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Saxophone, Vocals
Bass
Guitars
Drums, Percussion
Guitars, Pedal Steel, Mandolin
This is the debut of Fourplay, a popular quartet comprised of keyboardist Bob James, guitarist Lee Ritenour, bassist Nathan East, and drummer Harvey Mason. The music sounds more or less like a Bob James small-group date with Ritenour as a major soloist. The style is between jazz, R&B, and pop with an emphasis on lightweight originals, soulful and moderately funky rhythms, and predictable radio-friendly music. Nothing unexpected occurs, but fans of James and Ritenour should enjoy both this CD and Fourplay in general.
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The world's top contemporary jazz ensemble performs live in South Africa, blending their smooth jazz signature sound with large doses of pop, R&B and African beats.
A new DVD by the premier contemporary jazz group featuring Bob James, Chuck Loeb, Nathan East and Harvey Mason. Recorded in December 2010, the 91-minute video concert features the band in a grand symphonic setting in Tokyo. Sure to be a fan favorite!
1. Siren Song 2. Ship Of Fools 3. Chorus 4. Breath Of Life 5. Chains Of Love 6. Love To Hate You 7. Joan 8. Voulez Vous 9. Take A Chance On Me 10. S.O.S. 11. Lay All Your Love On Me 12. Am I Right? 13. Oh L'Amour 14. Waiting For The Day 15. Heart Of Stone 16. Stop! 17. The Good, The Bad And The Ugly 18. Who Needs Love Like That 19. Stand By Your Man 20. The Soldier's Return 21. Turns The Love To Anger 22. Star 23. Blue Savannah 24. Over The Rainbow 25. Love Is A Loser 26. A Little Respect 27. Home 28. Perfect Stranger 29. Sometimes British synthpop legends Erasure perform live at the Manchester Apollo on 8 June 1992, as part of their Phantasmagorical Entertainment Tour.
Madonna and her crew perform in Barcelona, Spain for the legendary Blond Ambition Tour in 1990. The Blond Ambition World Tour was the third concert tour by Madonna. It was launched to support her fourth studio album Like A Prayer and the soundtrack I’m Breathless. It was a highly controversial tour, mainly for its juxtaposition of Catholic iconography and sexuality.
Dramatization looks at the tumultuous relationship that existed between rock group The Beach Boy's Brian and Dennis Wilson and their father, Murry. It also examines their struggles with drugs and alcohol.
This musical short salutes bandleader B.A. Rolfe on his 40th anniversary in show business.
Young Cab Calloway's mother is concerned, because Cab spends his days listening to the radio, pretending to lead a miniature orchestra. A deacon passing by the apartment hears him singing and advises him go to his wife's gypsy tea room. As she reads the tea leaves, she sees situations which lead to Cab and his orchestra performing musical numbers.
Leith Stevens leads his orchestra in a nice assortment of standards in a variety of musical styles, including Dixieland and swing. Mr. Stevens was a popular orchestra leader of the era who later became a musical director for an assortment of television shows and his facility with more than one style of music, so important for his later career, is much in evidence here.
Legendary blues guitarist BB King named Peter Green as one of the greatest exponents of the blues, and the 'only guitar player to make me sweat'. If Green had only written Black Magic Woman, his name would still have a place in blues rock history forever. His three short years leading Peter Green's Fleetwood Mac saw the band established as one of the biggest-selling groups of the 1960s. Yet at the height of their fame Green left the group, with his life spiralling into turmoil as drug-induced mental health issues took control. Rumours of his demise began to spread, and sightings of him became notorious. After years battling his mental illness, Green wrote and recorded again. Featuring archive performances and interviews with Carlos Santana, Noel Gallagher, founding members of Fleetwood Mac and Green himself, this film tells the story of one of blues rock's living legends.
Dr. Bill Remsen pretends to be a policeman, and ends up being assigned to guard Judy Marlowe. Amazingly, he falls in love with her.
Two dueling suitors vie for the heart of the town’s beautiful music teacher. Features Songs: “Please”, “You’re Getting To be A Habit With Me” and “I Don’t Stand A Ghost of a Chance”.
Gatto and Barbot are lifelong companions for more then 40 years and have just moved to a big decayed and abandoned building downtown Rio de Janeiro, where they start to live and promote their dance company rehearsals. The difficulties of everyday life are merged to artistic creation and to their belief in the Orishas gods. Through dance they spread through the city, occupying their territories.
The show starts when Colloredo is named successor to the Prince-Archbishop of Salzburg. The new king is an austere authoritarian man which is insensitive to the music of Mozart and allergic to the enthusiasm and the impertinence of the character. For Mozart, Salzburg's life quickly becomes untenable. He was 20 when he decided to leave his hometown with his mother in search of a better future in a European capital. The journey of the composer will be made of failures and cruel disappointments. But at the end, Mozart will experience glory, love, rivalry before its ultimate fall and misery. He left his best work, the Requiem, unfinished.
The Bellas are back, and they are better than ever. After being humiliated in front of none other than the President of the United States of America, the Bellas are taken out of the Aca-Circuit. In order to clear their name, and regain their status, the Bellas take on a seemingly impossible task: winning an international competition no American team has ever won. In order to accomplish this monumental task, they need to strengthen the bonds of friendship and sisterhood and blow away the competition with their amazing aca-magic! With all new friends and old rivals tagging along for the trip, the Bellas can hopefully accomplish their dreams.
Knowing that is contains valuable helium gas, a gang of bad guys first tries to purchase the ranch which Gene straw-bosses. When that fails, they lay a hidden pipeline to snag the gas.
A tale of growing up in 1960s Senegal. Bacc narrates his early years of living in Popenguine, a town divided by culture and musical tastes.
