Monty Banks becomes a car salesman and is shifted to Africa to sell one to King Obogeegee.
Monty Banks, the Stranger
King Obogeegeem if Puskudnick
The Missionary's Daughter
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Donald Duck goes to a museum of modern inventions. After getting in without paying, he meets a robot butler who takes Donald's hat every time he sees him. Donald is very annoyed by this and magically fixes himself a new hat every time this happens and strolls on. Ignoring the sign not to touch it, Donald starts playing with a wrapping machine and ends up being wrapped himself. He also encounters and tries out a robot nursemaid and a fully automatic barber chair. They both don't do him much good.
Mammy features Al Jolson as the star of a travelling minstrel show, appearing in cities and towns across the U.S. Jolson falls in love with an actress in the troupe (Lois Moran), but she loves another (Lowell Sherman). Sherman is shot onstage as part of a comedy bit, and it is assumed that Jolson is guilty of putting the bullet in the gun.
Harry and Inez are a dance team at the Wonder Bar. Inez loves Harry, but he is in love with Liane, the wife of a wealthy business man. Al Wonder and the conductor/singer Tommy are in love with Inez. When Inez finds out that Harry wants to leave Paris and is going to the USA with Liane, she kills him.
At its peak, The Black and White Minstrel Show was watched by a Saturday night audience of more than 20 million people. David Harewood goes on a mission to understand the roots of this strange, intensely problematic cultural form: where did the show come from, and what made it popular for so long? With the help of historians, actors and musicians, David uncovers how, at its core, blackface minstrelsy was simply an attempt to make racism into an art form - and can be traced back to a name and a date.
Unusually elaborate for a PRC film, Minstrel Man is a lively musical drama built around the talents of veteran vaudevillian Benny Fields. The star is cast as Dixie Boy Johnson, who rises from the ranks of minstrel shows to become a top Broadway attraction. On the opening night of his greatest stage triumph, Dixie Boy's wife dies in childbirth. Profoundly shaken, he walks out of the show, leaving the baby to be raised by his showbiz pals Mae and Lasses White (Gladys George, Roscoe Karns). The kid grows up to be an attractive young woman named Caroline (Judy Clark), who follows in her dad's footsteps by billing herself as-that's right-Dixie Girl Johnson. This leads to a tearful reunion between Caroline and the father she'd long assumed to be dead. If Minstrel Man seems at times to be a dress rehearsal for Columbia's The Jolson Story (1946), it shouldn't surprising: the PRC film was directed by Joseph H. Lewis, who went on to helm Jolson Story's musical highlights.
When there’s no money left at home and the prematurely wise Wesley (12) arrives empty-handed at the birthday party of his impressive classmate Myra (12), he decides to secretly pose as the birthday kid on a radio broadcast to increase his chances of winning the big prize package.
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The film mainly consists of various, often grotesque episodes. There is also a frame story from which the episodes are derived. However, the connection between the frame story and the episodes is very weak. Many episodes revolve around surveillance and security. In the frame story, insurance agent Erich and Richard are stuck together in an elevator that is unusually large for an apartment building (about 3x3 meters). While Erich wants to get out as quickly as possible, Richard isn't actually in any hurry, as he seems to live in the elevator.
The evil Gen. Rancor has his sights set on world domination, and only one man can stop him: Dick Steele, also known as Agent WD-40. Rancor needs to obtain a computer circuit for the missile that he is planning to fire, so Steele teams up with Veronique Ukrinsky, a KGB agent whose father designed the chip. Together they try to locate the evil mastermind's headquarters, where Veronique's father and several other hostages are being held.
Charlie's got a 'job' to do. Having just left prison he finds one of his friends has attempted a high-risk job in Torino, Italy, right under the nose of the mafia. Charlie's friend doesn't get very far, so Charlie takes over the 'job'. Using three Mini Coopers, a couple of Jaguars, and a bus, he hopes to bring Torino to a standstill, steal a fortune in gold and escape in the chaos.
When Gabriel and Emilie meet by chance, he offers her a ride, and they spend the evening talking, laughing and getting along famously. At the end of the night, Emilie declines Gabriel's offer of "a kiss without consequences". Emilie admonishes him that the kiss could have unexpected consequences, and tells him a story, unfolding in flashbacks, about the impossibility of indulging your desires without affecting someone else's life.
The twelve-year-old Emil and his father are haunted by bad luck. To take a break from a series of family disasters, Emil is allowed to spend a few days with a friend of the family, the female priest Hummel in Berlin. In the train he runs across the slick Max Grundeis who anaesthetizes Emil and steals his savings of 1500 DM. When he finally arrives in Berlin, Emil and a gang of street kids, led by the cheeky girl Pony Hütchen, try to find the gangster, who haunts the posh Hotel Adlon as a hotel thief. Meanwhile, to prevent anyone from finding out about Emil's mishap, Gypsi, a member of the gang of kids, passes himself off as Emil, thus wreaking havoc on the home of the priest.
A low-class antisocial family ends up in a rich upper-class neighborhood and causes all sorts of trouble.
Ryan and Jennifer are opposites who definitely do not attract. At least that's what they always believed. When they met as twelve-year-olds, they disliked one another. When they met again as teenagers, they loathed each other. But when they meet in college, the uptight Ryan and the free-spirited Jennifer find that their differences bind them together and a rare friendship develops.
Benji, Bobby, and Huey are three 17 year olds who spend their days chasing girls and hanging out at Montana's Ice Cream Parlor. In their constant pursuit for sex, they are caught in the apartment of local nymphomaniac Stella by her boyfriend and get more than they bargained for from hooker Ze Ze! Meanwhile, Benji has fallen for new girl Nikki and is the only person who comes to her aid after Bobby gets her pregnant then dumps her.
It's the greasy 50's, and girls are still causing problems for the Lemon Popsicle boys! Benji falls head over heels in love with new girl Tammy but manages to ruin the relationship by pushing her to go all the way. Benji is the object of Martha's affections, even though she is dating Huey, and as usual Bobby is finding it hard to stay faithful to just one girl! Going Stead is set against a backdrop of sunlit beaches, moonlit nights... and Rock 'n' Roll!
Further adventures of Bobby, Benji, and Huey in their pursuit of sex in the 50's. While preparing for their final exams, they try to work out if it's better to be going steady with one girl, and if changing girlfriends all the time leads to too many complications. This leads to frustrations with girls who wont go all the way, and problems with girls will go all the way with anyone!
