During the Japanese occupation of South Korea, a Japanese bureaucrat is ordered to persuade an influential Korean patriarch into obeying the law of changing his Korean surname to a Japanese one.
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A man wanders around the mountains with a bleeding leg, holding a rifle in his hand. Seemingly a fugitive, he runs from as-yet unknown pursuers, but he also seems to be following somebody who has already walked the same path. As he hides in a secluded cave, past memories sweep through his exhausted mind, memories of lifelong cowardice and evasion. And this recollection leads to a reconstruction of early 20th century Korean history. Winner of Best Picture (Nam-a Pictures Co., Ltd.), Best Actor (Ha Myung-joong), Best Art Direction (Kim Yoo-joon), Best Lighting (Son Young-cheol) at the 14th Grand Bell Awards. (source: Jiro Hong, koreanfilm.org)
This film is about of the life of the young patriotic martyr Yu Gwan-sun, who fought for the liberation of her country during the Independence Movement in 1919. As the Independence Movement becomes more and more intense among Korean students, the Japanese authorities order schools closed temporarily. Yu Gwan-sun (Do Geum-bong) persuades her neighbors to join the national movement, and continues her aggressive struggle against Japanese rule. An independent campaign at Aunae, a market site, is successful with the passionate participation of many people. She is arrested by the Japanese police for leading the campaign and has to endure horrible tortures. But she never gives up her fight, encouraging her cell mates to participate in the movement. She is finally taken to an underground room by the Japanese police and murdered.
A man assists a woman in danger, but through her actions, she unintentionally causes his death. Everyone in the village knows that she visits his tomb every spring, but no one knows the details of her story.
Donghak Rebellion (Donghak Peasant Movement) takes place in Hongjuseong (now Hongseong). Manhae, a boy who participates in the Donghak Rebellion as a 16-year-old, steals 1,000 nyang and sends it to military funds. At the age of 55, at Simujang in Seongbuk-dong, Manhae remarried while staying in a boarding house. While making a living by sewing his wife's wages, Manhae continues to resist Japanese imperialism by participating in the movement against the name change of the Chang clan and against the dispatch of Korean student soldiers along with writing. He takes over the military funds from Madam Baekhwa of Myeongwol in Yongjing. Lee Hwa-yeong hands over the military funds with Man-hae. In 1944, Manhae passed away at the age of 66. As the poem "Your Silence" flows, Manhae's achievements are introduced as highlights, and his subtitles flow.
During the Japanese colonial era, roughly 400 Korean people, who were forced onto Battleship Island 'Hashima Island' to mine for coal, attempt to escape.
An Jung-geun fights for Korea's independence from the Japanese Empire and sparks a movement. In 1909, he assassinates Itō Hirobumi, the first prime minister of Japan and resident-general of Korea.
An account of karate competitor Choi Yeung-Eui who went to Japan after World War II to become a fighter pilot but found a very different path instead. He changed his name to Masutatsu Oyama and went across the country, defeating martial artists one after another. This film concentrates on the period when he is still young, and developing his famous karate style, Kyokushin.
An elderly bell maker reminisces about his life filled with tragedy.
Jong-bun, in her eighties, is one of the last surviving 'Comfort Women' victims forced into sexual slavery by the Japanese Army during World War II. Back in 1944, at the end of the Japanese occupation in Korea, Jong-bun was a poor but energetic girl while Young-ae was the smart rich clerk's daughter. One day, Jong-bun gets abducted and finds herself on a train for Manchuria. To her surprise, she also finds Young-ae on the train facing the same fate to become a comfort woman. Jong-bun and Young-ae help each other go through the living hell and as the war comes to an end, they finally escape from the comfort women camp, only to face two different paths of life. Decades later, Jong-bun helps out a teenaged girl who is disoriented in life, reminded of her own painful past.
Based on the life of the Korean anarchist Park Yeol, the film shows his struggle to counter the massacre of Koreans by the government during the 1923 great Kanto earthquake, focusing on his activities as the leader of the anti-Japanese organization Bulryeongsa and his relationship with Japanese comrade Fumiko Kaneko.
Kim Chang-su, who participated in the Donghak Movement, escapes to Manchuria after being chased by the Japanese army, finally making his way home. Angered by the assassination of Empress Myeong-seong, he murders a Japanese lieutenant and is sent to jail. He escapes from prison turns his focus on the democratic movement by teaching civilians and organizing Sinminheo (a democratic organization), even changing his name to 'Kim Gu.' After he is imprisoned again, he gets out on parole and goes to China, where he participates in establishing a provisional government from which he can direct the anti-Japanese struggle. Kim Gu goes on to play a part in Yun Bong-gil's deeds in Shanghai, the events at Hongkou Park, the encounter with Jiang Jish, and the establishment of the Korean National Army, and leads the struggle for Korea's independence with warm fraternal love and clear national spirit. When Korea is liberated in August 15, 1945, he returns back to his native land.
Pil-ju, an Alzheimer's patient in his 80s, who lost all his family during the Japanese colonial era, and devotes his lifelong revenge before his memories disappear, and a young man in his 20s who helps him.
During the Japanese occupation, a Korean modern boy, who wants to fit in with the Japanese, falls in love with a Korean freedom fighter.
In Japanese-occupied Korea, three freedom fighters are assigned a mission to assassinate a genocidal military leader and his top collaborator. But the plan goes completely awry amidst double-crossings, counter-assassinations, and a shocking revelation about one of the assassins' past.
Young Kim Chang-soo is placed behind bars, charged with murdering a Japanese person who took part in Empress Myeongseong's assassination. In prison, Kim Chang-soo sees how Koreans are persecuted and grows into a fighter for Korean independence.
From the Japanese Occupation a 'comfort woman' returns from China an old woman. At the end of the war she can't return home and spends the next 65 years living as an alien in a foreign country. Even to her own granddaughter she seems to be losing her mind. She only wants to go back to Korea.
A Japanese fine art teacher helps a Korean independence fighter to escape from a threat of being arrested by the Japanese police. The Korean man introduces him a gisaeng (Koran geisha) who learned Korean traditional court dance and he falls in love with her. However she hates Japanese because her parents were killed in the war.
A patriot Park No-Hun is dispatched by Shanghai Provisional Government for Independence to assassinate members of the House of Council. In this situation Young-Kuk, brother of Hyeon-Ju who is a kisaeng of Myeong Wol Kwan, is jailed and Choi Chil-Yong, an inspector of Japanese Higher Police Department, is in agony of difficulties between Korea and Japan. Shin Yun-Il, a member of the council falls in love with a kisaeng whose name is Jeong-Mi. All of these are going their way under the influence of phases of the times such as carrying out colonial policies and each of them is linked complicatedly and causes troubles. After all their efforts concentrated on Independence of Korea, and Park No-Hun carried out his mission with help of 5 kisaengs of Myeong Wol Kwan. Finally he leaves for Shanghai with them.
During the invasion of Normandy the photograph of a slim Korean man in German uniform was found. It transpired that the man had served as a soldier in the Japanese, Russian and German armies. His incredible story inspired director Kang Je-Gyu to create this epic war drama.
A traumatized girl sees visions of her dead mother in one of three tales set in a 1942 South Korean hospital.
Sol Jin-young
Tani
Ok-sun
