Dead City (Greek: Nekri politeia) is a 1951 Greek drama film directed by Frixos Iliadis. It was entered into the 1952 Cannes Film Festival.
Lena
Petros Petrokostas
Gianna
Lambros
Mrs. Petrokosta
The escape of Bubber Reeves from prison affects the inhabitants of a small Southern town.
Young Al Capone catches the eye of Johnny Torrio, a criminal visiting New York from Chicago. Torrio invites Capone to move to Illinois to help run his Prohibition-era alcohol sales operation. Capone rises through the ranks of Torrio's gang and eventually takes over. On top, he works to consolidate his power by eliminating his enemies, fixing elections to his advantage and getting rich. In his spare time, Capone courts the principled Iris Crawford.
A hardcore US racist skinhead who, because of his intelligence, leads a gang dedicated to fighting the enemy: the supposed American-Jewish conspiracy for domination. However, he's hiding a secret: he's Jewish-born, a brilliant scholar whose questioning of the tenets of his faith has left him angry and confused, turning against those who he thinks have a tragic history of their own making.
The drug-induced utopias of four Coney Island residents are shattered when their addictions run deep.
In early 1980s Manhattan, a pair of Irish-American brothers become embroiled in a conflict with the Irish Mob.
In a world where vendettas are officially sanctioned, the people sometimes needed help in carrying out their vengeance. Sanada Hiroyuki stars as Sukeroku the Helper, a ‘cool and rambling yakuza’ that has made a business out of helping victims carry out their revenge. When he returns to his hometown to pay a visit to his mother’s grave he meets a deadly ronin who carries a secret which eventually leads him into a vendetta of his own.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.
The gypsy Azucena (Fiorenza Cossotto) takes revenge for her mother who was accused of putting a curse on one of the old Count di Luna's two sons: she decides to abduct the younger child and throw it in the flames. But when she is about to carry out this fatal act, the gypsy sacrifices her own child and keeps the old Count’s son, whom she names Manrico (IL TROVATORE, Plácido Domingo). Later, as adults, the troubadour Manrico and the Count di Luna’s elder son (Piero Cappucilli) do not know each other, but become rivals for the beautiful Leonora (Raina Kabaivanska). Manrico succeeds in winning the young woman’s heart, and she sacrifices herself for him, deceiving the Count’s son. Mad with jealousy, the latter orders the execution of the troubadour in front of his mother. Azucena reveals to him that Manrico was his brother. This legendary performance of Giuseppe Verdi's most successful opera was recorded at the Vienna State Opera under the baton of Herbert von Karajan.
A teenage girl's accidental death incites a media frenzy and causes her harsh father to turn his rage against those he believes are responsible.
Cultured Mario and outlaw Lucien, twins separated at birth, join forces to avenge their parents' death at the hands of evil Colonna. Because each feels all the same sensations experienced by the other, swordplay is difficult for them. Worse yet, raised very differently, they struggle to find common ground between their conflicting personalities. But to defeat their enemy, the two will have to overcome the obstacles and work as a team.
Trash is a coming of age drama set amongst the poverty stricken trailer parks of the deep South. In a spiraling tale of hatred, love and loyalty, two teenage friends realize that the only way for each of them to escape their miserable futures is by forever sacrificing the other.
Tyler seeks revenge on a college classmate who he believes stole his girlfriend, Enna. Tyler returns to their hometown, reenters his old classmates lives, and begins unleashing dark secrets regarding Marcus, Enna, and Marcus' wife Lisa.
The tale of the famous vendetta, vengeance over the years between two families. For nearly nothing at the start, as always with Sicilians or Corsican people, from the underworld or not...
A deported gangster trains an Italian convict to take over his operations in the U.S.
After hiding a murderer, a Catholic priest is forced into self-exile and decides to embark on a pilgrimage through the Mexican countryside.
A triangle of love, attraction and hatred in this new Slovak film with fantastic acting performances. Three friends in their best years decide to celebrate a divorce, a fortieth birthday and a new sexual adventure. However, they don't count on Zuza's sixteen-year-old daughter Mira, who, in addition to her rebellion against the world's conventions, brings a hatred for her mother and a desire to be loved at any cost.
When his brother is kidnapped in a home invasion, Cole has no choice but to delve into his absent father's criminal past to try and bring him home, and lift his family from the criminal underworld's reach once and for all.
Lovers & Murderers is about the ongoing war between those who have and those who want to have what the others have. The have-nots see themselves as poor victims trying to get for themselves what is justly theirs. But when the have-nots become haves, they continue to see themselves as victims of the hordes baying for what is justly theirs, and they have neither the energy nor the security to enjoy what they have obtained. The movie takes place in the microcosm of a small apartment building. The principal goal of the young people who share rooms in the building is to move into their own room and, some day, a real apartment. They scheme to get what they're after: form short-lived alliances, petition, frighten, marry, become pregnant, anything that might work. Lovers & Murderers presents Páral's vision of mankind caught in a cyclical process in which ideology pales before the pettiness, cruelty, and self-justification of human nature.
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