A story of long, long ago. When the world was just beginning.
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With the arrival of major international movie theater chains in the late 1990s, the era of the old-fashioned movie theaters in Quito came to an end. For more than 80 years, the city was dominated by iconic movie theaters that captivated audiences like no other. The Bolívar, Variedades, Atahualpa, Alhambra, Capitol, and Fénix theaters, among others, were the gods of cinema that, in their heyday, projected illusions, desires, and fantasies onto the big screen for viewers. This documentary is a journey through time, a reconstruction of that cinematic memory through testimonies, vestiges, and memories.
With her short red hair, expressive face, vitality, and playful acting style, Shirley MacLaine stands out in the Hollywood pantheon. Driven by a volcanic personality and iron discipline inherited from classical dance, she has constantly reinvented herself, from the girl next door to the eccentric old lady she plays on screen today, proving at 91 that there is a place for actresses of all ages. A refreshing portrait featuring film clips and archival footage, particularly those in which this talk show regular exercises her sharp wit.
Bandits, Bandits, Brazil, Munchausen, Twelve Monkeys, not to mention the crazy Monty Python saga... With their visual extravagance and ever-fresh originality, amplifying his vision of a humanity that is as disturbing as it is comical, his films have made history. In the same baroque, zany, but also tragic vein, Terry Gilliam's work and life merge into an adventure that borders on the epic.
The antithesis of the virile heroes of his era, James Dean shook up the representation of adolescence and masculinity in three films shot in 1955, the same year he died in a car accident at the age of 24—exactly seventy years ago: Rebel Without a Cause, East of Eden, and Giant. This meteoric rise made him an instant icon, frozen in eternal, rebellious youth, which still resonates strongly today.
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The short documentary traces the fading light of Belém’s silver screens through the eyes of a young filmmaker and aspiring historian. With camera in hand, he sets out to preserve the stories of the three movie theaters that once defined the city’s cultural pulse
A documentary celebrating over one hundred years of The Riverside Theatre & Cinema in Woodbridge.
Can you become a star without being a loudmouth? Absolutely, and Bourvil is proof of that. This discreet artist had many talents: he was both an actor and a singer, with equal success and enjoyment. First noticed for his songs and sketches, in which he created the character of the village idiot, he learned through experience the art of creating characters who were naive, certainly, but increasingly subtle. We propose to look back on the all too brief life of this man who was as endearing as he was discreet.
This documentary looks back on a career of a woman who, very early on, refused to accept the roles assigned to her. In the 1980s, while others were trying to please, she wrote "Les hommes préfèrent les grosses" (Men Prefer Fat Women), a manifesto ahead of its time, funny, feminist, and blunt. Later, with "Gazon maudit" (Damned Grass), she tackled homosexuality with a freedom that is still shocking today.
A documentary film that capture the moment of an old man in the dilapidated oldest cinema in Yangon reflecting his old day working in this cinema and missing the time with his beloved wife who has passed away.
Claude Lelouch was a Jewish child in occupied France. In this documentary, he talks about the trauma he still feels from that experience, but also how it inspired him to become a filmmaker. The 1940s appear to be a formative period, key to understanding the work and career of this famous director, whose films and life have always been inseparable.
An audiovisual essay constructed from Super 8 footage filmed during camera tests for the short film ‘La Trampa’. Through gestures, light, and silences, it reflects on what the image reveals and what it leaves unsaid.
Between the nostalgia of resurfacing roots and the desire to venture into song to experience a rebirth, Nicolas Maury reveals himself unguarded before Didier Varrod, with a deeply moving sincerity. Nicolas Maury released his first album, La porcelaine de Limoges, in January 2023—a new experience for this unique, demanding, and multifaceted actor. It is an opportunity to paint an intimate portrait of him through an extended interview on a train between Paris and Limoges. In this specific setting, which was also that of his first (silent) film role with Patrice Chéreau in Those Who Love Me Can Take the Train, Nicolas discovers archives and hears from close acquaintances who speak about him. A documentary film, like a kind of initiation rite, it moves back and forth between memories of France and childhood, and his condition as a man and artist today, taking on a new identity through music.
A documentary exploring Saudi Arabia's hidden film culture, following movie lovers who grew up without theaters in the 1980s and uncovering the nation's pre-1979 cinematic history through pioneers who kept their passion alive.
Choreography of familiar gestures that the author was able to spice up with a peculiar and original perspective.
A look back at the filming of À Bicyclette !, written by and starring Mathias Mlekuz and Philippe Rebbot, which took place across Europe. During filming, the bond between Mathias Mlekuz and Philippe Rebbot grew stronger and many emotions came to the surface in this film filled with laughter, tears, hope, disappointment, and love.
G. Cain
