Beatriz
Cecília
Luana
Amanda
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After awakening from a recurring nightmare, Luanda, a Black woman and single mother, finds her day pierced by painful memories that insist on resurfacing. A seemingly simple, intimate unease draws her back into recollections of a past shaped by poverty and sorrow. As she confronts these ghosts, Luanda revisits the experiences that forged her path and reveal the strength of the woman she has become.
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Roberto spends his days in solitude, carrying a wound that still bleeds nostalgia. Until one night of reunions leads him to confront his emotions and face them head-on. But upon seeing once again the person he loved most, he will discover that not everything can be saved, and that both love and goodbye are inevitable.
On a sweltering May night, five seventeen-year-old friends gather for a pre-party drinking session, intending it to be their ultimate escape. However, the party spirals out of control when Laura suffers severe alcohol poisoning. Fearing the consequences and desperately seeking refuge, the group locks themselves in an empty house against the clock. In the suffocating confinement of this claustrophobic isolation, each girl's selfishness and secrets are laid bare, transforming the medical emergency into a brutal psychological examination that will test the limits of their loyalty and forever alter their relationships.
A couple faces the heartbreaking decision of whether to disconnect their hospitalized child from life support. A woman reunites with an old acquaintance to settle unfinished business. Another woman is given the chance to save her partner through a sacrifice. A relationship reaches its end, and a woman receives a terminal diagnosis. These stories converge in an anthology about love, pain, and death.
Cargas D’Água” is an authorial and regional Brazilian musical written and directed by Vitor Rocha (author of Casusbelli) which, because it does not need great resources and has a short duration, is nicknamed “a pocket musical”. It's a story that begins right in the middle of Brazil: in the hinterland of Minas Gerais. A boy loses his revered mother and ends up forgetting his own name, because his stepfather, now the only member of the family, only calls him “kid”. But everything changes when he makes a friend, nothing ordinary, a fish, and starts to see his whole story with different eyes. Now he has a mission: to take his friend to see the sea.
Dalva is an anthropologist from Nilópolis who is searching for the source of the Sarapuí River, which runs through several cities in the Baixada Fluminense region. Immersed in dreams and memories, she discovers that these forgotten waters still pulse with life.