‘La course à l’abîme’ is a depiction of the final ride into hell from ‘La Damnation de Faust’ (1846) by Hector Berlioz.
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The last hole in the fabric of the universe is discovered.
A young orchestra violinist’s fear of mediocrity and drive for artistic success strain his marriage to a fellow musician. Told largely in flashback and shaped by Beethoven’s Ninth Symphony, the film examines ambition, love, and loss in early Ingmar Bergman.
Mickey's friends throw him a surprise birthday party at Minnie's house. The chef brings out the cake (with 2 candles); Mickey manages to blow all the cake onto the chef's face, while the candles stay lit. He unwraps his present: a miniature piano. He plays a duet of I Can't Give You Anything But Love, Baby with Minnie, followed by an instrumental version of The Darktown Strutter's Ball, which everyone dances to (including Mickey and Minnie, while the piano stools keep playing). Mickey then plays There's No Place Like Home on the xylophone, then accompanies Minnie on another piece, after which the xylophone gets frisky and eventually dumps Mickey in the fish bowl.
This short documentary film captures the natural movement of the moon mixed with an experimental musical track that accompanies the rhythm of the "walk" on the stage that the protagonist occupies, the sky.
Dr. Hohner, theatre physician at the Vienna Royal Theatre, murders his mistress, the star soprano when his jealousy drives him to the point of mad obsession. Ten years later, another young singer reminds Hohner of the late diva and his old mania kicks in. Hohner wants to prevent her from singing for anyone but him, even if it means silencing her forever.
Many years ago tech giants lost control of AI robotic technology. By kidnapping and monitoring newborns, the Ai robots are now trying to master the one thing they have yet to understand… Creativity.
A choir of tropical frogs performs infectious pop in delightfully unsettling animation from Costa Rican-Canadian artist Bianca Shonee Arroyo-Kreimes. Riffing on karaoke companion videos and the swipe-n-scroll conventions of handheld media, she infuses candy-coloured digital animation with the spectre of ecological collapse.
Every woman wants him, every man wants to be him: Mozart’s version of the irresistible rogue who brings excitement with him and leaves destruction it his wake has always attracted top singing actors, as in this performance brilliantly led by James Levine. Samuel Ramey is Don Giovanni, pursued by the incandescent Karita Mattila (Donna Elvira) in her Met debut season and role, and by the white-hot avenging fury of Carol Vaness (Donna Anna.) Ferruccio Furlanetto delivers a masterful comic turn as the Don’s servant, Leporello.
Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.
NORMA tells the tragic story of a supposedly chaste druidic priestess, who is driven to murderous jealousy by her lover's inconstancy. But she forgoes vengeance, protects innocence, and sees to it that the guilty atone for their crimes. Fiorenza Cedolins, Sonia Ganassi, Vincenzo La Scola, and Andrea Papi star in this 2007 Gran Theatre Del Liceu/Grand Theatre de Geneve co-production of the Bellini opera.
Mater is a matador fighting a herd of bulldozers in Spain. When Lightning McQueen enters the story, the bulldozers begin to chase him due to his red paint.
The moon and two owls sing to the Blue Danube Waltz, celebrating the night. Moths dance around a candle flame, fireflies glow, frogs chorus, and so forth.
Mickey walks into the tavern where Minnie is dancing, and begins to dance and play piano himself. Pegleg Pete comes in and treats Minnie badly. Mickey tries to defend her, but Pete steals her away. Mickey, riding Horace Horsecollar, gives chase. He manages to throw Pete off a cliff.
The Daily Dweebs is a pilot episode of an animated series revolving around the pet Dixey and his shenanigans in 1950's American suburbia.
A film miniature to classical music inspired by the music of Wolfgang Amadeus Mozart. Praise for the joy of life, synchronously set to the vocalization of Mozart's piece.
A futuristic noodle shop in small-town Saskatchewan has become the world’s first purveyor of the latest in culinary fashion: psychedelic polydimensional comfort food. In this lovingly bizarre short, director and animator Howie Shia examines the small, largely unnoticeable ways in which colonization seeps into our lives, and asks, what is the responsibility of those who dine at a colonial supper table? Dig in.
Its Autumn, birds are migrating to warmer climate. On the gray streets of Paris, illegal immigrants are selling shoes. Winter is near.
TANNHÄUSER UND DER SÄNGERKRIEG AUF WARTBURG is a grand opera by Richard Wagner in three acts. After experiencing boundless sensuality and freedom with the fun-loving Venus (soprano), the singer Tannhäuser (Tenor) finds it impossible to conform to the cultured setting of his betrothed Elizabeth (soprano), who loves him. During a singing contest, Tannhäuser describes the affair with Venus as the ultimate love experience and because of that, he is cast out from the established society. Thanks to Elizabeth's intervention, he is allowed to undertake a pilgrimage to the Pope to ask for the Holy Father's pardon. If the Pope accepts to forgive him, he would be allowed to take back his place in society. Tannhäuser accepts. But fate will not allow him to meet with his beloved Elizabeth again in this life. This is a recording of the legendary staging by Götz Friedrich for the 1978 Bayreuth Festival conducted by Sir Colin Davis.
The journey before the inevitable, the clock starts ticking, life begins and ends.
Dante is always dreaming, and so when his mother asks him to burn some trash, he dreams that he's a knight fighting a fire-breathing dragon.
