There are 200 miserably impoverished people working in the Dongseong Metalworks Factory. Ju Wan-ik is introduced to the forging team as a new member of the team and they all go drinking together to welcome him.
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Won-ki
Ju Wan-ik
Choon-seop
Jae-pil
A solitary nurse bonds with a badly burned patient who survived an accident on an oil rig.
Ichiro’s family used to be a large landowner, but now he is living in poverty with his mother. His mother works hard to get her son through school. Under such circumstances, Ichiro meets Wakako, the daughter of a wealthy man, and they fall in love with each other, but they are opposed by those around them because of their different social status.
Mary Rafferty comes from a poor family of steel mill workers in 19th Century Pittsburgh. Her family objects when she goes to work as a maid for the wealthy Scott family which controls the mill. Mary catches the attention of handsome scion Paul Scott, but their romance is complicated by Paul's engagement to someone else and a bitter strike among the mill workers.
The film depicts the story of four people working in a sewing factory in Guro Industrial Complex in Seoul and the problems they face.
Filmed in the coal country of West Virginia, "Matewan" celebrates labor organizing in the context of a 1920s work stoppage. Union organizer, Joe Kenehan, a scab named "Few Clothes" Johnson and a sympathetic mayor and police chief heroically fight the power represented by a coal company and Matewan's vested interests so that justice and workers' rights need not take a back seat to squalid working conditions, exploitation and the bottom line.
After promising 1100 employees that they would protect their jobs, the managers of a factory decide to suddenly close up shop. Laurent takes the lead in a fight against this decision.
Megan Carter is a reporter duped into running an untrue story on Michael Gallagher, a suspected racketeer. He has an alibi for the time his crime was allegedly committed—but it involves an innocent party. When he tells Carter the truth and the newspaper runs it, tragedy follows, forcing Carter to face up to the responsibilities of her job when she is confronted by Gallagher.
Sean Odkin loves to dance—much to his fathers distain. When the woman he loves cannot return his love, he goes in search of the only thing that can make him whole again—dancing.
The Turin factory, another in a series of closures, shuts down, leaving workers jobless and uncertain. Salvatore, a worker, climbs the tower in protest or rage, threatening to jump. Giorgio, a shop steward with opposing political beliefs, saves him. The third worker, a visually impaired and autistic keeper, joins them, climbing the tower to keep them company. Abandoned by everyone, they wait for journalists to arrive. These diverse perspectives reflect the past thirty years of life in the country, marked by wasted opportunities, betrayed hopes, crimes, massacres, and political power struggles. We watch through archive footage, contrasting this wicked dance of events with the simple common sense of three people with no power, hanging on a tower, building a friendship without realising it.
After the funeral of one of their own, a criminal family decides to embark on an emotionally unnerving journey in an attempt to exact bloody revenge.
At New Mexico's Empire Zinc mine, Mexican-American workers protest the unsafe work conditions and unequal wages compared to their Anglo counterparts. Ramon Quintero helps organize the strike, but he is shown to be a hypocrite by treating his pregnant wife, Esperanza, with a similar unfairness. When an injunction stops the men from protesting, however, the gender roles are reversed, and women find themselves on the picket lines while the men stay at home.
Iris is a shy and dowdy young woman stuck in a dead-end job at a match factory, who dreams of finding love at the local dancehall. Finding herself pregnant after a one-night stand and abandoned by the father, Iris finally decides the time has come to get even and she begins to plot her revenge.
A portrait of union leader James R. Hoffa, as seen through the eyes of his friend, Bobby Ciaro. The film follows Hoffa through his countless battles with the RTA and President Roosevelt.
Like most of the people in her town, Karen Silkwood works at the local nuclear plant producing highly radioactive plutonium. Exposed one day to a lethal dose of radiation, Karen faces the blank walls of corporate indifference and denial. As her illness increases, her protest grows louder and she becomes an obvious danger to the powers that be.
The workers in a small plough factory take over the firm, but when a large order falls through, the old management come back to help out.
When Taeil gets hired as a tailor's assistant, he dreams of becoming a fully-fledged tailor to be able to financially support his family. But he finds himself constantly reminded of the laborers' inferior working conditions. The young 22-year-old Taeil decides to confront the reality and become the flame of hope himself.
La Califfa's husband was killed during the strikes so she takes the side of the strikers. Her conflict with the plant owner Doverdo gradually turns into a love relationship.
While shooting a film, the director becomes interested in the unfolding struggle of a young factory worker that has been laid off by a boss who did not like her union activities.
In South Yorkshire, a small group of railway maintenance men discover that because of privatization, their lives will never be the same. When the trusty British Rail sign is replaced by one reading East Midland Infrastructure, it is clear that there will be the inevitable winners and losers as downsizing and efficiency become the new buzzwords.
In near-future New York, ten years after the “social-democratic war of liberation,” diverse groups of women organize a feminist uprising as equality remains unfulfilled.