'Ama Lur' is a documentary, directed by Nestor Basterretxea and Fernando Larruquert, that premiered in San Sebastián in 1968, and it is considered the foundation of Basque cinema.
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An attempt to create a bridge between the different political positions that coexist, sometimes violently, in the Basque Country, in northern Spain.
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A documentary view of the Basque ball-game in which a small hard leather ball is hit against a wall. The film gives an impression of the game itself and of those who play it, not only the star performers (and the myths that surround them), but also those who just play in the streets and alleyways. The film sees the game it its cultural context and conveys the emotions and stories that are peculiar to the Basque country.
The chronicle of the process, ten long years, that led to the end of ETA (Euskadi Ta Askatasuna), a Basque terrorist gang that perpetrated robberies, kidnappings and murders in Spain and the French Basque Country for more than fifty years. Almost 1,000 people died, but others are still alive to tell the story of how the nightmare finally ended.
An in-depth interview with José Antonio Urrutikoetxea, known as Josu Ternera, one of the most relevant leaders of the terrorist gang ETA.
Basque Country, Spain. No one seems to know them. Some glances avoid theirs. Their social circle becomes smaller and smaller. They live under escort, watched by those who protect them and by those who threaten them: it is the experience of living in the shadow of ETA, a savage terrorist gang of unscrupulous criminals… of merely existing under the yoke of those who tomorrow could be their executioners.
The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
A reflection on the assassinations of social democrat politician Fernando Buesa Blanco and his bodyguard Jorge Díez Elorza, perpetrated by the terrorist gang ETA in Vitoria-Gasteiz, Basque Country, Spain, on February 22, 2000.
The turbulent story of the Lagun bookstore — located in San Sebastián, in the Basque Country, Spain — is a powerful tale of courage, resistance and struggle; first against the Franco dictatorship, then against the terrorist gang ETA and its numerous and sinister acolytes.
Day after day, an elderly woman recalls the Spanish Basque country of her youth — while forgetting she is consigned to a retirement home in Chile.
Spain, 1997. The story of twelve days in July during which Basque society left indifference and fear behind and faced the threat of the terrorist group ETA.
The documentary tells the story of six friends who fought against compulsory military service in the Basque Country. They were all imprisoned for refusing to perform military service, and they all preferred prison to the army. They showed great courage and stubbornness, until they managed to win the antimilitarist struggle against the Spanish State.
In a temple in Thailand, an order of Buddhist monks are performing a ceremony for people who headed there to get re-incarnated. There, we meet Tarn, a young Thai woman who lived in the Basque Country some years ago and who is still fascinated with that region, food and culture.
Part of a series in which foreign filmmakers portray a region or town in France. Otar Iosselani looks at the Basque region and its inhabitants.
The history of the citizens' movement that for thirty years worked hard to overcome fear, fight hatred and eradicate the violence exercised by the savage terrorist gang ETA, both in the Basque Country and in the rest of Spain.
The abject crimes of the terrorist gang ETA have marked the lives of many Spaniards; men, women and children who were silenced, harassed, persecuted, finally murdered. Thirteen stories, thirteen tragedies, just thirteen among thousands.
