A fictionalized portrait of the British dancer and choreographer Michael Clark, depicting a day in his life as he and his company prepare for a performance.
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In the spring of 1913, Parisian businessman Gabriel Astruc opens a new theater on the Champs Elysées. The first performance is the premiere of Igor Stravinsky's 'The Rite of Spring', danced by the Ballet Russes. The rehearsal process is extremely fraught: the orchestra dislike Stravinsky's harsh, atonal music; the dancers dislike the 'ugly' choreography of Vaslav Nijinsky. The volatile, bisexual Nijinsky is in a strained relationship with the much older Sergei Diaghilev, the Ballet Russes' charismatic but manipulative impresario. Public expectation is extremely high after Nijinsky's success in 'L'apres-midi d'un faune'. Finally, 'The Rite of Spring' premieres to a gossip-loving, febrile, fashion-conscious Parisian audience sharply divided as to its merits.
Musical short about a fraternity and a sorority that call a halt to dating between their houses to improve their grades.
Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.
A chronicle of the lives of several teenagers who attend a New York high school for students gifted in the performing arts.
One day, Genjiro invades an art school and destroys the equipment, and at the invitation of Kano, a girl who devotes himself to the dance he meets there, he decides to practice hip-hop duet dance. For the first time in his life, he graduated from the yankee and started working towards a group dance announcement with his rivals with his fists.
Pleasantly plump teenager Tracy Turnblad auditions to be on Baltimore's most popular dance show - The Corny Collins Show - and lands a prime spot. Through her newfound fame, she becomes determined to help her friends and end the racial segregation that has been a staple of the show.
While his wife is away, Frederick Stumplefinger lets his kids go out jitterbugging on a school night, only to have his wife return early.
A bored estate lawyer spots a beautiful woman in the window of a ballroom dance studio. He secretly starts taking dancing lessons to be near her, and then over time discovers how much he loves dancing. His wife, meanwhile, has hired a private detective to find out why he has started coming home late smelling of perfume.
The Hollywood musical is brought to a Glasgow street. Amidst the crush of city life, two street musicians provide the backdrop for a girl meets boy story, with a spark of purely Glasgow magic.
The film portrays two of the most important producers of a movement born in the early 2000s, as well as the testimonies of some of its signatures dancers. In addition, it shows the initiative of Abstractor Collective to rescue and export the authenticity of a catchy rhythm that begins to count amongst its followers important producers and artist of the international electronic scene.
A funny, cruel exploration of the male psyche, Enter Achilles is set in a typical British pub, a shabby, nicotine-stained boozer. Pop songs tumble out of the jukebox, there is football on the TV, and the eight men lark around, pint glasses in hand. But their blokish fun is balanced on a knife-edge of tension, for beneath the mateyness lurks a disturbing undercurrent of paranoia and insecurity, where weakness is brutally exploited and violence covers up vulnerability.
A shy Greenwich Village book clerk is discovered by a fashion photographer and whisked off to Paris where she becomes a reluctant model.
Overwhelmed by her suffocating schedule, touring European princess Ann takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley, who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann's regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.
Merab, a devoted dancer, has been training for years with his partner Mary for a spot in the National Georgian Ensemble. The arrival of another male dancer, Irakli, sparks both an intense rivalry and romantic desire that may cause Merab to risk his future in dance as well as his relationships.
One of several collaborative dance films by the Brothers Quay & (dancer, choreographer) William Tuckett. Little enough info around on line, but there's briefly by way of Wikipedia entry. Adapted rather loosely from the works of the E.T.A. Hoffman. Familiar Quays' tropes, much in evidence: automata, trompe l'oeil effects, etc. No credit on the sound design (which is fairly elaborate), tho' that is possibly Larry Sider.
Kuk-hee, a by-the-book district office civil servant, has lived a flawless, tightly scheduled life. With a promotion imminent and her daughter's future secured, everything is going according to plan. Until it all unravels—her promotion is taken, her daughter disappears, and an unexpected emptiness sets in. Searching for balance again, Kuk-hee ends up in the last place she ever expected: a flamenco dance studio.
A pair wander the streets of Warsaw, meeting famous Polish musicians.
It's hard to define her. And that's precisely the way Lady Gaga wants it. Yes, Stefani Joanne Angelina Germanotta had a plan to remake herself into an outrageous icon. It began with Italian Catholic New York City roots then expanded to glam pop, electronic rock, burlesque and even jazz alongside nonagenarian crooner, Tony Bennett. Piano lessons began at age four and taught Stefani to create music by ear. There were lead roles in high school standard Broadway show productions then open mic nights at downtown clubs and 1 1/2 years of formal training at N.Y.U.'s Tisch School of the Arts. Even a rape at age nineteen slowed but did not stop the mission that would yield over 200 million combined album and song sales. No wonder that Gaga's fans call her "Monster Mother." An outrageous fashion sense has wrought costumes made of plastic bubbles and raw meat. While elaborate videos and spectacular stage sets are the norm,
This song-and-dance musical follows the journey of an island girl with a natural gift for dancing as she navigates through life in the city to follow her dreams and find love along the way.
Die Schachtel (The Box), 1968. 35mm film transfer to videotape, black-and-white, sound; 29 minutes.
Dancer
Himself