Wolfgang Kerber
Konrad Probst
Simone Harder
Peggy Gehrke
Jörn Steiner
Andreas Harder
Paul
Feuerwehrmann Marcel
Margitta Seiler
Journalistin
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This film takes place during the Seven Years' War. The Prussian Major von Tellheim has become engaged to the Saxon noblewoman Minna von Barnhelm. After the war, the King - in an unwarranted move - deprives the major of his honor. Von Tellheim becomes impoverished and, filled with shame, breaks off his relationship to Minna. An innkeeper in Berlin, who is a police informer, makes the Major move to a shabby little attic because he cannot pay his debt. In the meantime, Minna has also arrived at the inn. She and her lady's maid Franziska are questioned and spied on by the nosy innkeeper. Minna has followed her beloved Tellheim and she now cunningly manages to elicit a new declaration of love from him...
Jette and Johannes have been living together for two years when Johannes suggests that they "legalize" their relationship. Jette loves him, but the proposal of marriage terrifies her.
Jonas and Ines are in love and want to spend their vacation together camping on the Baltic coast. But Ines’s narrow-minded parents intervene and insist that the young couple joins the family vacation. Problems arise, so everyone ends up traveling to the Bulgarian Black Sea on their own. Along the way, Jonas meets a beautiful Dutch girl who is going to India via Turkey…
A conference is to be held once again to discuss the construction of a new dam, which Professor Paul Satie rejects. During a train journey, he spontaneously leaves the train. Here in Wolfsgrün, from 1948 to 1950, he helped build the old, now far too small dam as a youth brigadier. He and the others who helped build it have erected a monument to this. A monument with his name on it. Is that perhaps why he is against the new dam?
Frank, a tenth grade student, falls in love with his classmate Regine. His father is a well-connected plant manager in the GDR; Regine's mother is a single parent with four children. Regine wants to become a kindergarten teacher, but her grades are poor and she is not allowed to apply for technical college. Frank champions her and seeks an open discussion about these rigid regulations. But his criticism is nipped in the bud.
End of the 1970s in East Germany: Fred and Jonas are close friends. The 10-year-olds live near at the German-German frontier. After the mother from Jonas has made an exit application, the boys have to recognize that they are soon separated from each other. But they want to dig a tunnel to Australia to meet there themselves again. When Jonas should leave the country with his mother this night changes everything.
August 13, 1961: The passengers on the interzonal train from Munich to East Berlin learn 3½ hours before crossing the border that the Wall is being built in Berlin. They have 3½ hours to make a life-changing decision: to get off the train or keep going.
Detlev, a single insurance clerk in his 30s, is kept dependent by his loving and caring mother and loses his girlfriend Karin as a result. Grief and an alcoholic chance acquaintance prompt him to place an ad for marriage. Detlev gets caught up in a whirlwind of friendships and love affairs: with the caring widow Karin; the well-to-do hair salon owner Ute Schöbel; the cultural editor Norma Goldbach, the photo reporter Kerstin and the student Andrea Binz. Detlev, who initially proves himself as a friend and advisor, but also as a lover, becomes increasingly self-confident. He is also successful in his work and finally emancipates himself from his mother. Although he loses "his" women in a turbulent odyssey, Detlev has transformed himself from a mama's boy into a thoroughly acceptable man.
Sister Agnes helps in all situations and does not only make friends. She has just fallen out with the new mayor. The consequences leave an entire community upside down.
Iran 1979. The Islamic Revolution is shaking up the country. Dissident Omid, who lived for several years in the German Democratic Republic with his wife, chemical engineer Beate and their mutual daughter, hears the call from his homeland and returns to Teheran with high hopes and best intentions, bringing along his family.
Photo model Monika Stange is found murdered in her apartment in a major West German city. Detectives Bentheim and Laube find rough diamonds hidden in the apartment. The trail leads to a racketeering ring and the influential industrialist Dr. Vogelsang. The latter is not prepared to get involved in the murder case under any circumstances and refuses to testify. Inspector Laube tries to solve the case without his colleague.
Armin Glaser, a lieutenant in the Stasi, lives with his wife Marie and daughter Kati in Karl-Marx-Stadt. They put their sick daughter in the care of Dr. Sigurd. But Armin becomes suspicious during the treatments. He uses his rank in the Stasi to obtain information. But the closer he gets to the truth, the more skeptical he becomes. He suspects that the GDR is allowing West German pharmaceutical companies to test drugs on East German clinic patients.
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The film is a reportage showing the help of workers from the GDR in the industrial reconstruction of Syria. We witness the friendly relationship between workers from both countries, who are jointly involved in the construction of the cotton spinning mill in Homs. In impressive pictures the exoticism of the environment and the mentality of the Syrian hosts is shown. At the same time it becomes clear that the workers from the GDR become 'ambassadors of the GDR' through their collegial behaviour and good work.
Documentary reports on the annual icing of the Oder in the 160-kilometer border area between the GDR and the People's Republic of Poland. Icebreakers from both countries with experienced skippers join forces to make the international waterway between Frankfurt and Szczecin navigable again. Everyone works hard as a team and even a broken-down ship cannot stop them from achieving their goal. A look back at the winter of 1947 with its flooding shows what the freezing of the river and the subsequent thaw can do if the ice floes are not drained into the Baltic Sea via Lake Dammsch in good time. The skippers from both countries have known each other for years and trust each other; the camaraderie that has developed on the Oder unites the people, they control the river in winter for the common benefit of all.
This first co-production between the GDR and Great Britain is intended to contribute to an understanding of the situation and attitudes of millions of working people in opposing social orders. Using the example of shipyard workers, fishermen, the brigade and family of a trade union active cook and unemployed person of various ages and professions in Newcastle on the one hand and a brigade of crane operators of the Warnowwerft and fishermen of the Warnemünde cooperative on the other hand, insights into the way of life and attitudes of people of our time are to be conveyed.
Siegfried "Siggi" Trzoß, a radio moderator from East Berlin, is working tirelessly leading up to his anniversary and 900th show. The music his heart burns for is East German Schlager, a genre politically ignored at first and widely forgotten now. But Siggi keeps the dream alive to this day, making the hearts of seniors jump higher in nostalgia all over east Germany.
In the 1960s, a white couple living in East Germany tells their dark-skinned child that her skin color is merely a coincidence. As a teenager, she accidentally discovers the truth. Years before, a group of African men came to study in a village nearby. Sigrid, an East German woman, fell in love with Lucien from Togo and became pregnant. But she was already married to Armin. The child is Togolese-East German filmmaker Ines Johnson-Spain. In interviews with Armin and others from her childhood years, she tracks the astonishing strategies of denial her parents, striving for normality, developed following her birth. What sounds like fieldwork about social dislocation becomes an autobiographical essay film and a reflection on themes such as identity, social norms and family ties, viewed from a very personal perspective.
Life in the GDR was not only documented on behalf of the state, but also by photographic artists and journalists. The documentary goes on a journey through time with some of them and shows little-known aspects of the GDR from its foundation to the fall of the Wall. Photographers in the GDR had a surprising amount of freedom; there was no explicit censorship of images. This allowed them to make visible what the state wanted to hide. This documentary presents two photographers who observed life in the GDR and whose work has been rediscovered in recent years.
