A former U.S. Navy Seal seeks life, liberty and the pursuit of happiness living life as a transgender woman.
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Renee Tajima-Peña takes to the road to investigate questions about Asian-American identity.
Filmed inside Pharmacy No. 3 in Shanghai, Joris Ivens and Marceline Loridan-Ivens document the daily work of a state pharmacy that functions as both a dispensary and a neighborhood medical center. The film focuses on routine interactions between staff and patients, revealing an integrated model of urban healthcare in 1970s China.
Life is by no means easy for eight-year-old Dominik from the Berlin district of Hellersdorf. Living with his younger brother and sister and his single mother, he finds himself constantly torn between his sense of responsibility ty to the family and his own desires as he struggles to make his own life. This documentary portrait of Dominik accompanies him during the ups and downs of his daily life.
A documentary that follows a young French girl living in children's home from the age of nine to the age of twentythree.
BLACK BALLERINA tells the story of several black women from different generations who fell in love with ballet. Six decades ago, while pursuing their dreams, Joan Myers Brown, Delores Browne and Raven Wilkinson confronted racism, exclusion and unequal opportunity. Today, young dancers of color continue to face formidable challenges breaking into the overwhelmingly white world of ballet. Moving back and forth in time, this lyrical, character driven film shows how far we still have to go and stimulates a fresh discussion about race, inclusion and opportunity across all sectors of American society.
This short documentary illustrates rural French Canadian life in the early 1940s. The film follows Alexis Tremblay and his family through the busy autumn days as they bring in the harvest and help with bread baking and soap making. Winter sees the children revelling in outdoor sports while the women are busy with their weaving, and, with the coming of spring young and old alike repair to the fields once more to plough the earth in preparation for another season of varied crops. One of the first NFB films to be produced, directed, written and shot by women.
Creative and competitive, members of the Evil Geniuses Starcraft 2 team must prove themselves to make the cut in professional video gaming. Good Game follows the team as they discover that one wrong move could end their dreams.
In Search of Avery Willard iIlluminates the life and work of the groundbreaking, and mostly forgotten, artist Avery Willard — photographer, filmmaker, writer, publisher, leatherman, pornographer.
Self-portrait. In 1998 our family came under armed attack. We were able to escape and we fled Grozny. We have been silent about it since.
It all began on a couch. He watched her undress and they made love for the first time.
A Russian boy gets a heart transplant in Italy. A lot of people were by his side on his long journey full of hardships, except for his mother.
A documentary about the lives of six transgender women in post-Franco Spain.
Explores the rise of modern slavery in the UK, giving a portrait of the dark world of forced labor through the eyes of the people involved.
A heartfelt and uplifting portrayal about one young remarkable drag queen from Leith who, despite suffering from cystic fibrosis, lives life to the max. At 24 years of age, Jordan McKinley knows he is on borrowed time. This Leith-born-and-bred drama teacher, DJ and top Edinburgh drag artist faces his medical condition head-on and lives his life at 100 miles an hour.
The story of a young boy forced to spend all five years of his short life in hospital while the federal and provincial governments argued over which was responsible for his care, as well as the long struggle of Indigenous activists to force the Canadian government to enforce “Jordan’s Principle” — the promise that no First Nations children would experience inequitable access to government-funded services again.
Barcelona, Spain, June 1977. A chronicle of a demonstration held to demand the repeal of a 1970 Francoist law criminalizing homeless, prostitutes and homosexuals.
You’d never know this is your home away from home. The surveillance camera outside shows a drab reception area and an unremarkable street in Mexico City; inside, the lights flash, but the tables are empty. Yet preparations are soon underway and fixed categories cease to apply: stubble is removed, make-up applied and strands of hair are teased into place; the camera is trained not on the men themselves, but what they see in the mirror.
Nabi, a veteran fire officer, accepts the coming out from her child Hangyeol, “I want to remove my breasts.” Meanwhile, Vivian, a flight crew, receives a letter from her son Yejoon, “Mom, I’m gay.” Hangyeol and Yejoon confide in their struggles even before the two mothers understand their reality.
A car with a loudspeaker on its roof is driving through southern Lebanon. The old man at the wheel is calling for people to join a demonstration to support their brothers and sisters who’ve occupied a tobacco company and are now being besieged by the army. His words come from the past, as he’s referring to events from 1973 – events that few remember today. Neither the protests made by the tobacco farmers from the south against the large landholders’ monopoly nor the strike for better working conditions by workers at a Beirut chocolate factory are anchored in the country’s collective memory. All recollection of this social movement was erased by the civil war and society has since been marked by deep sectarian divisions.
The first image is in black and white, upside down and projected into a black box that then becomes the frame. It now hovers like a time capsule near a man’s face. He looks down, listening in on a female guerrilla fighter and translating her words from Fulani. Within the capsule, money is counted and paid out as a new currency, the numbers of the years run backwards in the black box. A 16-mm film glides through the man's hands and is transferred to a laptop screen frame by frame.
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