Dialogue 20-40-60

Nov 29, 1968

1h 18m

★ 5.3

Overview

"Using the same, three times repeating dialogue – dramatic conversation between man and woman – Jerzy Skolimowski from Poland, Slovak director Peter Solan and Czech director Zbynìk Brynych shot three different stories. The result was an extraordinary experiment in the world cinema, which we can call an insight in the relationships of men and women of different age groups, an analysis of love and marriage of those who are at the beginning, in the middle or going towards the end of their life."

Genres

Drama

Comedy

Production Companies

Štúdio hraných filmov Bratislava

Dialogue 20-40-60 Trailers

No Trailers found.

Cast

Magda (segment "The Twenty-Year-Olds")

Joanna Szczerbic

Adamík (segment "The Twenty-Year-Olds")

Jean-Pierre Léaud

Fabián (segment "The Twenty-Year-Olds")

Jiří Vršťala

Klára (segment "The Twenty-Year-Olds")

Jana Glazerová

Girl (segment "The Twenty-Year-Olds")

Oľga Šalagová

Women 1 (segment "The Forty-Year-Olds")

Viera Strnisková

Magician (segment "The Forty-Year-Olds")

Jiří Holý

Woman 2 (segment "The Forty-Year-Olds")

Zuzana Kocúriková

Attendant (segment "The Forty-Year-Olds")

Jindřich Láznička

Old man (segment "The Sixty-Year-Olds")

Jozef Kroner

Actress (segment "The Sixty-Year-Olds")

Ljuba Hermanová

Women 2 (segment "The Sixty-Year-Olds")

Jana Beláková

Like the twining vines of the honeysuckle, each of the three stories in this film follow a character whose growth is impeded by the clouds of society hanging over their heads. From a Hungarian taxi driver torn between the preservation of his family and the unexpected humane responsibility found in the clandestine activities he does for profit, to the Hungarian teenager of a single mother whose idea of life goals and success seems perpetually defined by the missing figure of a role model, and finally to the young Indian Carnatic singer who amidst personal and national turmoil decides to sacrifice the one thing that defines her - her talent, Honeysuckle aims not to narrate or condescendingly offer a message, as much as it seeks to illustrate the many life directions available, and the way none of them are good, in a world severely lacking a moral center.

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