Palavra (En)Cantada

Mar 13, 2009

1h 26m

★ 6.4

Overview

Palavra (En)Cantada makes a journey in the history of the Brazilian songbook with a look at the relationship between poetry and music, sewing testimonials of great names of our culture, musical performances and amazing research of images.

Genres

Documentary

Music

Production Companies

Debê Produções

Radiante Filmes

Palavra (En)Cantada Trailers

No Trailers found.

Cast

Self

Adriana Calcanhotto

Self

Arnaldo Antunes

Self

Antonio Cícero

Self

Bnegão

Self

Black Alien

Self

Chico Buarque

Self

Jorge Mautner

Self

José Celso Martinez Corrêa

Self

José Miguel Wisnik

Self

Lirinha

Self

Lenine

Self

Luiz Tatit

The story of the legendary wits who lunched daily at the Algonquin Hotel in New York City during the 1920s. The core of the so-called Round Table group included short story and poetry writer Dorothy Parker; comic actor and writer Robert Benchley; The New Yorker founder Harold Ross; columnist and social reformer Heywood Broun; critic Alexander Woollcott; and playwrights George S. Kaufman, Marc Connelly, Edna Ferber and Robert Sherwood.

7.0

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7.2

Bloody Daughter

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6.9

Olympia: Part One – Festival of the Nations

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6.7

Olympia: Part Two – Festival of Beauty

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6.9

Beyond Silence

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5.9

Bollywood/Hollywood

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Rahul Seth is a dashing young millionaire who believes he is "western" enough to rebel against his mother and grandmother. They are not too keen about his Caucasian girlfriend Kimberly who, to make matters worse, is a pop star. Before you can say "karmic intervention," Kimberly dies in a freak accident and Rahul is devastated. Instead of allowing him to mourn in peace, Rahul's mother sees the opportunity she's been waiting for. She threatens to call off his sister's wedding unless he finds himself a "nice Indian girl." Rahul enlists the services of Sue, a fiercely independent escort whom he believes to be Hispanic, and therefore not "married" to the conventions taught to young Indian women. With a wink in her eye, Sue accepts the deal to pose as his Indian bride-to-be. She needs the money and having never been a fan of the typical Indian male, she feels her heart is safe. The charade begins....

0.0

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6.7

Ulysse

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At the sea shore, a goat, a child, and a naked man. This is a photograph taken in 1954 by Agnès Varda. The goat was dead, the child was named Ulysses, and the man was naked. Starting from this frozen image, the film explores the real and the imaginary.

10.0

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5.8

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Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.

5.5

My Own Breathing

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"My Own Breathing" is the final documentary of the trilogy, The Murmuring about comfort women during the World War II directed by BYUN Young-joo. This is the completion of her seven years work. BYUN's first and second documentaries spoke of grandmothers' everyday life through the origin of their torment, while My Own Breathing goes back to their past from their everyday life. Deleting any device of narration or music, the camera lets grandmothers talk about themselves. Finally, the film revives their deep voices trampled by harsh history.

5.7

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7.2

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7.2

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No Image Available

7.0

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0.0

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Experimental film about rhythm as corporal expression of a culture. Presents various choreographies and does not include the participation of men.

No Image Available

6.2

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6.7

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