Hold on Tight!...For it's a DENNY WHIRLWIND!
A young man fakes his identity to impress a girl.
Sir Michael Fairlie
Ann Kent
Mr. Bytheway
Mrs. Bytheway
Steve
Rose
Valet
Butler
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In order to save her extravagant mother from bankruptcy, shame and scandal, young society girl Mildred Gower is forced to accept the proposal of Lemuel Siddall, a wealthy man she loathes.
The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
When an industrious cigar manufacturer, Sam Weinberg, falls into bad health, his daughter Ruth uses up her dowry to keep him in the life to which he has grown accustomed.
A resourceful landlady rents the same room to two men: the commercial clerk Zimt, who is at work during the day, and the conductor of a café orchestra Zucker, who has to work all night. After all kinds of turbulence, the trick comes to light and the two bitter enemies Zucker and Zimt eventually become good friends.
The plot of the lost film is divided into two acts. Ossi Oswalda and Victor Janson play two apartment seekers, while Marga Köhler is a landlady. The housing shortage is treated in sketch form and "in a joking manner [...] the real housing calamity", whereby "humorous aspects" are wrested from the "tragedy." Lubitsch and Kräly used a sketch in the film that they had written especially for Ossi Oswalda.
Prince Sami comes from Nigeria and is an uncivilized "nature boy." He is sent to the highly civilized court of Duchess Maria of Arragon, where he initially causes chaos. In the end, however, he becomes the duchess's husband.
While making a movie in the Alps, the female star falls in love with a nobleman.
In this silent film, now considered lost, Doug Caswell falls for Irene, his wealthy father's mistress. It's up to Doug's stepmother Helen to put things right.
So This is Love? was another early Frank Capra production for fledgling Columbia Pictures. The hero, dress designer Jerry McGuire (William Collier Jr.), is tired of being considered a wimp. After business hours, Jerry secretly takes boxing lessons, enabling him to knock the stuffings out of his burly rival Spike Mullins (Johnnie Walker). Jerry's newfound pugilistic skills wins him the affections of store clerk Hilda Jensen (Shirley Mason), who's just car-razy about "cave men." Filmed in a fast three weeks, So This is Love? was completed before Frank Capra's Matinee Idol but released afterward. Leading lady Shirley Mason was the sister of Viola Dana, who starred in Capra's initial Columbia effort, That Certain Thing.
Two friends, Fritz and Theodor, make the acquaintance of Christine and Mizzi, who are also friends. Fritz is immediately captivated by Christine, who is bashful and modest as opposed to the eager, effervescent Mizzi. But even though the love between the two grows, Christine is not the only woman in Fritz’s life. His affair with a married woman will prove to have fatal consequences.
A young man searches for the "master" to obtain the final level of martial arts mastery known as the glow. Along the way he must fight an evil martial arts expert and rescue a beautiful singer from an obsessed music promoter.
Legless Southern inventor Dr. Arliss Loveless plans to rekindle the Civil War by assassinating President Ulysses S. Grant. Only two men can stop him: gunfighter James West and master-of-disguise and inventor Artemus Gordon. The two must team up to thwart Loveless' plans.
The tarvelling party inluding Cicero Simps (Michael Powell) move to St. Paul de vence and la Colombe d'Or ans showcases a dreamcase in which he dreams he's a faun.
This is a poetic film set in the times of Lenin's NEP. A ballet dancer steals a brooch and gives it as a present to another dancer. This is a crime of passion. A mysterious black ball is after the heroine. She runs away from it and manages to give the brooch in an exquisite pirouette movement, as shiny as diamond facets. What gives a stone its dazzling luster are its polished facets. But the real gem is love, and it's much harder to get than any diamond in the world.
Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.
Shorty is unable to wake Swifty for their fishing trip and finally takes drastic measures in order to ensure they both make it to the lake.
When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.
An American adventure film serial comprised of fifteen episodes of two reels (24 min) each. All chapters are presumed lost.
Robin Hood is a 1912 film made by Eclair Studios when it and many other early film studios in America's first motion picture industry were based in Fort Lee, New Jersey at the beginning of the 20th century. The movie's costumes feature enormous versions of the familiar hats of Robin and his merry men, and uses the unusual effect of momentarily superimposing images different animals over each character to emphasize their good or evil qualities. The film was directed by Étienne Arnaud and Herbert Blaché, and written by Eustace Hale Ball. A restored copy of the 30-minute film exists and was exhibited in 2006 at the Museum of Modern Art in New York City.
