltration of America. Who they are, what they are doing, and how well they have infiltrated North America.
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Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.
An account of the life and work of Russian filmmaker Andrey Tarkovsky (1932-86) in his own words: his memories, his vision of art and his reflections on the fate of the artist and the meaning of human existence; through extremely rare audio recordings that allow a complete understanding of his inner life and the mysterious world existing behind his complex cinematic imagery.
Charlie Marx and the Chocolate Factory started as an investigation of the link between politics and chocolate, at the Karl Marx Confectionary Factory in Kiev, Ukraine. Since access to the factory was denied, the project had to be re-considered, re-invented or re-enacted. Mostly made of archival footage and re-enacted performances based on the company's website, the film merges what was left of the initial idea with what has been collected and realized instead. It borrows from the genres of video art, 'Man on the street' interview, direct address, corporate film, essay, and music video, without legitimately belonging to any of them. The film unravels as a reflection on its own failure, and yet keeps on investigating what has always been at stake: the shift from public to private property (and from analog to digital technology), dialectics of permanence and change, language as a mirror of ideology, and post-Soviet oligarchy culture.
Based on testimony by Ethel’s brother, David Greenglass, the Rosenbergs are arrested by the FBI. The couple is accused of passing secret information about the atomic bomb to the USSR. Though the Rosenbergs maintain their innocence from the start, the media and public opinion seem to have condemned them from day one. The trial does nothing to change this and ends in a death sentence. On Friday June 19, 1953, Julius and Ethel Rosenberg are executed in the electric chair. Julius first, then Ethel. 30 years later, the truth finally comes out. Declassified FBI archives reveal that Ethel was not guilty of being a spy; she was merely married to one. Julius did indeed commit espionage for the Soviet Union, though primarily as a recruiter, nothing at all like the fictional James Bond. This documentary, made entirely of archival footage and animated illustrations, offers a tale of espionage as well as a complex family tragedy.
In 1995, former KGB Major General Oleg Kalugin and ex-CIA Director William Colby collaborated in an unexpected way. They made a video game. The Great Game traces how both men rose to the tops of their fields following World War II, before falling out of favor with their respectives agencies — on opposite sides of the Iron Curtain. For Kalugin, a growing discontent with the KGB’s treatment of Russians radicalized him against the institution. Meanwhile William Colby, an OSS operative and the CIA’s man on the ground in Vietnam, was fired by President Ford after testifying before Congress about controversial CIA programs like MKULTRA and CoIntelPro. After the fall of the Berlin Wall, both living on American soil, Colby and Kalugin played themselves in Spycraft, a multi-million dollar game that was among the most advanced of its time — and is now almost entirely forgotten.
In 1944 Crimean Tatars has suffered a long road in exile. It was accompanied by famine, illness and loss. In the first years of exile, almost half of deported Crimean Tatars died. But those, who survived, dreamed of only one thing - to return to Crimea. The documentary 1944 tells about the tragedy of all Crimean Tatars through several separate life stories. They are cherished by each Crimean Tatar family and must be remembered by all generations to come.
This is a rare look at one of the worst horror stories in the long infamous history of warfare. This series features captured German and Russian film footage, much of which has never been seen before. For decades the Cold War prevented us from looking closely at what really happened between the Russians and the Germans on the Eastern Front during World War II. More than a struggle between nations, it pitted maniacal tyrant against maniacal tyrant, evil ideology against evil ideology. The lives of tens of millions of human beings were consumed by its raging hatreds and appalling indignities. One in every ten Russians died. One in every four Poles died. Whole divisions of Italians, Romanians, Hungarians disappeared with barely a trace. An average of 17,800 people died on every single day and this, the war on the Russian German Front, lasted for 1,400 days. This series features captured German and Russian film footage, much of which has never been seen before.
Tehran, Iran, August 19, 1953. A group of Iranian conspirators who, with the approval of the deposed tyrant Mohammad Reza Pahlavi, have conspired with agents of the British MI6 and the US CIA, manage to put an end to the democratic government led by Mohammad Mosaddegh, a dramatic event that will begin the tragic era of coups d'état that, orchestrated by the CIA, will take place, over the following decades, in dozens of countries around the world.
The documentary tells two very different human fates in the 1920s Soviet Union. Nikolai Vavilov was a botanical genius, Trofim Lyssenko was an agronomist who made great promises and fake inventions. Each of them tried to solve the country's nutritional problem, but only one succeeded.
After she discovers canisters of undeveloped film shot by her late father, Elene sets out on a journey to collaborate with him on a special project. Between the earth and the land of the dead, a darkroom becomes the only dimension where the paths of a father and a daughter can cross.
Thirty years after the Chernobyl disaster, which occurred on the night of April 26, 1986, its causes and consequences are examined. In addition, a report on efforts to strengthen the structures covering the core of the nuclear plant in order to better protect the population and the environment is offered.
2019 marks the 30th year since the fall of the Berlin Wall and the end of the Cold War. Rich Hall examines the relationship between the West and the USSR in his inimitable fashion.
Alex Jones exposes the growing militarization of American law enforcement and the growing relationship between the military and police. Witness US training with foreign troops and learning how to control and contain civilian populations. You will see Special Forces helicopter attacks on South Texas towns, concentration camps, broad unconstitutional police actions, search and seizure and more.
Alex Jones exposes the problem-reaction-solution paradigm being used to terrorize the American people into accepting a highly controlled and oppressive society. From children in public schools being trained to turn in their peers and parents, to the Army and National Guard patrolling our nation's highways, Police State: The Takeover reveals the most threatening developments of Police State control
Filmmaker Binevsa Bêrîvan travels to Armenia to capture the daily life, customs, and history of the country's Yazidi Kurdish community.
Three decades after the nuclear explosion, almost everything has been said about this ecological and sanitary disaster that made Pripiat a part of History. How did the greatest industrial disaster change the course of History, disrupt global geopolitics and, directly or indirectly, redistribute the balances and power relations of the twentieth century? The world will never be the same again. By retracing the incredible battle waged by the Soviet Union against radiation, this film proposes to retrace and enlighten an extraordinary story, while exploring the historical stakes in the medium and long-term…
At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up. Despite this, the museum still works and the management is looking for ways to attract visitors. Faithful to the Lenin keepers of the museum as they can resist the onset of commercialization. The film tells about the modern life of this amazing museum-reserve and its employees.
Chronicling the lives and covert activities of the so-called "atom spies" in the 1940s, including the big one that got away, Theodore Alvin Hall.
Early documentary about the Moscow metro: the early project, the development and the people working on it.
“There’s a bus stop I want to photograph.” This may sound like a parody of an esoteric festival film, but Canadian Christopher Herwig’s photography project is entirely in earnest, and likely you will be won over by his passion for this unusual subject within the first five minutes. Soviet architecture of the 1960s and 70s was by and large utilitarian, regimented, and mass-produced. Yet the bus stops Herwig discovers on his journeys criss-crossing the vast former Soviet Bloc are something else entirely: whimsical, eccentric, flamboyantly artistic, audacious, colourful. They speak of individualism and locality, concepts anathema to the Communist doctrine. Herwig wants to know how this came to pass and tracks down some of the original unsung designers, but above all he wants to capture these exceptional roadside way stations on film before they disappear.
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