Amor, vida de mi vida: Zarzuelas

May 27, 2009

★ 0.0

Overview

The many passionate, fiery or lyrical vocal pieces of Spanish zarzuela have continued to thrive in concert and recitals all over the world. One of the most renowned and ardent supporters of zarzuela melodies is Plácido Domingo. Belying his 66 years, the world-famous tenor sings these rousing, seductive melodies with the beguiling sweetness of a much younger man and tranports the enraptured listener to the calles and plazas of Madrid and Seville, Domingo is accompanied by Mozarteum Orchestra underJesús López Cobos and, above all, by his partner for the evening, sprano Ana Maria Martínez, "a beautiful woman with a fascinating voice, full of velvety mezzoish half-tints in the middle and bottom ranges, with a gleaming top." (London Times) Martínez and Domingo serve up an evening of infectious good spirits and exquisite vocal treats."The dazzle of genuine stars shone brightly over Salzburg!" (Die Welt)

Genres

Music

Production Companies

Medici Arts

Unitel Classics

ARTE

ORF

EuroArts

Amor, vida de mi vida: Zarzuelas Trailers

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Cast

tenor

Plácido Domingo

soprano

Ana María Martínez

conductor

Jesús López-Cobos

Prince Abesalom runs into an orphaned Eteri while hunting, falls for her and brings the woman to his palace as his fiancé. The Prince’s aid Murman loses his self-control at Eteri’s beauty and gives her a spelled necklace as a wedding gift. Eteri contracts a mysterious disease that only Murman is capable to heal.

0.0

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6.0

Carmen

Dec 1, 1978

CARMEN is the classic tale of forbidden passion between a young man and a spoken-for woman, Carmen. From ORF and TDK Music, this release features a live performance of Georges Bizet's 19th century operatic masterwork Carmen. Directed by Academy Award-nominated filmmaker Franco Zeffirelli, the production was shot on December 9, 1978, at the Wiener Straatsoper. Starring Elena Obraztsova in the titular role, the orchestra is conducted by Carlos Kleiber.

6.5

La Traviata

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La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]

6.8

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Jun 21, 2013

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7.0

Operette

Dec 20, 1940

A musician is offered a job in Vienna as stage director, but his disagreements with the aristocratic opera manager end in abrupt firing in spite of a mutual attraction. He's quickly engaged by another theatre and becomes famous for his lavish stage productions and fine acting, which begins their golden age with Suppé and Strauss.

0.0

Verdi: Nabucco

Jan 7, 2017

The legendary Plácido Domingo brings another new baritone role to the Met under the baton of his longtime collaborator James Levine. Liudmyla Monastyrska is Abigaille, the warrior woman determined to rule empires, and Jamie Barton is the heroic Fenena. Dmitri Belosselskiy is the stentorian voice of the oppressed Hebrew people.

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6.0

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Nov 26, 2006

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0.0

Figaros Hochzeit

Nov 25, 1949

Shortly after WWII, the DEFA Studios produced a series of operas and operettas which belonged to the classical German musical heritage. This enchanting film, the very first opera production of DEFA, stands out because of its lavish decor and costumes, its outstanding actors and their masterful voices of that time.

0.0

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Running through Bartók’s disenchanted tale, whose haunting music was initially condemned as unplayable, and the expression of despair in Poulenc’s monologue, the director Krzysztof Warlikowski perceives a shared dramatic thread, a shared feminine consciousness and a shared sense of imprisonment and suffocation: for the woman who penetrates the confines of Bluebeard’s castle and Elle, the woman who clings to a telephone conversation with a man as the only thing worth living for, are condemned to share the same fate. And this man she speaks to, does he really exist? Unless the director has interpreted Cocteau’s words to the letter and the telephone has become a “terrifying weapon that leaves no trace, makes no noise”…

0.0

Bizet: Carmen

Jun 28, 2017

From the Teatro dell'Opera di Roma Terme di Caracalla "Carmen" by Georges Bizet. Director Jesus Lopez-Cobos. Orchestra, Chorus and Corps de Ballet of the Teatro dell'Opera di Roma.

7.4

A Night at the Opera

Nov 15, 1935

The Marx Brothers take on high society and the opera world to bring two lovers together. A sly business manager and two wacky friends of two opera singers help them achieve success while humiliating their stuffy and snobbish enemies.

5.0

Rigoletto

Jun 14, 1955

A musical drama based on Giuseppe Verdi's opera Rigoletto.

5.4

The Climax

Oct 20, 1944

Dr. Hohner, theatre physician at the Vienna Royal Theatre, murders his mistress, the star soprano when his jealousy drives him to the point of mad obsession. Ten years later, another young singer reminds Hohner of the late diva and his old mania kicks in. Hohner wants to prevent her from singing for anyone but him, even if it means silencing her forever.

10.0

Viva Vivaldi

Jun 13, 2001

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0.0

Don Giovanni

Jan 1, 1991

Live performance from Cologne Opera. Conlon conducts a skittishly dynamic performance of Don Giovanni. He relies on Thomas Allen’s tough Don to give the work much of its dark menace and on Holle’s terrifying Commendatore to provide the moral outrage – his job is to keep things moving, and he does. The exteriors – blank city spaces reminiscent of the paintings of Giorgio De Chirico – and moodily claustrophobic interiors mirror effectively the anguish of the orphaned Anna and the abandoned Elvira; this is a performance in which the two women victims of the Don function effectively as correctives to his libertine charm. Andrea Rost as Zerlina brings real delicacy to her role, reminding us that “La ci darem la mano” is a duet about her flirtation with Don Giovanni and not just a famous stand-alone moment. This is an admirable presentation of a fine performance.

Amor, vida de mi vida: Zarzuelas

Overview

Genres

Production Companies

Amor, vida de mi vida: Zarzuelas Trailers